Album Info
Artist: | Material |
Album: | One Down |
Released: | Europe, 1982 |
Tracklist:
A1 | Take A Chance | 4:32 |
Backing Vocals - B.J. Nelson | ||
Drums - J.T. Lewis | ||
Guitar - Nicky Skopelitis | ||
Lead Vocals, Backing Vocals - Nona Hendryx | ||
Timbales, Bells - Nicky Marrero | ||
Written-By - B. Laswell, M. Beinhorn | ||
A2 | I'm The One | 5:26 |
Bongos - Daniel Ponce | ||
Drums - Tony Thompson | ||
Electric Piano [Yamaha CP-70B Electronic Grand Piano] - Raymond Jones | ||
Guitar - Nile Rodgers | ||
Lead Vocals, Backing Vocals - R. Bernard Fowler | ||
Written-By - R. B. Fowler, B. Laswell, M. Beinhorn | ||
A3 | Time Out | 4:55 |
Drums - J.T. Lewis | ||
Guitar - Fred Frith | ||
Snare - Nicky Marrero | ||
Written-By - B. Laswell, M. Beinhorn, T.L. Le | ||
A4 | Let Me Have It All | 5:24 |
Backing Vocals - B.J. Nelson, Nona Hendryx | ||
Drums - Yogi Horton | ||
Guitar - Ronnie Drayton | ||
Lead Vocals - Noris Night | ||
Written-By - S. Stewart | ||
B1 | Come Down | 4:47 |
Alto Saxophone, Tenor Saxophone - Oliver Lake | ||
Drums - Tony Thompson | ||
Guitar - Nile Rodgers | ||
Lead Vocals, Backing Vocals - R. Bernard Fowler | ||
Written-By - R. B. Fowler, B. Laswell, M. Beinhorn | ||
B2 | Holding On | 4:43 |
Drums - J.T. Lewis | ||
Guitar - Nicky Skopelitis, Ronnie Drayton | ||
Lead Vocals, Backing Vocals - B.J. Nelson | ||
Timbales, Bells - Nicky Marrero | ||
Written-By - B. Laswell, B. Eno, M. Beinhorn | ||
B3 | Memories | 4:00 |
Drums - Yogi Horton | ||
Electric Piano [Yamaha CP-70B Electronic Grand Piano] - Raymond Jones | ||
Lead Vocals - Whitney Houston | ||
Tenor Saxophone - Archie Shepp | ||
Written-By - H. Hopper | ||
B4 | Don't Lose Control | 4:19 |
Bongos - Daniel Ponce | ||
Drums - Tony Thompson | ||
Guitar, Voice - Nicky Skopelitis | ||
Voice - Jean Karakos, Thi-Linh Le | ||
Written-By - B. Laswell, M. Beinhorn |
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Description
"One Down" by Material, released in 1982, is an album that stands out in the landscape of post-punk and experimental music. Material, led by bassist Bill Laswell, was known for its innovative fusion of genres, and this album is a testament to that creative spirit. The record features a blend of jazz, funk, and rock, with a heavy emphasis on rhythm and groove, making it a unique listening experience that still resonates today.
The album opens with the track "Memory Serves," which sets the tone with its hypnotic bass lines and intricate percussion. Laswell's bass work is nothing short of mesmerizing, and it’s clear from the outset that this album is going to take listeners on a journey. The production is crisp and layered, showcasing the talents of the various musicians involved, including the legendary guitarist Sonny Sharrock and drummer Ronald Shannon Jackson. Their contributions add a rich texture to the sound, making each track feel alive and dynamic.
One of the standout tracks on the album is "The Third Power," which features a powerful vocal performance by the iconic singer and poet, James Chance. His unique style blends punk energy with jazz influences, creating a sound that is both raw and sophisticated. The track is a perfect example of how Material was able to bridge different musical worlds, and it has been praised for its innovative approach to songwriting and arrangement.
Critically, "One Down" received a warm reception upon its release. Major publications like Rolling Stone and The Village Voice highlighted the album's adventurous spirit and its ability to push boundaries. Critics noted that Material was at the forefront of a new wave of music that was unafraid to experiment with form and style. The album has since been recognized as a significant work in the genre, influencing countless artists and musicians who followed.
In terms of cultural significance, "One Down" arrived during a time when the music scene was rapidly evolving. The early 1980s saw the rise of new wave, punk, and hip-hop, and Material's willingness to incorporate elements from these genres made them a pivotal player in the underground music movement. The album's experimental nature resonated with listeners who were looking for something fresh and different, and it has since been regarded as a classic of its time.
Another interesting aspect of the album is its production. Bill Laswell, known for his work with various artists across genres, brought his unique vision to the project. He was not only a bassist but also a producer who understood how to create a sound that was both polished and raw. The recording sessions for "One Down" were marked by a collaborative spirit, with various musicians contributing their ideas and styles, resulting in a rich tapestry of sound that is both cohesive and diverse.
Personal anecdotes from Laswell and other musicians involved in the project often highlight the experimental nature of the recording process. They embraced spontaneity, allowing for moments of improvisation that added to the album's organic feel. This approach is evident in tracks like "The Third Power," where the interplay between musicians creates a sense of urgency and excitement.
In conclusion, "One Down" by Material is more than just an album; it’s a landmark in the evolution of experimental music. Its blend of genres, innovative production, and standout performances make it a must-listen for anyone interested in the rich tapestry of 1980s music. The album not only showcases the talents of its contributors but also reflects a time of great change and creativity in the music world. If you haven't had the chance to dive into this gem yet, I highly recommend giving it a spin—you might just find yourself captivated by its unique sound and the stories it tells.