Album Info
Artist: | Michael Jackson |
Album: | Thriller |
Gatefold: | Yes |
Released: | Australia, 1982 |
Tracklist:
A1 | Wanna Be Startin' Something | 6:20 |
Arranged By [Horn Arrangement] - Jerry Hey, Michael Jackson | ||
Arranged By [Rhythm Arrangement] - Michael Jackson, Quincy Jones | ||
Arranged By [Vocal Arrangement] - Michael Jackson | ||
Backing Vocals [Background Vocals] - Becky Lopez, Bunny Hull, James Ingram, Julia Waters, Maxine Waters, Michael Jackson, Oren Waters | ||
Bass - Louis Johnson | ||
Electric Piano [Rhodes], Synthesizer - Greg Phillinganes | ||
Guitar - David Williams | ||
Percussion - Paulinho Da Costa | ||
Percussion [Bathroom Stomp Board] - Michael Jackson, Nelson Hayes, Steven Ray | ||
Saxophone [Sax], Flute - Larry Williams | ||
Synthesizer - Bill Wolfer, Michael Boddicker | ||
Trombone - Bill Reichenbach | ||
Trumpet, Flugelhorn - Gary Grant, Jerry Hey | ||
Written-By - Michael Jackson | ||
A2 | Baby Be Mine | 4:20 |
Arranged By [Horn Arrangement] - Jerry Hey | ||
Arranged By [Vocal, Rhythm And Synthesizer Arrangement] - Rod Temperton | ||
Drums - Ndugu Chancler | ||
Guitar - David Williams | ||
Keyboards, Synthesizer - Greg Phillinganes | ||
Programmed By [Synthesizer Programming] - Anthony Marinelli, Brian Banks, Steve Porcaro | ||
Saxophone [Sax], Flute - Larry Williams | ||
Synthesizer - David Paich, Michael Boddicker | ||
Trombone - Bill Reichenbach | ||
Trumpet, Flugelhorn - Gary Grant, Jerry Hey | ||
Written-By - Rod Temperton | ||
A3 | The Girl Is Mine | 3:42 |
Arranged By [Rhythm Arrangement] - David Paich, Quincy Jones | ||
Arranged By [Synthesizer Arrangement] - David Foster | ||
Arranged By [Vocal Arrangement] - Michael Jackson, Quincy Jones | ||
Arranged By, Conductor [Strings Arranged And Conducted By] - Jerry Hey | ||
Bass - Louis Johnson | ||
Concertmaster - Jerry Vinci | ||
Drums - Jeff Porcaro | ||
Electric Piano [Rhodes] - Greg Phillinganes | ||
Featuring - Paul McCartney | ||
Guitar - Dean Parks, Steve Lukather | ||
Piano - David Paich | ||
Programmed By [Synthesizer Programming] - Steve Porcaro | ||
Synthesizer - David Foster | ||
Written-By - Michael Jackson | ||
A4 | Thriller | 5:57 |
Arranged By [Horn Arrangement] - Jerry Hey | ||
Arranged By [Vocal, Rhythm And Synthesizer Arrangement] - Rod Temperton | ||
Effects - Bruce Cannon, Bruce Swedien | ||
Featuring - Vincent Price | ||
Guitar - David Williams | ||
Programmed By [Synthesizer Programming] - Anthony Marinelli | ||
Rap - Vincent Price | ||
Saxophone [Sax], Flute - Larry Williams | ||
Synthesizer - Brian Banks, Greg Phillinganes, Rod Temperton | ||
Trombone - Bill Reichenbach | ||
Trumpet, Flugelhorn - Gary Grant, Jerry Hey | ||
Written-By - Rod Temperton | ||
B1 | Beat It | 4:17 |
Arranged By [Rhythm Arrangement] - Michael Jackson, Quincy Jones | ||
Arranged By [Vocal Arrangement] - Michael Jackson | ||
Drums - Jeff Porcaro | ||
Electric Piano [Rhodes], Synthesizer - Greg Phillinganes | ||
Guitar - Eddie Van Halen, Paul Jackson | ||
Guitar, Electric Bass - Steve Lukather | ||
Keyboards - Bill Wolfer | ||
Percussion [Drum Case Beater] - Michael Jackson | ||
Synthesizer [Synclavier] - Tom Bahler | ||
Synthesizer [Synergy] - Greg Smith | ||
Synthesizer, Programmed By [Synthesizer Programming] - Steve Porcaro | ||
Written-By - Michael Jackson | ||
B2 | Billie Jean | 4:57 |
Arranged By [String Arrangement] - Jerry Hey | ||
Arranged By [Vocal, Rhythm And Synthesizer Arrangement] - Michael Jackson | ||
Bass - Louis Johnson | ||
Conductor [Strings Conducted By] - Jeremy Lubbock | ||
Drums - Ndugu Chancler | ||
Electric Piano [Rhodes], Synthesizer - Greg Phillinganes | ||
Guitar - Dean Parks | ||
Synthesizer - Greg Smith | ||
Synthesizer [Emulator] - Michael Boddicker | ||
Synthesizer, Programmed By [Synthesizer Programming] - Bill Wolfer | ||
Written-By - Michael Jackson | ||
B3 | Human Nature | 4:05 |
Arranged By - David Paich, Steve Lukather, Steve Porcaro | ||
Drums - Jeff Porcaro | ||
Guitar - Steve Lukather | ||
Percussion - Paulinho Da Costa | ||
Synthesizer - David Paich | ||
Synthesizer [Emulator] - Michael Boddicker | ||
Synthesizer, Programmed By [Synthesizer] - Steve Porcaro | ||
Written-By - John Bettis, Steve Porcaro | ||
B4 | P.Y.T. (Pretty Young Thing) | 3:58 |
Arranged By - James Ingram, Quincy Jones | ||
Backing Vocals - Howard Hewett, James Ingram | ||
Drums - Ndugu Chancler | ||
Electric Bass - Louis Johnson | ||
Guitar - Paul Jackson | ||
Handclaps - Greg Phillinganes, James Ingram, Louis Johnson, Michael Jackson, Steven Ray | ||
Keyboards [Portasound Keyboard] - James Ingram | ||
Performer - P.Y.T's | ||
Synthesizer, Programmed By [Synthesizer Programming] - Greg Phillinganes | ||
Vocoder, Synthesizer [Emulator] - Michael Boddicker | ||
Written-By - James Ingram, Quincy Jones | ||
B5 | The Lady In My Life | 4:57 |
Arranged By - Rod Temperton | ||
Bass - Louis Johnson | ||
Drums - Jeff Porcaro | ||
Electric Piano [Rhodes] - Greg Phillinganes | ||
Guitar - Paul Jackson | ||
Synthesizer - David Paich, Steve Porcaro | ||
Synthesizer [Emulator] - Michael Boddicker | ||
Written-By - Rod Temperton |
Info About Buying Vinyl From Our Record Store
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Description
In the pantheon of iconic albums, Michael Jackson's "Thriller," released in 1982, holds a singular position. An epic fusion of pop, rock, funk, and R&B, "Thriller" is not just an album; it's a cultural phenomenon that shattered records, transcended genre boundaries, and redefined the very essence of pop music.
From the outset, the pulsating bassline of "Wanna Be Startin' Somethin'" signals the listener is in for an electrifying experience. Jackson's signature vocals, matched with Quincy Jones' masterful production, create a sonic texture that is as immersive as it is invigorating. This track sets the pace for an album that never lets up, delivering hit after hit.
"Thriller," the title track, with its unforgettable bassline and iconic Vincent Price narration, is more than just a song; it's an experience. The accompanying video, a mini-movie in its own right, not only revolutionized music video production but also fortified Jackson's reputation as the "King of Pop."
But "Thriller" is not just about its upbeat dance tracks. "Human Nature" is a haunting ballad that showcases Jackson's vocal range and sensitivity. Its ethereal soundscape, punctuated by shimmering synthesizers, stands in contrast to the driving rhythms of tracks like "Billie Jean" and "Beat It."
Speaking of "Billie Jean" and "Beat It," these tracks are nothing short of pop masterpieces. The former, with its compelling narrative and unforgettable bass riff, is a masterclass in songwriting and production. The latter, featuring Eddie Van Halen's blistering guitar solo, is a seamless fusion of pop and rock that still sounds as fresh today as it did in 1982.
"P.Y.T. (Pretty Young Thing)" and "The Lady in My Life" further illustrate the album's versatility, delving into funk and smooth R&B, respectively. Every track on "Thriller" is meticulously crafted, ensuring there's not a single filler in this lineup.
Beyond the music, "Thriller" had a profound cultural impact. It broke racial barriers on MTV, set new standards for music videos, and solidified the album format's significance at a time when singles were dominating. Its universal appeal made it a global sensation, creating a shared musical experience for listeners worldwide.
If there's any critique to be offered, it's not about the content but the immense shadow "Thriller" cast. Its monumental success set such a high bar that even Jackson's subsequent releases, as brilliant as they were, often found themselves compared to this magnum opus.
In conclusion, Michael Jackson's "Thriller" is not just an album; it's a milestone in music history. Its unparalleled blend of songwriting, performance, production, and cultural impact makes it a touchstone against which pop music is often measured. Decades after its release, "Thriller" remains a testament to Jackson's genius, a record that continues to thrill and inspire.