Album Info
Artist: | Soul II Soul |
Album: | Club Classics Vol. One |
Released: | Australia, 1989 |
Tracklist:
A1 | Keep On Movin' | 6:00 |
Arranged By [Musical Arrangement] - Jazzie B | ||
Arranged By [String Arrangements] - Mykaell S. Riley | ||
Engineer - Arabella Rodriguez | ||
Keyboards - Simon Law | ||
Programmed By [Additional Programming] - Gota | ||
Programmed By [Programming] - Nellee | ||
Strings - Reggae Philharmonic Orchestra | ||
Vocals, Featuring - Caron Wheeler | ||
A2 | Fairplay | 5:55 |
Arranged By [Musical Arrangement] - Jazzie B | ||
Bass - Andrew Levy | ||
Engineer - Dubfire, Arabella Rodriguez, Howie Bernstein | ||
Keyboards - Marco | ||
Percussion - Crispin | ||
Programmed By [Programming] - Nellee | ||
Vocals, Featuring - Rose Windross | ||
Written-By - Hooper, Windross | ||
A3 | Holdin' On (Bambelela) | 4:13 |
Arranged By [Musical Arrangement], Vocals - Jazzie B | ||
Engineer - Arabella Rodriguez | ||
Piano, Keyboards - Simon Law | ||
Programmed By [Programming] - Nellee | ||
Vocals [Zulu Vocals] - Shikisha | ||
Written-By - Law | ||
A4 | Feeling Free (Live Rap) | 4:13 |
Backing Vocals - Aitch B, Massive Attack | ||
Harmony Vocals - Simon Law | ||
Rap [Rap Vocal] - Jazzie B | ||
Turntables - Dolby | ||
A5 | African Dance | 6:00 |
Arranged By [Musical Arrangement] - Jazzie B | ||
Engineer - Arabella Rodriguez | ||
Flute - Kushite | ||
Keyboards, Piano - Simon Law | ||
Percussion - Zak Ovre | ||
Programmed By [Programming] - Nellee | ||
Written-By - Law | ||
B1 | Dance | 3:40 |
Arranged By [Musical Arrangement], Vocals - Jazzie B | ||
Engineer - Arabella Rodriguez | ||
Flute - Kushite | ||
Keyboards, Piano - Simon Law | ||
Percussion - Zak Ovre | ||
Programmed By [Programming] - Nellee | ||
Written-By - Law | ||
B2 | Feel Free | 5:00 |
Arranged By [Musical Arrangement] - Jazzie B | ||
Arranged By [String Arrangement] - Mykaell S. Riley | ||
Backing Vocals - Caron Wheeler | ||
Bass - Graham Silbiger | ||
Engineer - Dubfire, Arabella Rodriguez, Howie Bernstein | ||
Featuring - Do'Reen | ||
Programmed By [Fairlight Programming] - Mel Wesson | ||
Programmed By [Programming] - Nellee | ||
Strings - Reggae Philharmonic Orchestra | ||
Vocals - Do'reen | ||
Written-By - Hooper | ||
B3 | Happiness (Dub) | 5:30 |
Arranged By [Musical Arrangement] - Jazzie B | ||
Engineer - Arabella Rodriguez | ||
Programmed By [Additional Programming] - Gota | ||
Programmed By [Programming] - Nellee | ||
Vocals - Do'reen | ||
Written-By - Hooper | ||
B4 | Back To Life (Accapella) | 3:12 |
Engineer - Arabella Rodriguez | ||
Vocals, Featuring - Caron Wheeler | ||
B5 | Jazzie's Groove | 3:12 |
Engineer - Arabella Rodriguez | ||
Programmed By [Additional Programming] - Gota | ||
Programmed By [Programming] - Nellee | ||
Vocals, Arranged By [Musical Arrangement] - Jazzie B | ||
Written-By - Hooper |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne's North (Australia)
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- Happy Listening!
Description
Soul II Soul's "Club Classics Vol. One," released on August 21, 1989, is a landmark album that not only defined a genre but also captured the essence of a vibrant cultural moment in the late '80s and early '90s. This British musical collective, led by the visionary Jazzie B, blended elements of soul, reggae, hip-hop, and dance music, creating a sound that was both innovative and infectious. The album is often credited with helping to popularize the sound of British black music, and its influence can still be felt in contemporary music today.
From the very first track, "Fairplay," listeners are introduced to the smooth, laid-back grooves that characterize the album. The production is lush, with rich instrumentation and a seamless blend of live and electronic elements. Jazzie B's production style is both sophisticated and accessible, making it easy for listeners to get lost in the music. The standout track, "Back to Life (However Do You Want Me)," featuring the stunning vocals of Caron Wheeler, became an anthem of the era. Its catchy hook and soulful delivery helped it reach the top of the charts, and it remains a classic to this day.
The album was not just a commercial success; it also received critical acclaim. Major publications like NME and The Guardian praised its innovative sound and cultural significance. In fact, "Club Classics Vol. One" was nominated for a Grammy Award for Best Dance Recording in 1990, which is a testament to its impact on the music scene. The album's fusion of genres was groundbreaking, and it paved the way for future artists to explore similar sounds.
One of the most interesting aspects of the album is its cultural significance. Released during a time when the UK was experiencing a vibrant club culture, Soul II Soul's music became synonymous with the nightlife of London. The collective's ethos of "a happy face, a thumpin' bass, for a lovin' race" resonated with many, promoting unity and joy through music. This message was particularly important in a time when racial tensions were high, and the music served as a bridge between different communities.
In addition to its critical and commercial success, the album also spawned several other hits, including "Keep on Movin'" and "Joy," both of which showcased the group's ability to create uplifting and danceable tracks. The production on these songs is equally impressive, with intricate arrangements and a focus on rhythm that invites listeners to move. The combination of soulful melodies and infectious beats makes it hard to resist the urge to dance.
The production details of "Club Classics Vol. One" are also noteworthy. Jazzie B and his team utilized a variety of instruments and techniques, blending live instrumentation with samples and electronic elements. This approach not only gave the album its unique sound but also highlighted the creativity and resourcefulness of the collective. The album was recorded at various studios, including the legendary Sarm West Studios in London, which has been home to many iconic recordings.
Personal anecdotes from members of Soul II Soul often reflect the joy and camaraderie that went into making this album. Jazzie B has spoken about the importance of collaboration and the collective's desire to create music that resonated with people from all walks of life. This spirit of inclusivity is palpable throughout the album, making it a timeless piece of art that continues to inspire new generations of musicians.
In conclusion, "Club Classics Vol. One" by Soul II Soul is more than just an album; it's a cultural touchstone that encapsulates a moment in music history. Its blend of genres, memorable tracks, and positive message have solidified its place in the pantheon of great albums. Whether you're revisiting it or discovering it for the first time, this album is sure to bring a smile to your face and a groove to your step.