Album Info
| Artist: | Chu Berry |
| Album: | A Giant Of The Tenor Sax 1938 And 1941 |
| Released: | Germany, 1980 |
Tracklist:
| A1 | Sittin' In | 2:13 |
| Written-By - Milt Gabler | ||
| A2 | Sittin' In | 2:05 |
| Written-By - Milt Gabler | ||
| A3 | Stardust | 3:55 |
| Written-By - Hoagy Carmichael, Mitchell Parish | ||
| A4 | Body And Soul | 3:53 |
| Written-By - Eddie Heyman, Johnny Green, Robert Sour | ||
| A5 | Forty Six West Fifty Two | 2:32 |
| Written-By - Chu Berry, Milt Gabler | ||
| A6 | Forty Six West Fifty Two | 2:28 |
| Written-By - Chu Berry, Milt Gabler | ||
| B1 | Blowing Up A Breeze | 2:44 |
| Written-By - Oran Page, Chu Berry, Milt Gabler | ||
| B2 | Blowing Up A Breeze | 2:37 |
| Written-By - Oran Page, Chu Berry, Milt Gabler | ||
| B3 | On The Sunny Side Of The Street | 3:57 |
| Written-By - Jimmy McHugh - Dorothy Fields | ||
| B4 | On The Sunny Side Of The Street | 3:55 |
| Written-By - Jimmy McHugh - Dorothy Fields | ||
| B5 | Monday At Minton's | 3:02 |
| Written-By - Oran Page, Chu Berry, Milt Gabler | ||
| B6 | Monday At Minton's | 2:56 |
| Written-By - Oran Page, Chu Berry, Milt Gabler | ||
| B7 | Gee Baby, Ain't I Good To You | 4:15 |
| Written-By - Don Redman | ||
| B8 | Gee Baby, Ain't I Good To You | 4:16 |
| Written-By - Don Redman |
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Description
Chu Berry - A Giant Of The Tenor Sax 1938 And 1941 is a compilation album that showcases the remarkable talent of Leon "Chu" Berry, one of the most influential tenor saxophonists in the history of jazz. Released posthumously, this album captures recordings from a pivotal period in Berry's career, specifically between 1938 and 1941, a time when he was at the height of his creative powers.
Chu Berry was a prominent figure in the swing era, and his work with the likes of Fletcher Henderson, Cab Calloway, and Count Basie helped to shape the sound of jazz during this period. His robust, full-bodied tone and innovative improvisational skills set him apart from his contemporaries and earned him a place among the greats of jazz saxophone.
The album features a collection of tracks that highlight Berry's versatility and technical prowess. One of the standout tracks is "Christopher Columbus," a piece that Berry recorded with the Fletcher Henderson Orchestra. This track is a prime example of Berry's ability to blend seamlessly with a big band while still showcasing his individual brilliance. His solo on this track is both fluid and powerful, demonstrating his command of the instrument and his ability to convey emotion through his playing.
Another notable track is "Ghost of a Chance," a ballad that allows Berry to explore the more lyrical side of his playing. His interpretation of the melody is both tender and expressive, revealing a depth of feeling that is truly captivating. This track, in particular, has been praised by critics for its emotional intensity and technical excellence.
Berry's work with Cab Calloway's orchestra is also well-represented on this album. Tracks like "Gee, Baby, Ain't I Good to You" and "Blues in My Heart" showcase Berry's ability to swing effortlessly while maintaining a strong melodic sense. His solos on these tracks are both inventive and soulful, reflecting his deep understanding of the blues and his ability to infuse his playing with a sense of joy and spontaneity.
The historical and cultural significance of Chu Berry's work cannot be overstated. During a time when the tenor saxophone was emerging as a dominant voice in jazz, Berry's contributions helped to define the role of the instrument in the genre. His influence can be heard in the playing of later saxophonists such as Dexter Gordon, Sonny Rollins, and John Coltrane, all of whom cited Berry as an inspiration.
Critically, A Giant Of The Tenor Sax 1938 And 1941 has been well-received. Jazz historians and enthusiasts alike have praised the album for its comprehensive representation of Berry's work during this crucial period. The album serves not only as a testament to Berry's extraordinary talent but also as an important document of jazz history.
While Chu Berry's career was tragically cut short by a car accident in 1941, his legacy lives on through recordings like those featured on this album. A Giant Of The Tenor Sax 1938 And 1941 is an essential listen for anyone interested in the development of jazz and the evolution of the tenor saxophone. It offers a glimpse into the genius of Chu Berry and ensures that his contributions to the world of music will not be forgotten.
