Album Info
Artist: | Cleo Laine |
Album: | At The Wavendon Festival |
Released: | UK, 1976 |
Tracklist:
A1 | Eleanor Rigby | 2:40 |
A2 | Song | 1:52 |
A3 | You Spotted Snakes | 2:45 |
A4 | If We Lived On The Top Of A Mountain | 3:08 |
A5 | Papaito | 1:47 |
A6 | Happiness Is Just A Thing Called Joe | 4:00 |
A7 | Control Yourself | 2:51 |
B1 | That Certain Feeling | 2:15 |
B2 | Dr. David Mantle | 1:20 |
B3 | To Music | 6:20 |
B4 | Go And Catch A Falling Star | 2:48 |
B5 | Lorelei | 6:15 |
B6 | Perdido | 2:25 |
B7 | It's A Pity To Say Goodnight | 2:45 |
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Description
Cleo Laine's album "At The Wavendon Festival" was released in 1975, and it stands as a remarkable testament to her extraordinary talent as a jazz vocalist. This live recording captures the essence of Laine's performance at the Wavendon Festival, an event that she co-founded with her husband, the renowned jazz musician John Dankworth. The festival itself has historical significance, as it has been a platform for many artists and has contributed to the cultural landscape of British jazz.
From the very first notes of the album, listeners are treated to Laine's stunning vocal range and her ability to convey deep emotion through her music. The album features a mix of jazz standards and original compositions, showcasing her versatility and artistry. One standout track is her rendition of "My Funny Valentine," where Laine's voice dances effortlessly through the melody, bringing a fresh interpretation to this classic. Her ability to infuse each song with her unique style makes every track a joy to listen to.
Critics have praised "At The Wavendon Festival" for its intimate atmosphere and the palpable connection between Laine and her audience. Major publications like The Guardian and Jazz Journal have lauded her performance, noting how she engages with the crowd, making them feel like a part of the experience. This live album captures not just the music but the spirit of the festival itself, which was all about celebrating jazz and bringing people together.
The production of the album is noteworthy as well. Recorded live, it retains the raw energy of a performance, which can sometimes be lost in studio recordings. The sound quality is excellent, allowing Laine's voice to shine alongside the talented musicians accompanying her. John Dankworth's arrangements are particularly impressive, providing a rich backdrop for Laine's vocals while allowing her to take center stage.
One of the interesting aspects of this album is the personal anecdotes shared by Laine and Dankworth about their experiences at the festival. They often spoke about the joy of performing in such a beautiful setting and the camaraderie among the artists. This sense of community is palpable in the music, making it feel like a celebration rather than just a concert.
"At The Wavendon Festival" is not just an album; it's a piece of history. Cleo Laine, often referred to as one of the greatest jazz vocalists, has had a significant impact on the genre, and this album is a perfect example of her contributions. Over the years, she has received numerous accolades, including Grammy nominations and an OBE for her services to music, which further cements her legacy in the jazz world.
Listening to this album is like taking a step back in time to a vibrant festival atmosphere, where the love for jazz is palpable. It’s a reminder of the power of live music and the connections it fosters. Whether you’re a long-time fan of Cleo Laine or new to her work, "At The Wavendon Festival" is an essential listen that showcases the brilliance of one of jazz's most beloved figures. It’s a delightful experience that resonates with both the heart and the soul, making it a timeless addition to any music lover's collection.