Album Info
Artist: | Earl Hines |
Album: | The Indispensable Earl Hines Vol 1/2 (1939-1940) |
Gatefold: | Yes |
Released: | Australia, 1979 |
Tracklist:
A1 | Indiana | 2:00 |
A2 | G. T. Stomp | 2:38 |
A3 | G. T. Stomp | 2:36 |
A4 | Ridin' And Jivin' | 2:37 |
A5 | Grand Terrace Shuffle | 2:37 |
A6 | Father Steps In | 3:05 |
A7 | Piano Man | 2:34 |
A8 | Riff Medley | 2:46 |
A9 | Me And Colombus | 2:37 |
B1 | X Y Z | 2:21 |
B2 | 'Gattor Swing | 2:50 |
B3 | After All I've Been To You | 2:55 |
B4 | Lightly And Politely | 2:27 |
B5 | Rosetta | 3:05 |
B6 | Boogie Woogie On St Louis Blues | 2:43 |
B7 | Boogie Woogie On St Louis Blues | 2:49 |
B8 | Deep Forest | 2:29 |
C1 | Number 19 | 2:48 |
C2 | My Heart Beats For You | 3:03 |
C3 | Body And Soul | 2:49 |
C4 | Child Of A Disordered Brain | 2:35 |
C5 | Wait 'till It Happens To You | 3:06 |
C6 | Call Me Happy | 2:37 |
C7 | Ann | 2:58 |
C8 | Topsy Turvy | 2:41 |
D1 | Blue Because Of You | 3:15 |
D2 | You Can Depend On Me | 2:28 |
D3 | You Can Depend On Me | 2:29 |
D4 | Tantalizing A Cuban | 2:56 |
D5 | Tantalizing A Cuban | 2:55 |
D6 | Easy Rhythm | 2:50 |
D7 | In Swamplands | 2:49 |
D8 | I'm Falling For You | 3:02 |
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Description
Earl Hines, often hailed as one of the most innovative and influential jazz pianists of the 20th century, has a discography that is rich and varied. His album "The Indispensable Earl Hines Vol 1/2 (1939-1940)" is a remarkable collection that showcases his genius during a pivotal time in jazz history. Released in 1994, this compilation brings together recordings from the late 1930s, a period when Hines was at the forefront of the jazz scene, pushing boundaries and redefining the role of the piano in jazz.
The album features a selection of tracks that highlight Hines's unique style, characterized by his virtuosic technique and innovative use of rhythm and harmony. One of the standout tracks is "Rosetta," a composition that perfectly encapsulates Hines's ability to blend intricate melodies with a swinging rhythm. His left hand often provides a steady pulse while his right hand dances around the keys, creating a dynamic interplay that is both exciting and engaging. Another notable track is "Ain't Misbehavin'," where Hines's playful interpretation breathes new life into this classic tune, showcasing his ability to infuse traditional jazz standards with his own flair.
Critically, the album has been well-received, with many reviewers praising Hines's contributions to jazz. Major publications have recognized his work as foundational, with critics noting that his style influenced countless musicians who followed. The album serves not only as a testament to Hines's talent but also as a historical document that captures the essence of jazz during a transformative era. Hines's recordings from this time are often cited in discussions about the evolution of jazz piano, and this collection is a perfect introduction for those looking to explore his work.
One of the fascinating aspects of this album is the context in which these recordings were made. The late 1930s were a time of great experimentation in jazz, with the rise of big bands and the emergence of bebop on the horizon. Hines was a key figure in the transition from the swing era to the more complex forms of jazz that would follow. His work with Louis Armstrong and his own band, the Earl Hines Orchestra, helped to shape the sound of jazz during this period. The recordings in this collection reflect the vibrant musical landscape of the time, filled with energy and creativity.
In terms of production, the sound quality of the recordings is impressive for its time. The remastering process has ensured that Hines's piano sounds rich and full, allowing listeners to appreciate the nuances of his playing. The clarity of the recordings also highlights the contributions of the other musicians featured on the tracks, creating a well-rounded listening experience.
Personal anecdotes from Hines himself often reveal his deep passion for music and his dedication to his craft. He once remarked on the importance of improvisation in jazz, stating that every performance should be a unique experience. This philosophy is evident in the recordings on this album, where Hines's improvisational skills shine through, making each track feel fresh and spontaneous.
Fun facts about Hines include his nickname, "Fatha," which he earned due to his role as a mentor to younger musicians. He was not only a performer but also a teacher, influencing generations of jazz pianists. His impact on the genre is immeasurable, and this album serves as a reminder of his legacy.
In conclusion, "The Indispensable Earl Hines Vol 1/2 (1939-1940)" is more than just a collection of songs; it is a celebration of a pivotal figure in jazz history. For both seasoned jazz enthusiasts and newcomers alike, this album offers a delightful journey through the sounds of the late 1930s, showcasing the brilliance of Earl Hines. Whether you're tapping your feet to the rhythm or getting lost in the intricate melodies, this album is sure to leave a lasting impression.