Album Info
Artist: | Herbie Mann Featuring Cissy Houston |
Album: | Surprises |
Released: | Australia, 1976 |
Tracklist:
A1 | Draw Your Breaks | 4:50 |
Bass - Jackie Jackson | ||
Drums - Michael Richard | ||
Engineer [Recording & Re-Mix] - Jimmy Douglass | ||
Flute [Alto Flute] - Herbie Mann | ||
Guitar - Hux Brown, Rod Bryan | ||
Keyboards - Pat Rebillot | ||
Organ - Winston Wright | ||
Piano - Gladstone Anderson | ||
Tenor Saxophone - David Newman | ||
Vocals - Cissy Houston, Eunice Peterson, Rannelle Braxton | ||
Written-By - D. Scott, Derrick Harriot | ||
A2 | Cajun Moon | 6:17 |
Bass - Tony Levin | ||
Drums - Steve Gadd | ||
Engineer [Recording & Re-Mix] - Jimmy Douglass | ||
Flute [Bass Flute And Flute] - Herbie Mann | ||
Guitar - Hugh McCracken, Jerry Friedman | ||
Keyboards - Pat Rebillot | ||
Percussion - Armen Halburian, Ralph MacDonald | ||
Tenor Saxophone - David Newman | ||
Vocals - Cissy Houston | ||
Written-By - J.J. Cale | ||
A3 | Creepin' | 5:00 |
Bass - Tony Levin | ||
Drums - Steve Gadd | ||
Engineer [Recording & Re-Mix] - Jimmy Douglass | ||
Flute - Herbie Mann | ||
Guitar - Bob Mann, Jerry Friedman | ||
Keyboards - Pat Rebillot | ||
Percussion - Armen Halburian, Ralph MacDonald | ||
Tenor Saxophone - David Newman | ||
Vocals - Cissy Houston | ||
Written-By - Stevie Wonder | ||
A4 | Easter Rising | 4:40 |
Backing Vocals - Judy Clay | ||
Bass - Bob Babbitt | ||
Cello - Charles McCracken, Jesse Levy | ||
Drums - Rick Marotta | ||
Engineer [Re-Mix] - Jimmy Douglass | ||
Engineer [Recording] - Tony Bongiovi | ||
Flute - Herbie Mann | ||
Guitar - Bob Mann, Jerry Friedman | ||
Lead Vocals, Backing Vocals - Cissy Houston | ||
Percussion - Armen Halburian | ||
Viola - Emanuel Vardi, Richard Maximoff | ||
Violin - David Nadien, Gene Orloff, Guy Lumia, Richard Sortomme | ||
Written-By - Pat Kirby | ||
Written-By, Keyboards - Pat Rebillot | ||
B1 | Asa Branca | 3:55 |
Bass - Tony Levin | ||
Drums - Rick Marotta | ||
Engineer [Recording & Re-Mix] - Jimmy Douglass | ||
Engineer [Recording] - Tony Bongiovi | ||
Flute - Herbie Mann | ||
Guitar - Bob Mann, Jeff Mironov | ||
Keyboards - Pat Rebillot | ||
Percussion - Armen Halburian, Rafael Cruz, Sammy Figueroa | ||
Vocals - Cissy Houston | ||
Written-By - Oliverra, Teixeira, Gonzaga | ||
B2 | The Sound Of Windwood | 2:34 |
Bass - Tony Levin | ||
Drum [O-Daiko] - Kisuku Katada | ||
Drum [Tzuzumi] - Seiko Fujisya | ||
Drums - Steve Gadd | ||
Drums [Wadaiko Sets] - Hiromitsu Katada | ||
Engineer [Re-Mix] - Lew Hahn | ||
Engineer [Recording] - Shima & Ishizuka | ||
Guitar - Sam Brown | ||
Keyboards - Pat Rebillot | ||
Koto - Eriko Kuramoto, Kazuko Tsubamoto | ||
Koto [Koto & Modern Koto] - Harumi Nakamura | ||
Percussion - Armen Halburian | ||
Shakuhachi - Minoru Muraoka | ||
Shamisen - Somei Sasaki | ||
Sho [Syo] - Yosei Sato | ||
Written-By, Flute - Herbie Mann | ||
B3 | Cricket Dance | 4:17 |
Bass - Tony Levin | ||
Drums - Steve Gadd | ||
Engineer [Recording & Re-Mix] - Lew Hahn | ||
Guitar - Jerry Friedman | ||
Guitar, Soloist [Guitar Solo] - Bob Mann | ||
Keyboards - Pat Rebillot | ||
Percussion - Armen Halburian | ||
Written-By, Flute - Herbie Mann | ||
B4 | The Butterfly In A Stone Garden | 5:19 |
Bass - Tony Levin | ||
Drum [O-Daiko] - Kisaku Katada | ||
Drum [Tsuzumi] - Seiko Fujisya | ||
Drums - Steve Gadd | ||
Drums [Wadaiko Sets] - Hiromitsu Katada | ||
Engineer [Recording & Re-Mix] - Jimmy Douglass | ||
Engineer [Recording] - Shima & Ishizuka | ||
Guitar - Bob Mann | ||
Keyboards - Pat Rebillot | ||
Koto - Eriko Kuramoto, Kazuko Tsubamoto | ||
Koto [Koto & Modern Koto] - Harumi Nakamura | ||
Percussion - Armen Halburian | ||
Shamisen - Somei Sasaki | ||
Sho [Syo] - Yosei Sato | ||
Written-By, Flute - Herbie Mann | ||
B5 | Anata (I Wish You Were Here With Me) | 3:07 |
Bass - Tony Levin | ||
Drums - Steve Gadd | ||
Engineer [Recording & Re-Mix] - Lew Hahn | ||
Engineer [Recording] - Shima & Ishizuka | ||
Flute - Herbie Mann | ||
Guitar - Jerry Friedman | ||
Keyboards - Pat Rebillot | ||
Percussion - Armen Halburian | ||
Vocals - Akiko Kosaka | ||
Written-By - Akiko Kosaka |
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Description
Herbie Mann's album "Surprises," featuring the incredible Cissy Houston, was released in 1976. This album is a delightful blend of jazz, soul, and pop, showcasing Mann's signature flute work alongside Houston's powerful vocals. The collaboration between these two artists is a highlight, as they both bring their unique styles to the table, creating a rich and engaging listening experience.
"Surprises" is notable not just for its musical content but also for the cultural context in which it was released. The mid-1970s was a vibrant time for music, with genres like jazz, funk, and soul intersecting in exciting ways. Herbie Mann, a prominent figure in the jazz world, was known for his ability to cross genres and appeal to a broader audience. This album is a testament to that versatility, as it features a mix of original compositions and covers that resonate with the era's musical landscape.
One of the standout tracks on the album is the opening number, "The Man from T.A.R.S.,” which sets the tone with its catchy melody and infectious groove. Cissy Houston's vocals shine here, adding a soulful depth that complements Mann's flute beautifully. Another highlight is the cover of "Ain't No Sunshine," where Houston's emotional delivery takes the song to new heights, making it a memorable rendition that stands out in her discography.
Critically, "Surprises" received a warm reception. Major publications praised the album for its innovative blend of styles and the chemistry between Mann and Houston. The album showcases Mann's ability to adapt and incorporate elements from different genres, which was a hallmark of his career. Critics noted that the production, handled by Mann himself, was polished and well-executed, allowing the musicians' talents to shine through.
Interestingly, Cissy Houston, who is also the mother of the late Whitney Houston, brings a wealth of experience to the project. Her background in gospel and soul music adds a layer of authenticity to the album. In interviews, Mann has spoken about how much he enjoyed working with Houston, noting her incredible vocal range and emotional expressiveness. This collaboration not only highlights Houston's talents but also serves as a bridge between jazz and the burgeoning soul music scene of the time.
The album's production features a mix of talented musicians, including notable session players who were prominent in the jazz and soul scenes. This collective effort contributes to the album's rich sound, making it a delightful listen from start to finish. The arrangements are lush and dynamic, with a blend of instruments that create a full-bodied sound that is both engaging and soothing.
"Surprises" may not have garnered major awards or nominations, but its significance lies in its ability to capture a moment in time when jazz was evolving and embracing new influences. The album is a reflection of Mann's artistic vision and his desire to push boundaries, making it a noteworthy entry in his discography.
For those who appreciate the fusion of jazz and soul, "Surprises" is a hidden gem that deserves more recognition. It’s an album that invites listeners to explore the interplay between Mann's flute and Houston's voice, creating a musical dialogue that is both captivating and heartfelt. Whether you're a long-time fan of Herbie Mann or just discovering his work, this album is sure to leave a lasting impression.