Album Info
Artist: | Miles Davis |
Album: | The Man With The Horn |
Released: | Japan, 1981 |
Tracklist:
A1 | Fat Time | 9:55 |
Written-By, Arranged By - Miles Davis | ||
A2 | Back Seat Betty | 11:15 |
Written-By, Arranged By - Miles Davis | ||
A3 | Shout | 5:52 |
Arranged By - Randy Hall, Robert Irving III | ||
Drums - Vincent Wilburn | ||
Electric Bass [Fender Bass] - Felton Crews | ||
Guitar - Barry Finnerty | ||
Percussion - Sammy Figueroa | ||
Synthesizer [Mini Moog] - Randy Hall | ||
Synthesizer [Yamaha CP30] - Robert Irving III | ||
Written-By - Glenn Burris, Randy Hall, Robert Irving III | ||
B1 | Aida | 8:10 |
Written-By, Arranged By - Miles Davis | ||
B2 | The Man With The Horn | 6:33 |
Drums - Vincent Wilburn | ||
Electric Bass [Fender Bass] - Felton Crews | ||
Lead Vocals, Backing Vocals, Guitar, Celesta, Synthesizer [Mini Moog] - Randy Hall | ||
Piano [Acoustic], Synthesizer [Yamaha CP30] - Robert Irving III | ||
Soprano Saxophone - Bill Evans | ||
Written-By, Arranged By - Randy Hall, Robert Irving III | ||
B3 | Ursula | 10:50 |
Written-By, Arranged By - Miles Davis |
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Description
Miles Davis's album "The Man With The Horn," released on March 30, 1981, marks a significant moment in the legendary trumpeter's career. This album came after a five-year hiatus from recording, during which Davis had been dealing with personal struggles, including health issues and a battle with addiction. When he returned to the studio, he brought with him a fresh perspective and a new sound that would resonate with both jazz aficionados and a broader audience.
The album is often noted for its fusion of jazz with elements of rock and funk, a style that was becoming increasingly popular in the late 70s and early 80s. Davis was always a pioneer, and with "The Man With The Horn," he embraced the electric instruments and rhythms that were defining the music scene at the time. The album features a stellar lineup, including saxophonist Bill Evans, bassist Marcus Miller, and drummer Al Foster, all of whom contribute to the vibrant sound that characterizes this work.
One of the standout tracks on the album is the title track, "The Man With The Horn," which showcases Davis's signature trumpet style, blending smooth melodies with a punchy rhythm. The track is a perfect example of how Davis was able to merge traditional jazz elements with contemporary sounds. Another highlight is "Fat Time," a funky groove that invites listeners to move and groove along with its infectious beat. The interplay between the musicians is electric, and you can feel the energy radiating from the recording.
Critically, "The Man With The Horn" received a mixed reception upon its release. Some critics praised Davis for his innovative approach and willingness to experiment, while others felt that the album did not live up to his earlier masterpieces. However, over the years, it has gained a more favorable reassessment, with many recognizing it as a crucial step in Davis's evolution as an artist. Major publications like Rolling Stone and DownBeat have revisited the album, often highlighting its importance in the context of Davis's career and the jazz genre as a whole.
Interestingly, the album was also notable for its cover art, which features a striking image of Davis with his trumpet, embodying the cool, confident persona that he was known for. The artwork, combined with the music, creates a compelling package that draws listeners in.
In terms of production, Davis worked with producer Teo Macero, who had a long history of collaboration with him. Macero's expertise in blending jazz with other genres helped shape the sound of the album, making it accessible to a wider audience while still retaining the essence of jazz. The production quality is top-notch, with a crisp sound that allows each instrument to shine.
"The Man With The Horn" also holds cultural significance as it represents a transitional period in jazz. The late 70s and early 80s saw a shift in the genre, with more artists experimenting with fusion and incorporating elements from other musical styles. Davis was at the forefront of this movement, and this album is a testament to his ability to adapt and innovate.
As for personal anecdotes, Davis was known for his larger-than-life personality, and his return to music after a long break was filled with determination. He once mentioned in interviews that he felt a renewed sense of purpose and creativity, which is palpable in the music on this album. His passion for the trumpet and his desire to connect with audiences again shine through in every note.
In conclusion, "The Man With The Horn" is more than just an album; it's a statement of resilience and creativity from one of jazz's greatest icons. While it may not have received universal acclaim upon its release, its legacy has grown over the years, and it remains a vital part of Miles Davis's discography. Whether you're a longtime fan or new to his music, this album is definitely worth a listen, as it captures a pivotal moment in the evolution of jazz and showcases the genius of Miles Davis.