Album Info
| Artist: | Ray Brown, Ben Webster, Oscar Peterson |
| Album: | Jazz At The Philharmonic One O'Clock Jump 1953 |
| Released: | US, 1983 |
Tracklist:
| A | Cool Blues | 25:10 |
| Written-By - N.Etaoin | ||
| B1 | The Challenges | 13:09 |
| B2 | One O'Clock Jump | 14:52 |
| Written-By - Basie |
Info About Buying Vinyl From Our Record Store
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Description
"Jazz At The Philharmonic One O'Clock Jump 1953" is a live album that captures a momentous performance by some of the greatest jazz musicians of the time, namely bassist Ray Brown, tenor saxophonist Ben Webster, and pianist Oscar Peterson. This album is a fine example of jazz as a live and spontaneous art form, showcasing the extraordinary talent and improvisational skills of these musicians.
The album's title track, "One O'Clock Jump," originally by Count Basie, is a highlight. This rendition features the musicians taking turns to showcase their individual styles, creating a dynamic and engaging performance. Webster's tenor saxophone offers a lush, deep tone, while Peterson's piano is both nimble and rhythmically compelling. Brown's bass provides a solid foundation, anchoring the ensemble with his impeccable timing and tone.
The interplay between the musicians is a key feature of this album. Jazz at its best is about communication and spontaneous creation, and this is evident in the way the trio interacts. Their ability to listen to each other, respond, and build upon each other's ideas is what makes this performance stand out.
The recording quality, while reflective of the era, captures the live energy and the nuances of the performance. The sound is raw and immediate, bringing the listener into the atmosphere of the concert. The spontaneity and excitement of the live performance are palpable in the recording.
A standout aspect of the album is the mastery each musician displays over their instrument. Peterson's piano playing is both virtuosic and tasteful, Brown's bass playing is both melodic and rhythmically solid, and Webster's saxophone adds a soulful, expressive layer to the music. Their solos are not just technically impressive; they are emotionally resonant and full of character.
Tracks like "I've Got the World on a String" and "Love for Sale" showcase the trio's ability to interpret standards in a way that feels fresh and exciting. Their versions of these well-known songs are infused with new life, demonstrating their creativity and deep musical understanding.
In conclusion, "Jazz At The Philharmonic One O'Clock Jump 1953" is a remarkable album that captures a special moment in jazz history. The live performance by Ray Brown, Ben Webster, and Oscar Peterson is a masterclass in jazz improvisation and interplay. This album is not only a must-listen for jazz aficionados but also for anyone interested in experiencing the spontaneity and vibrancy of live jazz at its finest.