Album Info
Artist: | Sonny Simmons |
Album: | Manhattan Egos |
Released: | France, 1974 |
Tracklist:
A1 | Coltrane In Paradise | |
A2 | The Prober | |
B1 | Manhattan Egos | |
B2 | Seven Dances Of Salami | |
B3 | Visions |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne's North (Australia)
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- We almost always ship in stock vinyl next business day (excluding pre orders)
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- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Description
"Manhattan Egos" by Sonny Simmons is an album that might not ring a bell for everyone, but for those in the know, it's a gem of the jazz world that deserves a spotlight. Released in 1969, this album showcases Simmons' prowess as an alto saxophonist and English horn player, delving into the avant-garde jazz scene that was burgeoning during that era.
Sonny Simmons, a figure not as mainstream as some of his contemporaries like John Coltrane or Ornette Coleman, has a unique approach to jazz that makes "Manhattan Egos" a fascinating listen. The album is a blend of intense, sometimes chaotic improvisations and structured harmonic frameworks that typify the free jazz movement of the 1960s. It's this balance between chaos and order that gives the album its distinctive edge.
One of the standout tracks on the album is "Coltrane in Paradise," which serves as a heartfelt homage to John Coltrane, reflecting Simmons' respect and admiration for the late saxophonist. The track combines spiritual depth with explosive energy, characteristics that were emblematic of Coltrane's own work. Another notable track, "Metamorphosis," showcases Simmons' ability to transform his tone and technique to convey a range of emotions, from despair to elation, all within a few minutes.
The critical reception of "Manhattan Egos" at the time of its release was generally positive, with many jazz critics praising Simmons' innovative approach and technical skill. The album has since been somewhat overshadowed by other major releases of the era, but it remains a critical piece for those interested in the development of avant-garde jazz.
In terms of production, "Manhattan Egos" was recorded during a period of intense creativity and experimentation in jazz. The album's production values reflect the typical sound of the era—raw and unpolished, which actually enhances the emotional gravity of the music. This rawness allows the listener to feel as though they are right there in the studio with Simmons and his band, experiencing the creation process in real-time.
Culturally, "Manhattan Egos" is significant not just for its musical content but for its reflection of the social and cultural upheavals of the late 1960s. The album's explorative nature mirrors the broader search for new expressions and freedoms that characterized the period, particularly in New York City, which was a hub for artistic experimentation.
While "Manhattan Egos" may not have received the widespread acclaim or commercial success of some other albums from the era, its influence among jazz aficionados and musicians has been profound. It's often cited by jazz scholars and older musicians as a pivotal work that helped to expand the boundaries of what jazz could be.
In conclusion, "Manhattan Egos" by Sonny Simmons is an album that offers a deep dive into the avant-garde jazz scene of the 1960s. It's a challenging but rewarding listen, full of passionate performances and innovative compositions. For those interested in the evolution of jazz and the era's experimental spirit, this album is a must-listen. It encapsulates a moment in time when artists like Simmons were redefining what music could represent and how it could sound. Despite not being as widely recognized as some of his peers, Simmons' work on this album is a testament to his immense talent and visionary approach to music.