Album Info
Artist: | Stan Kenton And His Orchestra |
Album: | Artistry In Jazz |
Released: | US |
Tracklist:
A1 | Blues In Riff | 2:52 |
Alto Saxophone - Art Pepper | ||
Piano - Stan Kenton | ||
Tenor Saxophone - Bob Cooper | ||
Trumpet - Shorty Rogers | ||
Written-By - Pete Rugolo | ||
A2 | Riff Rhapsody | 3:12 |
Tenor Saxophone - Bob Cooper | ||
Trombone - Milt Bernhart | ||
Trumpet - Shorty Rogers | ||
Trumpet [Lead] - Ray Wetzel | ||
Written-By - Gene Roland | ||
A3 | Coop's Solo | 3:13 |
Tenor Saxophone - Bob Cooper | ||
Written-By - Shorty Rogers | ||
A4 | Riff Raff | 3:07 |
Alto Saxophone - Lennie Niehaus | ||
Piano - Stan Kenton | ||
Tenor Saxophone - Bill Holman | ||
Trumpet - Buddy Childers | ||
Written-By - Gene Roland | ||
A5 | Of All Things | 3:14 |
Alto Saxophone - Lee Konitz | ||
Written-By - Bill Holman | ||
B1 | Opus In Beige | 2:26 |
Tenor Saxophone - Bill Perkins | ||
Valve Trombone - Kent Larsen | ||
Written-By - Gene Roland | ||
B2 | Artistry In Blues | 2:43 |
Piano - Stan Kenton | ||
Written-By - Stan Kenton | ||
B3 | Design For Blue | 4:50 |
Alto Saxophone - Lennie Niehaus | ||
Drums - Jerry McKenzie | ||
Tenor Saxophone - Richie Kamuca | ||
Trumpet - Jack Sheldon | ||
Written-By - Gene Roland | ||
B4 | Wagon | 3:03 |
Alto Saxophone - Gabe Baltazar | ||
Trombone - Dick Hyde | ||
Trumpet - Sam Noto | ||
Written-By - Johnny Richards | ||
B5 | Piece For Soft Brass, Woodwinds & Percussion | 8:35 |
Alto Saxophone - Bud Shank | ||
Baritone Saxophone - John Lowe | ||
Tenor Saxophone - Bill Perkins, Bob Cooper | ||
Written-By - Clare Fischer |
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Description
"Artistry in Jazz" by Stan Kenton and His Orchestra is a landmark album that was released in 1952. This album is often celebrated for its innovative approach to jazz orchestration and its ambitious arrangements, which helped to define the sound of big band jazz during the post-war era. Kenton, known for his progressive style, pushed the boundaries of jazz with this release, blending elements of classical music with the improvisational spirit of jazz.
The album features a collection of tracks that showcase the incredible talent of the musicians in Kenton's orchestra. One of the standout tracks is "Artistry in Rhythm," which is a perfect example of Kenton's ability to fuse complex rhythms with lush harmonies. The arrangement is intricate, yet it maintains a sense of swing that makes it accessible and enjoyable. Another highlight is "Concerto to End All Concertos," which features a stunning piano solo by the talented arranger and pianist, Johnny Richards. This track is a testament to the orchestral capabilities of the band and Kenton's vision of jazz as a serious art form.
Critically, "Artistry in Jazz" received a warm reception upon its release. Major publications praised the album for its boldness and creativity. The New York Times noted that Kenton's work was a significant step forward for jazz, emphasizing the orchestral elements that set it apart from traditional big band music. The album has since been recognized as a classic, influencing countless musicians and arrangers in the jazz genre.
One of the interesting aspects of this album is its historical context. Released during a time when jazz was evolving rapidly, "Artistry in Jazz" captured the essence of a transitional period in music. The 1950s saw jazz moving from the dance halls into concert settings, and Kenton's orchestration was at the forefront of this change. His music appealed not only to jazz enthusiasts but also to a broader audience, helping to elevate jazz as a respected art form.
Kenton's orchestra was known for its unique sound, characterized by a rich brass section and innovative use of woodwinds. The arrangements on "Artistry in Jazz" reflect this distinctive style, with a focus on dynamic contrasts and intricate counterpoint. The album also features contributions from notable musicians, including the legendary trumpeter Maynard Ferguson and the talented trombonist Frank Rosolino, both of whom brought their own flair to the recordings.
In terms of awards, while "Artistry in Jazz" itself may not have won specific accolades at the time of its release, it has been recognized in various retrospectives and lists of essential jazz albums. Kenton himself received numerous awards throughout his career, including several Grammy nominations, which speak to his lasting impact on the genre.
Listening to "Artistry in Jazz" today, one can appreciate the forward-thinking nature of Kenton's compositions. The album is not just a collection of songs; it is a cohesive work that invites listeners to experience jazz in a new light. The interplay between the musicians is palpable, and the energy of the performances is infectious. It's easy to see why this album has stood the test of time and continues to be a reference point for jazz musicians and fans alike.
In conclusion, "Artistry in Jazz" is more than just an album; it is a significant piece of jazz history that showcases Stan Kenton's innovative spirit and the incredible talent of his orchestra. Whether you're a long-time jazz aficionado or a newcomer to the genre, this album is a must-listen. It captures the essence of a pivotal moment in music and remains a testament to the artistry and creativity that jazz can offer.