Album Info
Artist: | Various |
Album: | New Orleans |
Gatefold: | Yes |
Released: | Australia, 1984 |
Tracklist:
A1 | Jelly Roll Morton's Red Hot Peppers - Dr Jazz | |
Clarinet - Omer Simeon | ||
Cornet - George Mitchel | ||
Double Bass [String Bass] - John Lindsay | ||
Drums - Andrew Hilaire | ||
Guitar - Johnny St Cyr | ||
Piano, Vocals - Jelly-Roll Morton | ||
Trombone - Kid Ory | ||
Written-By - Oliver | ||
A2 | King Oliver's Jazz Band - Sweet Lovin' Man | |
Banjo - Bud Scott | ||
Clarinet - Johnny Dodds | ||
Cornet - King Oliver, Louis Armstrong | ||
Drums - Baby Dodds | ||
Piano - Lillian Hardin | ||
Written-By - Hardin, Melrose | ||
A3 | Johnny Dodds' Orchestra - Too Tight | |
Clarinet - Johnny Dodds | ||
Cornet - Natty Dominique | ||
Double Bass [String Bass] - Bill Johnson | ||
Drums - Baby Dodds | ||
Piano - Lil Armstrong | ||
Trombone - Honore Dutrey | ||
Written-By - Dominique | ||
A4 | Louis Armstrong's Hot 7 - Alligator Crawl | |
Clarinet - Johnny Dodds | ||
Cornet - Louis Armstrong | ||
Drums - Baby Dodds | ||
Guitar - Johnny St Cyr | ||
Piano - Lil Armstrong | ||
Trombone - John Thomas | ||
Tuba - Pete Briggs | ||
Written-By - Waller | ||
A5 | Celestin's Original Tuxedo Jazz Orchestra - As You Like It | |
Banjo - John Marrero | ||
Cornet - Papa Celestin, Ricard Alexis | ||
Drums - Abby Foster | ||
Piano - Jeanette Salvant | ||
Reeds - Earl Pierson, Paul Barnes , Sid Carriere | ||
Trombone - August Rousseau | ||
Tuba - Simon Marrero | ||
Written-By - Barnes | ||
A6 | New Orleans Owls - That's A Plenty | |
Banjo, Guitar - Rene Gelpi | ||
Clarinet, Alto Saxophone - Benjie White, Pinky Vidacovich | ||
Cornet - Bill Padron | ||
Drums - Earl Crumb | ||
Piano - Sigfre Christensen | ||
Tenor Saxophone - Lester Smith | ||
Trombone - Frank Netto | ||
Tuba - Dan LeBlanc | ||
Written-By - Pollack | ||
A7 | Louis Dumaine's Jazzola Eight - Franklin Street Blues | |
Banjo, Vocals - Leonard Mitchell | ||
Clarinet - Willie Joseph | ||
Cornet - Louis Dumaine | ||
Drums - James Willigan | ||
Piano - Morris Rouse | ||
Tenor Saxophone - Louis James | ||
Trombone - Earl Humphrey | ||
Tuba - Joe Howard | ||
Written-By - Jackson, Dumaine | ||
A8 | New Orleans Rhythm Kings - Mr Jelly Lord | |
Banjo - Bob Gillette | ||
Clarinet - Leon Ropollo | ||
Cornet - Paul Mares | ||
Drums - Ben Pollack | ||
Piano - Jelly-Roll Morton | ||
Reeds - Don Murray , Glen Scoville, Jack Pettis | ||
Trombone - George Brunies | ||
Tuba - Chink Martin | ||
Written-By - Morton | ||
B1 | Henry Allen & His New York Orchestra - Pleasin' Paul | |
Double Bass [String Bass] - Pops Foster | ||
Drums - Paul Barbarin | ||
Guitar - Will Johnson | ||
Piano - Luis Russell | ||
Reeds - Albert Nicholas, Charlie Holmes, Teddy Hill | ||
Trombone - J.C. Higgenbotham | ||
Trumpet - Henry Allen | ||
Written-By - H. Allen, P. Barbarin | ||
B2 | Jones & Collins Astoria Hot 8 - Damp Weather | |
Alto Saxophone - Theodore Purnell | ||
Banjo - Emmanuel Sayles | ||
Clarinet - Sidney Arodin | ||
Cornet - Lee Collins | ||
Double Bass [String Bass] - Al Morgan | ||
Drums - Joe Strode-Raphael | ||
Piano - Joe Robechaux | ||
Tenor Saxophone - David Jones | ||
Written-By - Morgan, Sayles | ||
B3 | Monk Hazel & His Bienville Roof Orchestra - Sizzling The Blues | |
Alto Saxophone - Hal Jordy | ||
Clarinet, Tin Whistle - Sidney Arodin | ||
Drums - Monk Hazel | ||
Guitar - Joe Cupero | ||
Piano - Freddy Newman | ||
Trumpet - Sharkey Bonano | ||
Tuba - Luther Lamar | ||
Written-By - Cupero | ||
B4 | New Orleans Feetwarmers - Sweetie Dear | |
Double Bass [String Bass] - Wilson Myers | ||
Drums - Morris Morland | ||
Piano - Henry Duncan | ||
Soprano Saxophone - Sidney Bechet | ||
Trombone - Teddy Nixon | ||
Trumpet - Tommy Ladnier | ||
Written-By - Ladnier | ||
B5 | Louis Armstrong & Earl Hines - Weather Bird | |
Piano - Earl Hines | ||
Trumpet - Louis Armstrong | ||
Written-By - L. Armstrong | ||
B6 | Johnny Dodds Trio - Blue Piano Stomp | |
Clarinet - Johnny Dodds | ||
Double Bass [String Bass] - Bill Johnson | ||
Piano - Charlie Alexander | ||
Written-By - Dodds | ||
B7 | Jelly-Roll Morton Trio - Turtle Twist | |
Clarinet - Barney Bigard | ||
Drums - Zutty Singleton | ||
Piano - Jelly-Roll Morton | ||
Written-By - Morton | ||
B8 | Original Dixieland Jazzband - Clarinet Marmalade | |
Clarinet - Larry Shields | ||
Cornet - Nick La Rocca | ||
Drums - Tony Sbarbaro | ||
Piano - Henry Ragas | ||
Trombone - Eddie Edwards | ||
Written-By - Ragas, Shields |
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Description
The album "New Orleans" is a delightful compilation that captures the vibrant spirit and rich musical heritage of the Crescent City. Released on March 24, 2003, this collection features a variety of artists and styles, showcasing the diverse sounds that have emerged from New Orleans over the years. From jazz to funk, and everything in between, this album is a love letter to a city that has given the world so much in terms of music and culture.
One of the standout aspects of this album is its ability to transport listeners straight to the heart of New Orleans. The opening track, "Do You Know What It Means to Miss New Orleans" by Louis Armstrong, sets the tone perfectly. Armstrong's gravelly voice and the lush instrumentation evoke a sense of nostalgia and longing that is palpable. It’s a classic that reminds us of the deep emotional connection many have with this city.
The album features a mix of legendary artists and contemporary musicians, which is a testament to the enduring influence of New Orleans music. You’ll find tracks from the likes of Dr. John, whose unique blend of funk and blues is perfectly encapsulated in his song "Right Place, Wrong Time." This track is not only catchy but also showcases Dr. John’s distinctive style, making it a highlight of the album.
Another gem on the album is "Iko Iko" by The Dixie Cups. This song is a quintessential New Orleans anthem, and its infectious rhythm and call-and-response style make it impossible not to tap your feet along. The Dixie Cups’ harmonies are tight and joyful, capturing the essence of a Mardi Gras celebration.
Critically, the album has been well-received, with many reviewers praising its eclectic mix and the way it honors the musical traditions of New Orleans. Major publications like Rolling Stone and NPR have highlighted the album for its authenticity and the way it showcases the city’s cultural significance. It’s not just a collection of songs; it’s a curated experience that tells the story of a place that has shaped American music.
One interesting tidbit about the album is that it was released during a time when New Orleans was still recovering from the devastation of Hurricane Katrina. The album serves as a reminder of the resilience of the city and its people, and the music that continues to thrive despite adversity. This context adds a layer of depth to the listening experience, as you can feel the spirit of the city in every note.
Production-wise, the album is polished yet retains a raw, live feel that is characteristic of New Orleans music. The producers did a fantastic job of capturing the energy of live performances, which is essential for this genre. You can almost hear the clinking of glasses and the chatter of a lively crowd in the background, making it feel like you’re right there in a jazz club on Frenchmen Street.
As for personal anecdotes, many of the artists featured on the album have shared stories about their connections to New Orleans. For instance, Dr. John often speaks about how the city’s unique blend of cultures influenced his music and identity. These stories add a personal touch to the album, making it not just a collection of songs, but a narrative of a community.
In conclusion, "New Orleans" is more than just an album; it’s a celebration of a city and its music. Whether you’re a longtime fan of New Orleans music or a newcomer looking to explore its sounds, this album is a fantastic starting point. It’s a vibrant, soulful journey that captures the essence of a city that has given the world so much joy through its music. So, grab a beignet, pour yourself a café au lait, and let the sounds of New Orleans fill your home.