Album Info
Artist: | Bette Midler |
Album: | Live At Last |
Gatefold: | Yes |
Released: | Australia, 1977 |
Tracklist:
A1 | Backstage | 0:18 |
A2 | Friends / Oh My My | 2:28 |
Written-By [Friends] - Buzzy Linhart, Mark Klingman | ||
Written-By [Oh My My] - Richard Starkey, Vincent Poncia | ||
A3 | Bang, You're Dead | 3:15 |
Written-By - Valerie Simpson & Nickolas Ashford | ||
A4 | Birds | 4:39 |
Written-By - Neil Young | ||
A5 | Comic Relief | 2:38 |
A6 | In The Mood | 2:09 |
Written-By - Andy Razaf, Joe Garland | ||
A7 | Hurry On Down | 2:07 |
Written-By - Nellie Lutcher | ||
B1 | Shiver Me Timbers | 4:00 |
Written-By - Tom Waits | ||
B2 | The Vicki Eydie Show | |
B2a | Around The World | 0:23 |
Written-By - Harold Adamson, Victor Young | ||
B2b | Istanbul | 0:55 |
Written-By - Jimmy Kennedy, Nat Simon | ||
B2c | Fiesta In Rio | 1:52 |
Written-By - Bette Midler, Jerry Blatt | ||
B2d | South Seas Scene / Hawaiian War Chant | 5:13 |
Written-By [Hawaiian War Chant] - Noble, Leleiohaku, Freed | ||
Written-By [South Seas Scenes] - Rik Carlok | ||
B2e | Lullabye Of Broadway | 2:00 |
Written-By - Al Dubin, Harry Warren | ||
B3 | Intermission : You're Moving Out Today | 2:56 |
Written-By - Bette Midler, Bruce Roberts, Carole Bayer Sager | ||
C1 | Delta Dawn | 5:54 |
Written-By - Alex Harvey , Larry Collins | ||
C2 | Long John Blues | 2:36 |
Written-By - Tommy George | ||
C3 | Those Wonderful Sophie Tucker Jokes | 2:38 |
C4 | The Story Of Nanette | |
C4a | Nanette | 0:54 |
Written-By - Howard Dietz & Arthur Schwartz | ||
C4b | Alabama Song / Drinking Again | 4:25 |
Written-By [Alabama Song] - Bertolt Brecht, Kurt Weill | ||
Written-By [Drinking Again] - Doris Tauber, Johnny Mercer | ||
C4c | Mr. Rockefeller | 4:00 |
Written-By - Bette Midler, Jerry Blatt | ||
D1 | Ready To Begin Again / Do You Wanna Dance | 3:23 |
Written-By [Do You Wanna Dance] - Bobby Freeman | ||
Written-By [Ready To Begin Again] - Jerry Leiber & Mike Stoller | ||
D2 | Fried Eggs | 2:37 |
D3 | Hello In There | 3:16 |
Written-By - John Prine | ||
D4 | Finale | |
D4a | Up The Ladder To The Roof | 2:45 |
Written-By - Frank Wilson, Vincent DiMirco | ||
D4b | Boogie Woogie Bugle Boy | 3:04 |
Written-By - Don Raye, Hughie Prince | ||
D4c | Friends | 2:21 |
Written-By - Buzzy Linhart, Mark Klingman |
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Description
Bette Midler's "Live At Last," released in 1977, is a vibrant and dynamic live album that captures the essence of Midler's theatrical and musical prowess. Recorded during her 1976 tour, the album showcases Midler's ability to blend humor, drama, and music into a seamless performance that keeps audiences engaged from start to finish. Known for her larger-than-life stage presence, Midler delivers a performance that is both entertaining and musically impressive.
"Live At Last" is a double album that features a mix of songs and comedic monologues, highlighting Midler's versatility as a performer. The album includes a variety of musical styles, from pop and rock to jazz and blues, reflecting Midler's eclectic taste and ability to cross genres with ease. Her renditions of classic songs such as "Boogie Woogie Bugle Boy" and "Delta Dawn" are standout tracks that showcase her powerful voice and charismatic delivery.
One of the most notable aspects of "Live At Last" is Midler's interaction with the audience. Her comedic timing and witty banter add a unique dimension to the live recording, making listeners feel as though they are part of the live audience. This connection with the audience is a hallmark of Midler's performances and is captured beautifully on this album.
Critically, "Live At Last" was well-received, with many praising Midler's ability to entertain and engage. The album captures the energy and excitement of her live shows, which were known for their elaborate costumes, choreography, and theatrical elements. Midler's performance style, which combines music with comedy and drama, set her apart from other artists of the time and helped solidify her status as a unique and influential performer.
While "Live At Last" did not win any major awards, it remains an important part of Midler's discography and a testament to her talent as a live performer. The album serves as a snapshot of Midler's career during the 1970s, a period when she was establishing herself as a major force in the entertainment industry. Her ability to captivate audiences with her voice, humor, and stage presence is evident throughout the album, making it a must-listen for fans of live music and theatrical performances.
In terms of cultural significance, "Live At Last" reflects the vibrant and diverse music scene of the 1970s. Midler's ability to blend different musical styles and her theatrical approach to performance were indicative of the era's experimental and boundary-pushing nature. The album also highlights Midler's role as a trailblazer for female performers, showcasing her ability to command the stage and connect with audiences in a way that was both entertaining and empowering.
Overall, "Live At Last" is a testament to Bette Midler's talent and charisma as a live performer. The album captures the energy and excitement of her live shows, offering listeners a glimpse into the world of one of the most dynamic entertainers of her time. Whether you're a longtime fan or new to Midler's work, "Live At Last" is an album that showcases the best of her musical and theatrical abilities, making it a timeless addition to any music collection.