Album Info
| Artist: | Bruno Mars |
| Album: | XXIVK Magic |
| Released: | USA & Europe, 18 Nov 2016 |
Tracklist:
| A1 | 24K Magic | 3:46 |
| Backing Vocals - James Fauntleroy | ||
| Engineer - Charles Moniz | ||
| Guitar - Dave Foreman | ||
| Producer - Shampoo Press & Curl | ||
| Producer [Additional Production] - The Stereotypes | ||
| Talkbox - Byron "MR. TALKBOX" Chambers | ||
| Written-By, Backing Vocals - Christopher Brody Brown, Philip Lawrence | ||
| Written-By, Backing Vocals, Talkbox - Bruno Mars | ||
| A2 | Chunky | 3:06 |
| Backing Vocals - Lisenny | ||
| Drum Programming [Additional] - The Stereotypes | ||
| Engineer - Charles Moniz | ||
| Producer - Shampoo Press & Curl | ||
| Written-By - Christopher Brody Brown | ||
| Written-By, Backing Vocals - Bruno Mars, James Fauntleroy, Philip Lawrence | ||
| A3 | Perm | 3:30 |
| Engineer - Charles Moniz | ||
| Horns - Dwayne Dugger, Jimmy King , Kameron Whalum | ||
| Horns [Additional], Recorded By [Additional Horns] - Ken Lewis | ||
| Producer - Shampoo Press & Curl | ||
| Written-By - Trevor Lawrence, Jr. | ||
| Written-By, Backing Vocals - Christopher Brody Brown, Bruno Mars, James Fauntleroy, Philip Lawrence | ||
| Written-By, Drums - Homer Steinweiss | ||
| A4 | That's What I Like | 3:26 |
| Co-producer - The Stereotypes | ||
| Drums [Live Drums] - Eric "E-Panda" Hernandez | ||
| Engineer - Charles Moniz | ||
| Producer - Shampoo Press & Curl | ||
| Written-By - Christopher Brody Brown, Jeremy Reeves, Jonathan Yip, Ray Charles McCullough II, Ray Romulus | ||
| Written-By, Backing Vocals - Bruno Mars, James Fauntleroy, Philip Lawrence | ||
| A5 | Versace On The Floor | 4:21 |
| Engineer - Charles Moniz | ||
| Keyboards, Soloist - Greg Phillinganes | ||
| Producer - Shampoo Press & Curl | ||
| Written-By - Christopher Brody Brown | ||
| Written-By, Backing Vocals - Bruno Mars, James Fauntleroy, Philip Lawrence | ||
| B1 | Straight Up & Down | 3:18 |
| Engineer - Charles Moniz | ||
| Management [Sample Clearance] - Danny Zook, Ron Cabiltes | ||
| Producer - Emile Haynie, Shampoo Press & Curl | ||
| Written-By - Christopher Brody Brown, Carl Martin, Faheem Najm, Marc Gay | ||
| Written-By, Backing Vocals - Bruno Mars, James Fauntleroy, Philip Lawrence | ||
| B2 | Calling All My Lovelies | 4:10 |
| Engineer - Charles Moniz | ||
| Producer - Shampoo Press & Curl | ||
| Written-By - Christopher Brody Brown | ||
| Written-By, Backing Vocals - Bruno Mars, James Fauntleroy, Philip Lawrence | ||
| Written-By, Producer - Emile Haynie, Jeff Bhasker | ||
| B3 | Finesse | 3:10 |
| Engineer - Charles Moniz | ||
| Producer - Shampoo Press & Curl, The Stereotypes | ||
| Written-By - Christopher Brody Brown, Jeremy Reeves, Jonathan Yip, Ray Charles McCullough II, Ray Romulus | ||
| Written-By, Backing Vocals - Bruno Mars, James Fauntleroy, Philip Lawrence | ||
| B4 | Too Good To Say Goodbye | 4:41 |
| Backing Vocals - James Fauntleroy | ||
| Engineer - Charles Moniz | ||
| Producer - Shampoo Press & Curl | ||
| Written-By - Christopher Brody Brown, Jeff Bhasker | ||
| Written-By, Backing Vocals - Bruno Mars, Kenneth Babyface Edmonds, Philip Lawrence |
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Description
"Bruno Mars' "24K Magic," released in 2016, is a dazzling throwback to the funk, soul, and R&B of the '80s and early '90s, infused with Mars' contemporary flair and impeccable production. The album is a compact, yet potent collection of songs that showcase Mars' versatility as a vocalist, performer, and songwriter. It's an unabashed celebration of luxury, love, and the joys of music, making it a vibrant addition to Mars' discography.
The title track, "24K Magic," sets the tone for the album with its infectious groove, talk-box effects, and Mars' charismatic vocals. This opening number is a high-energy invitation to the party that is this album, with its glossy production and Mars' playful delivery capturing the essence of the funk and soul legends who inspired it.
"Chunky" and "Perm" continue the retro party vibe, with their funky bass lines, horn sections, and Mars' smooth vocal performances. These tracks not only showcase Mars' ability to channel the spirit of classic funk and soul but also highlight his skill in updating these sounds for a modern audience. The production on these tracks is meticulous, with every beat and horn blast perfectly placed to maximize the groove.
"Versace on the Floor," the album's standout ballad, showcases a different side of Mars. Here, he taps into the sensual, slow-jam soul of the '90s, delivering a vocal performance that is both tender and powerful. The track's lush production, complete with shimmering synths and a gentle rhythm, creates an intimate atmosphere that allows Mars' vocals to shine.
"That's What I Like" stands out for its catchy, syncopated beat and Mars' smooth, confident delivery. The lyrics, which celebrate luxury and romance, are delivered with a playful swagger that has become a trademark of Mars' style. The track's bridge, with its breakdown and Mars' spoken interlude, adds a dynamic twist that keeps the listener engaged.
The production across the album is a highlight, with Mars and his team blending live instrumentation with modern studio techniques to create a sound that is both nostalgic and fresh. The attention to detail in the arrangements and the mix ensures that each song radiates warmth and energy, inviting repeated listens.
Lyrically, "24K Magic" is a departure from the more introspective themes of Mars' previous work, focusing instead on celebration, romance, and escapism. While some may find the lyrics to be light on depth, they fit the album's overall mood and aesthetic, emphasizing the feel-good, party-ready vibe that Mars aims to convey.
"Too Good to Say Goodbye," the album's closing track, is a powerful soul ballad that showcases Mars' range as a vocalist and his ability to convey emotion through his music. The song's classic soul arrangement, complete with emotional horns and harmonies, provides a fitting end to the album, leaving the listener with a sense of the depth and breadth of Mars' musical influences.
In conclusion, "24K Magic" is a vibrant, meticulously crafted homage to the music that inspired Bruno Mars, executed with the charm and finesse that have become his trademarks. The album succeeds in capturing the essence of a bygone musical era while injecting it with a modern sensibility that appeals to contemporary audiences. With its infectious grooves, standout vocal performances, and polished production, "24K Magic" stands as a testament to Mars' talent and his ability to create music that transcends generations.
