Carpenters - Passage (LP) - VG/VG+

Released in 1977, "Passage" marks a distinctive shift in the Carpenters' career, presenting a refreshing break from their signature soft pop balladry and delving into a variety of experimental soundscapes. The brother-sister duo of Richard and Karen Carpenter explores new territories with this album, incorporating diverse musical styles and proving their versatility as artists.

"Passage" opens with the adventurous and ambitious "B'wana She No Home," a track that veers significantly from the Carpenters' well-trodden paths. The song, penned by Michael Franks, is an infusion of jazz-pop that features intricate orchestration and showcases Karen's vocal depth and maturity. It is an audacious choice for an opener and immediately signals to listeners that this album is a departure from the norm.

Another surprise comes in the form of "Don't Cry for Me Argentina," a cover of the signature song from Andrew Lloyd Webber's musical "Evita." Karen's emotive and nuanced delivery turns the song into a poignant narrative that fits seamlessly into the album's diverse tapestry. The orchestral arrangement elevates the track, making it one of the standout moments on the album.

"All You Get from Love Is a Love Song," the lead single from the album, provides a touch of familiarity for fans. This upbeat and catchy track is reminiscent of the Carpenters' previous chart-toppers. Karen's vocals are light and breezy, effortlessly flowing over the infectious melody and creating a comfortable contrast to the album's more experimental cuts.

One of the most experimental tracks on "Passage" is "Calling Occupants of Interplanetary Craft," a cover of a song by the Canadian band Klaatu. The Carpenters turn the track into a grandiose, otherworldly anthem, complete with elaborate orchestration and a whimsical narrative about making contact with extraterrestrial life. The track is a bold artistic choice and demonstrates the duo's willingness to explore unconventional themes.

"Sweet, Sweet Smile," a country-tinged track written by Juice Newton, is another delightful inclusion. Karen's vocals suit the song's warmth and simplicity, providing a cozy and endearing moment on the album. The track underscores the Carpenters' ability to gracefully traverse different musical genres.

"Two Sides," a poignant ballad that explores themes of heartbreak and longing, is closer to the Carpenters' classic sound. Karen's heartfelt delivery strikes a chord, and the track serves as a reminder of the duo's roots in emotive storytelling through song.

Despite its bold experimentation, "Passage" was met with mixed reviews at the time of its release. Some critics and fans appreciated the Carpenters' courageous exploration of different sounds, while others longed for the comforting and familiar ballads that had become the duo's trademark.

In hindsight, "Passage" can be seen as an underrated gem in the Carpenters' discography. The album is a testament to Richard's sophisticated arrangements and Karen's versatile vocal prowess. The willingness to take risks and explore diverse musical landscapes is commendable, and "Passage" provides an intriguing glimpse into the Carpenters' artistic evolution.

Overall, "Passage" stands as a bold and intriguing chapter in the Carpenters' musical journey. It may not have achieved the same commercial success as their previous works, but its adventurous spirit and eclectic tracklist have garnered a cult following over the years. For those looking to explore the depth and range of the Carpenters, "Passage" is an essential and rewarding listen.