Album Info
Artist: | Michael Jackson |
Album: | Thriller |
Gatefold: | Yes |
Released: | Australia, 1982 |
Tracklist:
A1 | Wanna Be Startin' Something | 6:20 |
Arranged By [Horn Arrangement] - Jerry Hey, Michael Jackson | ||
Arranged By [Rhythm Arrangement] - Michael Jackson, Quincy Jones | ||
Arranged By [Vocal Arrangement] - Michael Jackson | ||
Backing Vocals [Background Vocals] - Becky Lopez, Bunny Hull, James Ingram, Julia Waters, Maxine Waters, Michael Jackson, Oren Waters | ||
Bass - Louis Johnson | ||
Electric Piano [Rhodes], Synthesizer - Greg Phillinganes | ||
Guitar - David Williams | ||
Percussion - Paulinho Da Costa | ||
Percussion [Bathroom Stomp Board] - Michael Jackson, Nelson Hayes, Steven Ray | ||
Saxophone [Sax], Flute - Larry Williams | ||
Synthesizer - Bill Wolfer, Michael Boddicker | ||
Trombone - Bill Reichenbach | ||
Trumpet, Flugelhorn - Gary Grant, Jerry Hey | ||
Written-By - Michael Jackson | ||
A2 | Baby Be Mine | 4:20 |
Arranged By [Horn Arrangement] - Jerry Hey | ||
Arranged By [Vocal, Rhythm And Synthesizer Arrangement] - Rod Temperton | ||
Drums - Ndugu Chancler | ||
Guitar - David Williams | ||
Keyboards, Synthesizer - Greg Phillinganes | ||
Programmed By [Synthesizer Programming] - Anthony Marinelli, Brian Banks, Steve Porcaro | ||
Saxophone [Sax], Flute - Larry Williams | ||
Synthesizer - David Paich, Michael Boddicker | ||
Trombone - Bill Reichenbach | ||
Trumpet, Flugelhorn - Gary Grant, Jerry Hey | ||
Written-By - Rod Temperton | ||
A3 | The Girl Is Mine | 3:42 |
Arranged By [Rhythm Arrangement] - David Paich, Quincy Jones | ||
Arranged By [Synthesizer Arrangement] - David Foster | ||
Arranged By [Vocal Arrangement] - Michael Jackson, Quincy Jones | ||
Arranged By, Conductor [Strings Arranged And Conducted By] - Jerry Hey | ||
Bass - Louis Johnson | ||
Concertmaster - Jerry Vinci | ||
Drums - Jeff Porcaro | ||
Electric Piano [Rhodes] - Greg Phillinganes | ||
Featuring - Paul McCartney | ||
Guitar - Dean Parks, Steve Lukather | ||
Piano - David Paich | ||
Programmed By [Synthesizer Programming] - Steve Porcaro | ||
Synthesizer - David Foster | ||
Written-By - Michael Jackson | ||
A4 | Thriller | 5:57 |
Arranged By [Horn Arrangement] - Jerry Hey | ||
Arranged By [Vocal, Rhythm And Synthesizer Arrangement] - Rod Temperton | ||
Effects - Bruce Cannon, Bruce Swedien | ||
Featuring - Vincent Price | ||
Guitar - David Williams | ||
Programmed By [Synthesizer Programming] - Anthony Marinelli | ||
Rap - Vincent Price | ||
Saxophone [Sax], Flute - Larry Williams | ||
Synthesizer - Brian Banks, Greg Phillinganes, Rod Temperton | ||
Trombone - Bill Reichenbach | ||
Trumpet, Flugelhorn - Gary Grant, Jerry Hey | ||
Written-By - Rod Temperton | ||
B1 | Beat It | 4:17 |
Arranged By [Rhythm Arrangement] - Michael Jackson, Quincy Jones | ||
Arranged By [Vocal Arrangement] - Michael Jackson | ||
Drums - Jeff Porcaro | ||
Electric Piano [Rhodes], Synthesizer - Greg Phillinganes | ||
Guitar - Eddie Van Halen, Paul Jackson | ||
Guitar, Electric Bass - Steve Lukather | ||
Keyboards - Bill Wolfer | ||
Percussion [Drum Case Beater] - Michael Jackson | ||
Synthesizer [Synclavier] - Tom Bahler | ||
Synthesizer [Synergy] - Greg Smith | ||
Synthesizer, Programmed By [Synthesizer Programming] - Steve Porcaro | ||
Written-By - Michael Jackson | ||
B2 | Billie Jean | 4:57 |
Arranged By [String Arrangement] - Jerry Hey | ||
Arranged By [Vocal, Rhythm And Synthesizer Arrangement] - Michael Jackson | ||
Bass - Louis Johnson | ||
Conductor [Strings Conducted By] - Jeremy Lubbock | ||
Drums - Ndugu Chancler | ||
Electric Piano [Rhodes], Synthesizer - Greg Phillinganes | ||
Guitar - Dean Parks | ||
Synthesizer - Greg Smith | ||
Synthesizer [Emulator] - Michael Boddicker | ||
Synthesizer, Programmed By [Synthesizer Programming] - Bill Wolfer | ||
Written-By - Michael Jackson | ||
B3 | Human Nature | 4:05 |
Arranged By - David Paich, Steve Lukather, Steve Porcaro | ||
Drums - Jeff Porcaro | ||
Guitar - Steve Lukather | ||
Percussion - Paulinho Da Costa | ||
Synthesizer - David Paich | ||
Synthesizer [Emulator] - Michael Boddicker | ||
Synthesizer, Programmed By [Synthesizer] - Steve Porcaro | ||
Written-By - John Bettis, Steve Porcaro | ||
B4 | P.Y.T. (Pretty Young Thing) | 3:58 |
Arranged By - James Ingram, Quincy Jones | ||
Backing Vocals - Howard Hewett, James Ingram | ||
Drums - Ndugu Chancler | ||
Electric Bass - Louis Johnson | ||
Guitar - Paul Jackson | ||
Handclaps - Greg Phillinganes, James Ingram, Louis Johnson, Michael Jackson, Steven Ray | ||
Keyboards [Portasound Keyboard] - James Ingram | ||
Performer - P.Y.T's | ||
Synthesizer, Programmed By [Synthesizer Programming] - Greg Phillinganes | ||
Vocoder, Synthesizer [Emulator] - Michael Boddicker | ||
Written-By - James Ingram, Quincy Jones | ||
B5 | The Lady In My Life | 4:57 |
Arranged By - Rod Temperton | ||
Bass - Louis Johnson | ||
Drums - Jeff Porcaro | ||
Electric Piano [Rhodes] - Greg Phillinganes | ||
Guitar - Paul Jackson | ||
Synthesizer - David Paich, Steve Porcaro | ||
Synthesizer [Emulator] - Michael Boddicker | ||
Written-By - Rod Temperton |
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Description
Michael Jackson's "Thriller," released on November 30, 1982, is not just an album; it's a cultural phenomenon that transformed the music landscape and solidified Jackson's status as the King of Pop. With its groundbreaking production, unforgettable tracks, and iconic music videos, "Thriller" has left an indelible mark on the music industry and continues to resonate with fans around the world.
From the moment you press play, you’re greeted with the infectious energy of "Wanna Be Startin' Somethin'". This track sets the tone for the album with its vibrant horns and rhythmic beats, showcasing Jackson's incredible vocal range and his ability to blend pop with funk and rock. It’s a perfect opener that invites you into the world of "Thriller"—a world where every song is a hit.
One of the standout tracks, of course, is the title track "Thriller" itself. The song is a masterclass in production, featuring a haunting narrative, a catchy chorus, and the legendary Vincent Price delivering a chilling spoken-word segment. The accompanying music video, with its iconic dance sequences and horror-themed visuals, redefined what a music video could be. It was a cultural event that captivated audiences and is still celebrated today, especially around Halloween.
The album also features the ballad "Human Nature," which showcases Jackson's softer side. The lush production, combined with his tender vocals, creates a dreamy atmosphere that contrasts beautifully with the more upbeat tracks. It’s a song that many artists have covered, a testament to its timeless appeal.
"Thriller" was not just a commercial success; it was a critical darling as well. The album won a record-breaking eight Grammy Awards in 1984, including Album of the Year, and it has been recognized by numerous publications as one of the greatest albums of all time. Rolling Stone, for instance, has consistently ranked it among the top albums in its lists, and it’s often cited as a pivotal moment in the evolution of pop music.
The production of "Thriller" was a collaborative effort between Jackson and producer Quincy Jones, who played a crucial role in shaping the sound of the album. Their partnership was a match made in musical heaven, blending Jackson's innovative ideas with Jones's extensive experience in the industry. The result was a polished, genre-defying album that appealed to a wide audience, crossing racial and cultural boundaries.
Interestingly, the album's success was not just limited to the music charts. It became a cultural touchstone, influencing fashion, dance, and even film. The iconic red jacket Jackson wore in the "Thriller" video became a fashion statement, and the dance moves from the video have been emulated by countless fans and artists alike. It’s hard to overstate how much of a cultural impact this album had; it was everywhere.
In terms of sales, "Thriller" is the best-selling album of all time, with estimates of over 66 million copies sold worldwide. It has been certified 34x Platinum by the RIAA, a feat that speaks volumes about its enduring popularity. Even decades after its release, the album continues to sell and stream, introducing new generations to Jackson's genius.
Personal anecdotes from Jackson and those involved in the making of the album reveal the passion and creativity that went into its production. Jackson was known for his perfectionism, often spending hours perfecting a single note or dance move. This dedication is evident in the final product, which feels meticulously crafted yet effortlessly enjoyable.
In conclusion, Michael Jackson's "Thriller" is more than just an album; it’s a landmark in music history that continues to inspire and entertain. Its blend of pop, rock, and funk, combined with Jackson's unparalleled talent and the visionary production of Quincy Jones, created a timeless masterpiece that will be celebrated for generations to come. Whether you’re a lifelong fan or a newcomer to Jackson’s music, "Thriller" is an essential listen that captures the magic of pop music at its finest.