Album Info
Artist: | Rickie Lee Jones |
Album: | The Magazine |
Released: | Australia, 1984 |
Tracklist:
A1 | Prelude To Gravity | 2:49 |
Arranged By [Strings] - James Newton Howard, Marty Paich | ||
Conductor - Marty Paich | ||
A2 | Gravity | 4:43 |
Bass - Nathan East | ||
Drums - Steve Gadd | ||
Electric Piano [Fender Rhodes] - Greg Phillinganes | ||
Guitar - Dean Parks | ||
Percussion - Lenny Castro | ||
Programmed By [Additional Programming] - Michael Boddicker | ||
A3 | Juke Box Fury | 4:11 |
Arranged By [Horns] - Jerry Hey, Rickie Lee Jones | ||
Bass - Nathan East | ||
Drums - Steve Gadd | ||
Guitar - Buzz Feiten | ||
Percussion - Lenny Castro | ||
Synthesizer [Dx-7] - Neil Larsen | ||
A4 | It Must Be Love | 4:54 |
Bass - David Hungate | ||
Drums - Jeff Porcaro | ||
Guitar - Jeffrey Pevar | ||
Percussion - Lenny Castro | ||
A5 | Magazine | 4:42 |
Arranged By [Strings], Conductor - James Newton Howard | ||
Bass - David Hungate | ||
Drums - Jeff Porcaro | ||
Guitar - Dean Parks | ||
Percussion - Victor Feldman | ||
B1 | The Real End | 4:58 |
Arranged By [Horns] - Jerry Hey | ||
Bass - Nathan East | ||
Drums - Steve Gadd | ||
Guitar - Buzz Feiten | ||
Organ - Neil Larsen | ||
Percussion - Lenny Castro | ||
B2 | Deep Space | 3:12 |
Synthesizer [Gs-1 Digital Synthesizer] - Rickie Lee Jones | ||
B3 | Runaround | 4:59 |
Bass - Nathan East | ||
Drums - Steve Gadd | ||
Electric Piano [Wurlitzer] - Neil Larsen | ||
Guitar - Steve Lukather | ||
Percussion - Lenny Castro | ||
Synthesizer [Additional] - Michael Boddicker | ||
- | Rorschachs | |
B4 | Theme For The Pope | 3:15 |
Accordion - Nick De Caro | ||
Acoustic Guitar - Sal Bernardi | ||
Twelve-String Guitar, Mandolin - Jeffrey Pevar | ||
Vocals - Sal Bernardi | ||
Written-By - Sal Bernardi | ||
B5a | The Unsigned Painting | 2:18 |
B5b | The Weird Beast | 2:39 |
Arranged By, Performer - Rickie Lee Jones |
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Description
Rickie Lee Jones' album "The Magazine" was released on March 2, 1984. This album is often regarded as a significant entry in her discography, showcasing her unique blend of jazz, pop, and rock influences. Following her critically acclaimed self-titled debut in 1979, "The Magazine" continued to establish Jones as a distinctive voice in the music scene of the 1980s.
Upon its release, "The Magazine" received a warm reception from critics and fans alike. Publications like Rolling Stone praised Jones for her lyrical depth and musical versatility. The album features a mix of styles, from the jazzy, laid-back vibes of tracks like "The Real End" to the more upbeat and catchy "The Horses," which showcases her ability to weave storytelling with melody. Critics noted that Jones' voice, with its smoky, sultry quality, perfectly complements the intricate arrangements and thoughtful lyrics.
One of the standout tracks on the album is "The Magazine," which serves as a reflection on fame and the media's portrayal of artists. The song's introspective lyrics resonate with anyone who has ever felt the weight of public scrutiny. Another highlight is "Living It Up," a track that captures a sense of carefree joy and spontaneity, making it a favorite among fans. The production on the album, handled by Jones herself along with her longtime collaborator, is polished yet retains an organic feel, allowing her vocals to shine.
Historically, "The Magazine" is significant not just for its musical content but also for its exploration of themes that were particularly relevant in the 1980s. The decade was marked by a growing obsession with celebrity culture, and Jones' commentary on this phenomenon feels both timely and timeless. The album's cover art, featuring a striking photograph of Jones, further emphasizes her status as a cultural icon of the era.
In terms of accolades, while "The Magazine" did not receive major awards, it did contribute to Jones' reputation as a leading figure in the singer-songwriter movement. Her previous album had won a Grammy Award for Best New Artist, and although "The Magazine" did not achieve the same level of commercial success, it solidified her artistic identity and paved the way for her future works.
Fans of Rickie Lee Jones often share personal anecdotes about how her music has impacted their lives. Many listeners appreciate her ability to convey complex emotions through her lyrics, and her songs often serve as a soundtrack to significant moments in their lives. This personal connection is a testament to her artistry and the authenticity she brings to her music.
Interestingly, Jones has spoken in interviews about the creative process behind "The Magazine." She mentioned that the album was a reflection of her experiences during a tumultuous period in her life, including her struggles with fame and personal relationships. This vulnerability is palpable in the music, making it relatable to anyone who has faced challenges in their own lives.
Overall, "The Magazine" is a beautifully crafted album that showcases Rickie Lee Jones' unique voice and songwriting prowess. It may not have achieved the same level of commercial success as her debut, but it remains a beloved part of her catalog. For those who appreciate thoughtful lyrics and a blend of musical styles, this album is definitely worth a listen. Whether you're a longtime fan or new to her music, "The Magazine" offers a rich listening experience that captures the essence of Rickie Lee Jones as an artist.