Album Info
Artist: | Sam Smith |
Album: | In The Lonely Hour: Drowning Shadows Edition |
Gatefold: | Yes |
Released: | Europe, 6 Nov 2015 |
Tracklist:
Description
Sam Smith's "In The Lonely Hour: Drowning Shadows Edition" is a beautifully crafted album that showcases the artist's incredible vocal talent and emotional depth. Released on November 14, 2014, this edition of their debut studio album includes additional tracks and remixes that further explore the themes of love, heartbreak, and longing that permeate the original release.
From the moment you press play, you’re enveloped in the rich, soulful sound that Sam Smith is known for. The album features standout tracks like "Stay With Me," which became a massive hit and earned Smith several Grammy nominations, including Record of the Year and Song of the Year. The raw vulnerability in Smith's voice, combined with the poignant lyrics, makes this song a heart-wrenching anthem for anyone who has ever felt alone in love.
Another highlight is "I’m Not the Only One," which tells a story of betrayal and heartbreak. The production, with its lush instrumentation and gospel influences, perfectly complements Smith's soaring vocals. The music video, featuring a powerful narrative of infidelity, further cemented the song's impact and resonated with many listeners. Critics praised the track for its emotional honesty and Smith's ability to convey deep feelings through their music.
The Drowning Shadows Edition also includes a few new tracks that are worth mentioning. "Drowning Shadows" is a standout, showcasing Smith's ability to blend pop with soulful melodies. The song's introspective lyrics and haunting production create a captivating listening experience. Additionally, the inclusion of remixes adds a fresh twist to some of the original tracks, making this edition feel like a new journey through familiar territory.
Critically, the album received widespread acclaim. Major publications like Rolling Stone and The Guardian praised Smith's vocal prowess and the album's emotional weight. Rolling Stone described Smith as a "soulful balladeer" and highlighted the album's ability to connect with listeners on a personal level. The Guardian noted the album's blend of contemporary pop and classic soul, emphasizing how Smith's artistry transcends genres.
Culturally, "In The Lonely Hour" marked a significant moment in pop music, as it brought LGBTQ+ themes to the forefront in a mainstream context. Sam Smith, who identifies as non-binary, has been an important figure in advocating for LGBTQ+ rights, and their music often reflects personal experiences related to identity and love. This album not only resonated with fans but also opened doors for conversations about love and acceptance in a broader societal context.
One interesting tidbit about the album is that it was recorded in various locations, including London and Los Angeles, with production from notable figures like Jimmy Napes and Disclosure. The collaborative nature of the album brought together a diverse range of influences, resulting in a sound that feels both timeless and contemporary.
As for personal anecdotes, Smith has shared in interviews how the album was a reflection of their own experiences with love and loneliness. They have mentioned that writing these songs was a cathartic process, allowing them to express feelings they had struggled to articulate. This authenticity is palpable in every track, making it easy for listeners to connect with the emotions conveyed.
Overall, "In The Lonely Hour: Drowning Shadows Edition" is more than just an album; it’s a heartfelt exploration of love and loss that resonates deeply with anyone who has ever felt the pangs of loneliness. With its stunning vocals, relatable lyrics, and rich production, it’s no wonder that this album has left a lasting impact on the music scene. Whether you’re a long-time fan of Sam Smith or new to their music, this edition is definitely worth a listen.
Product Reviews
A1 | Money On My Mind | 3:13 |
Mixed By - Steve Fitzmaurice | ||
Mixed By [Assistant] - Darren Heelis | ||
Producer, Arranged By, Instruments [All] - Two Inch Punch | ||
Recorded By [Vocals] - Darren Heelis, Steve Fitzmaurice | ||
Vocals - Sam Smith | ||
Written-By - Ben Ash , Sam Smith | ||
A2 | Good Thing | 3:21 |
Mixed By - Dan Parry | ||
Producer, Guitar, Piano, Strings, Cymbal - Eg White | ||
Vocals - Sam Smith | ||
Written-By - Eg White, Sam Smith | ||
A3 | Stay With Me | 2:52 |
Arranged By [Strings], Conductor [Strings] - Simon Hale | ||
Bass Guitar - Jodi Milliner | ||
Drums, Percussion - Sylvester Earl Harvin, Jimmy Napes | ||
Engineer [Assistant Recording Engineer] - Darren Heelis, Mike Horner | ||
Leader [Strings] - Everton Nelson | ||
Mixed By [Additional], Bass [Korg Bass] - Darren Heelis | ||
Piano, Organ - William Phillips | ||
Producer [Additional], Recorded By [Additional], Mixed By, Drum Programming [Additional] - Steve Fitzmaurice | ||
Producer, Recorded By - Jimmy Napes | ||
Recorded By [Strings - Assistant] - Jeremy Murphy | ||
Recorded By [Strings] - Steve Price | ||
Vocals - Sam Smith | ||
Written-By - James Napier, Sam Smith , William Phillips | ||
A4 | Leave Your Lover | 3:08 |
Arranged By [Strings], Conductor [Strings] - Simon Hale | ||
Engineer [Assistant Recording Engineer] - Darren Heelis, Mike Horner | ||
Guitar - Ben Thomas | ||
Leader [Strings] - Everton Nelson | ||
Mixed By [Assistant] - Darren Heelis | ||
Piano - Reuben James | ||
Producer - Jimmy Napes, Steve Fitzmaurice | ||
Recorded By [Strings - Assistant] - Jeremy Murphy | ||
Recorded By [Strings] - Steve Price | ||
Recorded By, Mixed By - Steve Fitzmaurice | ||
Vocals - Sam Smith | ||
Written-By - Sam Smith , Simon Aldred | ||
A5 | I'm Not The Only One | 3:59 |
Arranged By [Strings], Conductor [Strings] - Simon Hale | ||
Drums, Percussion - Sylvester Earl Harvin | ||
Engineer [Assistant Recording Engineer] - Mike Horner | ||
Guitar - Ben Thomas | ||
Leader [Strings] - Everton Nelson | ||
Mixed By [Assistant], Recorded By [Additional] - Darren Heelis | ||
Piano - Reuben James | ||
Producer - Jimmy Napes, Steve Fitzmaurice | ||
Recorded By [Strings - Assistant] - Jeremy Murphy | ||
Recorded By [Strings] - Steve Price | ||
Recorded By, Mixed By - Steve Fitzmaurice | ||
Vocals - Sam Smith | ||
Written-By - James Napier, Sam Smith | ||
A6 | I've Told You Now | 3:30 |
Backing Vocals, Acoustic Guitar, Piano, Strings, Recorded By - Eg White | ||
Bass Guitar - Jodi Milliner | ||
Drums, Percussion - Sylvester Earl Harvin | ||
Engineer [Assistant Recording Engineer], Piano [Additional] - Charles Wong | ||
Guitar - Ben Thomas | ||
Mixed By, Drums [Additional] - Steve Fitzmaurice | ||
Piano - Reuben James | ||
Producer - Eg White, Jimmy Napes, Steve Fitzmaurice | ||
Recorded By - Eg White, Steve Fitzmaurice | ||
Recorded By [Additional] - Darren Heelis | ||
Vocals - Sam Smith | ||
Written-By - Eg White, Sam Smith | ||
A7 | Like I Can | 2:47 |
Bass Guitar - Jodi Milliner | ||
Drums, Percussion - Sylvester Earl Harvin | ||
Engineer [Assistant Recording Engineer] - Mike Horner | ||
Guitar - Ben Thomas | ||
Keyboards [Original Keyboards] - Matt Prime | ||
Mixed By [Assistant], Keyboards [Additional], Programmed By [Additional] - Darren Heelis | ||
Piano, Organ - Reuben James | ||
Producer - Jimmy Napes, Steve Fitzmaurice | ||
Producer [Additional], Drum Programming [Additional] - Mojam | ||
Programmed By [Additional] - James Murray , Mustafa Omer | ||
Recorded By, Mixed By - Steve Fitzmaurice | ||
Vocals - Sam Smith | ||
Written-By - Matt Prime, Sam Smith | ||
B1 | Life Support | 2:53 |
Mixed By - Steve Fitzmaurice | ||
Mixed By [Assistant] - Charles Wong, Darren Heelis | ||
Producer, Instruments [All], Drum Programming - Two Inch Punch | ||
Vocals - Sam Smith | ||
Written-By - Ben Ash , Sam Smith | ||
B2 | Not In That Way | 2:52 |
Mixed By - Graham Archer | ||
Producer, Guitar - Fraser T. Smith | ||
Vocals - Sam Smith | ||
Written-By - Fraser T. Smith, Sam Smith | ||
B3 | Lay Me Down | 4:13 |
Arranged By [Strings], Conductor [Strings] - Simon Hale | ||
Bass Guitar - Jodi Milliner | ||
Drums, Percussion - Sylvester Earl Harvin | ||
Engineer [Assistant Recording Engineer] - Mike Horner | ||
Guitar - Ben Thomas | ||
Leader [Strings] - Everton Nelson | ||
Mixed By [Assistant], Recorded By [Additional] - Darren Heelis | ||
Piano, Organ - Reuben James | ||
Producer - Jimmy Napes, Steve Fitzmaurice | ||
Recorded By [Strings - Assistant] - Jeremy Murphy | ||
Recorded By [Strings] - Steve Price | ||
Recorded By, Mixed By - Steve Fitzmaurice | ||
Vocals - Sam Smith | ||
Written-By - Elvin Smith, James Napier, Sam Smith | ||
B4 | Restart | 3:52 |
Bass Guitar - Jodi Milliner | ||
Guitar - Ben Thomas | ||
Mixed By [Assistant] - Charles Wong | ||
Piano - Reuben James | ||
Producer [Additional] - Jimmy Napes | ||
Producer, Programmed By - Zane Lowe | ||
Programmed By [Additional], Recorded By [Additional] - Darren Heelis | ||
Recorded By [Additional], Mixed By - Steve Fitzmaurice | ||
Recorded By [Vocals] - Michael Angelo | ||
Vocals - Sam Smith | ||
Written-By - Sam Smith , Zane Lowe | ||
B5 | Latch (Acoustic) | 3:43 |
Cello - Harry Robinson | ||
Engineer [Assistant Recording Engineer] - Mike Horner | ||
Mixed By [Assistant] - Darren Heelis | ||
Piano - Reuben James | ||
Producer, Recorded By [Cello] - Jimmy Napes | ||
Recorded By, Mixed By - Steve Fitzmaurice | ||
Vocals - Sam Smith | ||
Written-By - Guy Lawrence , Howard Lawrence, James Napier, Sam Smith | ||
B6 | La La La | 3:39 |
Co-producer - Mojam | ||
Keyboards - Frobisher 'Froby' Mbabazi | ||
Management [Naughty Boy] - Danny D, Riki Bleau, Tim Blacksmith | ||
Mixed By [Mixdown], Programmed By [Additional] - Wez Clarke | ||
Performer, Instruments - Naughty Boy | ||
Producer - Komi, Naughty Boy | ||
Programmed By - James Murray , Komi, Mustafa Omer | ||
Recorded By - James Murray , Mustafa Omer | ||
Strings - Jonny Coffer | ||
Vocals - Sam Smith | ||
Written-By - Al-Hakam El Kaubaisy, Frobisher Mbabazi, James Murray , James Napier, Jonny Coffer, Mustafa Omer, Sam Smith , Shahid Khan | ||
B7 | Make It To Me | 2:43 |
Bass Guitar - Jodi Milliner | ||
Drums, Percussion - Sylvester Earl Harvin | ||
Engineer [Assistant Recording Engineer] - Charles Wong, Drew Smith | ||
Guitar - Ben Thomas | ||
Leader [Strings] - Victoria Lyon | ||
Mixed By [Assistant], Recorded By [Additional] - Darren Heelis | ||
Piano - Howard Lawrence | ||
Producer - Howard Lawrence, Jimmy Napes, Steve Fitzmaurice | ||
Recorded By [Strings], Arranged By [Strings], Conductor [Strings] - Simon Hale | ||
Recorded By, Mixed By - Steve Fitzmaurice | ||
Vocals - Sam Smith | ||
Written-By - Guy Lawrence , Howard Lawrence, James Napier, Sam Smith | ||
C1 | Drowning Shadows | 4:15 |
Arranged By [Strings], Conductor - Simon Hale | ||
Engineer - Darren Heelis | ||