Album Info
Artist: | The Bee Gees |
Album: | The Bee Gees |
Released: | Australia, 1974 |
Tracklist:
A1 | I Was A Lover, A Leader Of Men | 3:39 |
A2 | I Don't Think It's Funny | 2:52 |
A3 | How Love Was True | 2:12 |
A4 | To Be Or Not To Be | 2:14 |
A5 | Timber | 1:46 |
A6 | Claustrophobia | 2:17 |
A7 | Could It Be | 2:08 |
B1 | Turn Around, Look At Me | 2:16 |
Written-By - Jerry Capehart | ||
B2 | The Battle Of The Blue And The Grey | 2:05 |
B3 | Three Kisses Of Love | 1:46 |
B4 | Theme From Jamie McPheeters | 1:57 |
Written-By - Jerry Winn, Leigh Harline | ||
B5 | Every Day I Have To Cry | 2:05 |
Written-By - Arthur Alexander | ||
B6 | I Want Home | 2:29 |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne's North (Australia)
- We buy and sell new and used vinyl records - if you have a collection you'd like to sell please click here.
- All pictures of the second hand/used vinyl records are actual pictures of the album in stock.
- We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post.
- Free Shipping for orders $150 and over.
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- We also ship internationally - prices vary depending on weight and location.
- We ship vinyls in thick, rigid cardboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records.
- We almost always ship in stock vinyl next business day (excluding pre orders)
- We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn't arrive we will cover the cost of replacing or returning the record.
- If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store.
- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Description
The Bee Gees' self-titled album, released on September 14, 1973, is a fascinating piece of musical history that showcases the trio's evolution and versatility. This album marked a significant turning point for the Bee Gees, as they transitioned from their earlier pop and rock sound into the disco era that would soon define their careers. It’s interesting to note that this album was released just a few years before their massive success with the Saturday Night Fever soundtrack, which would catapult them into superstardom.
The self-titled album features a blend of soft rock, pop, and the early inklings of disco, with lush harmonies and intricate arrangements that the Bee Gees are known for. The production is polished, and you can hear the meticulous attention to detail that went into crafting each track. The album opens with "I’ve Gotta Get a Message to You," a poignant ballad that showcases Barry Gibb's emotive vocals and the group's signature harmonies. This track, along with others like "Run to Me" and "My World," highlights their ability to convey deep emotion through their music.
One of the standout tracks on the album is undoubtedly "Lonely Days," which features a haunting melody and lyrics that resonate with anyone who has experienced heartache. The song's arrangement is beautifully layered, with strings and soft percussion that create a dreamy atmosphere. Critics at the time praised the album for its lyrical depth and musical sophistication, and it received positive reviews from major publications like Rolling Stone, which noted the Bee Gees' ability to blend pop sensibilities with more complex musical ideas.
Interestingly, the album also includes the track "How Can You Mend a Broken Heart," which would later become one of their most iconic songs. This song, with its soulful delivery and heartfelt lyrics, showcases the group's ability to tap into universal themes of love and loss. It’s a testament to their songwriting prowess that this track has remained a classic over the decades.
The Bee Gees' self-titled album is not just a collection of songs; it’s a reflection of the band's journey and their willingness to experiment with different sounds. The production was handled by the Bee Gees themselves, which was a relatively bold move at the time, as many artists relied on external producers. This self-production allowed them to maintain creative control and truly express their artistic vision.
In terms of cultural significance, this album is often seen as a precursor to the disco explosion of the late 1970s. While it may not have achieved the same level of commercial success as their later works, it laid the groundwork for what was to come. The Bee Gees would go on to dominate the charts with their disco hits, but this album captures a moment of transition and experimentation that is essential to understanding their legacy.
The critical reception of the album was generally favorable, with many reviewers noting the Bee Gees' unique sound and the emotional weight of their lyrics. It’s fascinating to see how this album has been re-evaluated over the years, with many contemporary listeners discovering it for the first time and appreciating its artistry. The Bee Gees have received numerous accolades throughout their career, including induction into the Rock and Roll Hall of Fame, and this album is often cited as a key part of their impressive catalog.
In conclusion, The Bee Gees' self-titled album is a delightful listen that showcases the group's incredible talent and versatility. It’s a snapshot of a band on the brink of greatness, experimenting with their sound and exploring new musical territories. Whether you’re a long-time fan or a newcomer to their music, this album is definitely worth a spin. It’s a reminder of the Bee Gees' enduring legacy and their ability to create music that resonates across generations.