Album Info
Artist: | 10cc |
Album: | Bloody Tourists |
Released: | Australia, 1978 |
Tracklist:
A1 | Dreadlock Holiday | |
Cowbell, Congas, Marimba, Triangle, Agogô [A Go Go Bells], Timbales - Paul | ||
Drums, Backing Vocals, Tambourine - Stuart | ||
Electric Guitar, Backing Vocals, Organ - Rick | ||
Electric Piano, Backing Vocals, Organ, Maracas - Eric | ||
Lead Vocals, Bass, Electric Guitar, Cabasa, Backing Vocals - Graham | ||
Synthesizer [Yamaha CS80] - Duncan | ||
Written-By - E. Stewart, G. Gouldman | ||
A2 | For You And I | |
Backing Vocals - Stuart | ||
Bass [Six String Bass], Acoustic Guitar, Backing Vocals, Electric Guitar - Graham | ||
Drums, Drums [Concert Bass Drums] - Paul | ||
Lead Vocals, Electric Piano, Synthesizer [Moog Trumpets, Polymoog Strings] - Eric | ||
Synthesizer [Moog Solo], Backing Vocals, Electric Guitar - Rick | ||
Written-By - E. Stewart, G. Gouldman | ||
A3 | Take These Chains | |
Drums - Stuart | ||
Electric Guitar, Synthesizer [Polymoog], Backing Vocals - Rick | ||
Glockenspiel, Tambourine - Paul | ||
Harmony Vocals, Bass, Backing Vocals, Acoustic Guitar - Graham | ||
Lead Vocals, Backing Vocals, Lead Guitar, Slide Guitar, Organ, Grand Piano, Electric Guitar - Eric | ||
Written-By - E. Stewart, G. Gouldman | ||
A4 | Shock On The Tube (Don't Want Love) | |
Bass, Backing Vocals, Electric Guitar - Graham | ||
Drums - Paul | ||
Electric Guitar, Backing Vocals - Rick | ||
Lead Vocals, Electric Guitar, Lead Guitar, Grand Piano, Backing Vocals - Eric | ||
Snare [Snare Drum], Backing Vocals - Stuart | ||
Synthesizer [Yamaha CS80], Grand Piano, Violin, Backing Vocals - Duncan | ||
Written-By - E. Stewart | ||
A5 | Last Night | |
Drums, Cowbell, Bells [Jingle Bells] - Stuart | ||
Electric Guitar - Rick | ||
Electric Piano, Grand Piano, Synthesizer [Yamaha CS80] - Duncan | ||
Harmony Vocals, Cowbell, Maracas, Electric Guitar - Eric | ||
Lead Vocals, Bass, Bass [Fuzz Bass], Electric Guitar - Graham | ||
Other [Didn't Turn Up!] - Paul | ||
Written-By - G. Gouldman, R. Fenn | ||
A6 | The Anonymous Alcoholic | |
Bass, Electric Guitar, Backing Vocals - Graham | ||
Drums [Disco Drums], Congas - Paul | ||
Drums, Backing Vocals, Trombone, Bongos, Drums [Disco Drums], Congas - Stuart | ||
Electric Guitar, Synthesizer [Moog Brass], Saxophone, Backing Vocals, Horns [Rick Fenn's Dorking Horns] - Rick | ||
Grand Piano - Duncan | ||
Lead Vocals, Slide Guitar, Backing Vocals, Electric Guitar - Eric | ||
Written-By - E. Stewart, G. Gouldman | ||
B1 | Reds In My Bed | |
Bass, Acoustic Guitar, Electric Guitar, Backing Vocals - Graham | ||
Electric Guitar, Acoustic Guitar, Backing Vocals - Rick | ||
Glockenspiel, Snare [Military Snare Drum], Tambourine - Paul | ||
Lead Vocals, Drums, Cabasa, Tambourine, Snare [Military Snare Drum], Backing Vocals - Stuart | ||
Vocals, Backing Vocals, Piano, Electric Piano, Synthesizer [Moog] - Eric | ||
Written-By - E. Stewart, S. Tosh | ||
B2 | Life Line | |
Drums, Backing Vocals - Stuart | ||
Lead Guitar, Organ, Backing Vocals - Rick | ||
Lead Guitar, Synthesizer [Moog], Guitar [Fuzz Guitar], Backing Vocals, Electric Piano - Eric | ||
Lead Vocals, Bass, Acoustic Guitar, Electric Guitar, Backing Vocals - Graham | ||
Timbales, Rototoms [Roto-toms], Triangle, Vibraphone [Vibes] - Paul | ||
Written-By - G. Gouldman | ||
B3 | Tokyo | |
Acoustic Guitar, Lead Guitar, Bass [Fretless Bass], Backing Vocals - Rick | ||
Bass, Zither, Wind Chimes, Acoustic Guitar, Backing Vocals - Graham | ||
Drums, Backing Vocals - Stuart | ||
Lead Vocals, Backing Vocals, Acoustic Guitar - Eric | ||
Other [Watched Again!] - Paul | ||
Synthesizer [Yamaha CS80, Moog], Violin, Bass [Taurus Bass Pedals], Grand Piano, Electric Piano - Duncan | ||
Written-By - E. Stewart | ||
B4 | Old Mister Time | |
Bass, Tambourine - Graham | ||
Cello - Kate Spath (Tony Spath's Smarter Sister) | ||
Drums [Roto-toms], Tambourine - Paul | ||
Lead Guitar, Tambourine, Saxophone - Rick | ||
Lead Vocals, Backing Vocals, Electric Guitar - Eric | ||
Synthesizer [Yamaha CS80], Violin, Grand Piano, Tambourine, Electric Piano - Duncan | ||
Tambourine - Stuart | ||
Written-By - D. Mackay, E. Stewart | ||
B5 | From Rochdale To Ocho Rios | |
Acoustic Guitar, Backing Vocals, Percussion - Rick | ||
Backing Vocals - Tony Spath | ||
Backing Vocals, Percussion - Stuart | ||
Drums, Percussion, Backing Vocals - Paul | ||
Lead Guitar, Harmony Vocals, Backing Vocals, MC [M/C], Slide Guitar - Eric | ||
Lead Vocals, Bass, Acoustic Guitar, Percussion, Backing Vocals, Whistle, Harmony Vocals - Graham | ||
Synthesizer [Yamaha CS80], Organ, Percussion, Backing Vocals, Grand Piano, Steel Drums [Steel Drum Solo], Soloist - Duncan | ||
Written-By - G. Gouldman | ||
B6 | Everything You Wanted To Know About!!!(Exclamation Marks) | |
Bass, Electric Guitar - Graham | ||
Drums, Triangle, Vibraphone [Vibes] - Paul | ||
Lead Guitar, Electric Guitar [Electric], Saxophone - Rick | ||
Lead Vocals, Guitar [Fuzz Guitar], Grand Piano, Backing Vocals - Eric | ||
Other ["Shouted Encouragement!"] - Stuart | ||
Synthesizer [Yamaha CS80] - Duncan | ||
Written-By - E. Stewart |
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Description
Released on June 15, 1978, "Bloody Tourists" is the fifth studio album by the British rock band 10cc. Known for their clever lyrics and innovative sound, 10cc had already made a name for themselves with hits like "I’m Not in Love" and "Dreadlock Holiday." This album continued their tradition of blending pop, rock, and a touch of humor, while also showcasing their knack for storytelling through music.
"Bloody Tourists" is particularly notable for its exploration of themes related to travel and the experiences of tourists, which resonates with many listeners. The album's title itself is a cheeky nod to the sometimes frustrating and amusing aspects of being a tourist, and it sets the tone for the tracks that follow. The band’s ability to mix satire with catchy melodies is on full display here, making it a fun listen from start to finish.
One of the standout tracks from the album is undoubtedly "Dreadlock Holiday," which became a massive hit and is still one of 10cc's most recognizable songs. The track features a reggae-inspired beat and tells the story of a holiday gone wrong, capturing the essence of the album's theme. Its catchy chorus and infectious rhythm make it a classic that has endured through the years. The song reached number one in the UK charts and has been covered by various artists, further cementing its place in pop culture.
Another notable track is "The Things We Do for Love," which showcases the band's softer side. This song is a beautiful ballad that explores the complexities of love and relationships, and it features lush harmonies and a memorable melody. It also achieved commercial success, reaching the top 5 in the US charts, and remains a fan favorite.
Critically, "Bloody Tourists" received a mixed reception upon its release. Some reviewers praised the album for its clever songwriting and eclectic sound, while others felt it didn’t quite match the heights of their earlier work. Publications like Rolling Stone noted the band's ability to blend different genres, but some critics pointed out that the album felt a bit disjointed at times. Despite this, the album has grown in stature over the years, with many fans appreciating its unique charm and the band’s signature wit.
In terms of production, the album was produced by the band themselves, which allowed them to maintain creative control over their sound. The recording process took place at Strawberry Studios in Stockport, England, a place that was integral to the band's identity. The studio was known for its state-of-the-art equipment at the time, and it played a significant role in shaping the band's sound.
Interestingly, the album cover features a colorful and somewhat chaotic design that reflects the playful nature of the music within. The artwork, created by the band, is a visual representation of the themes of travel and tourism, with various images that evoke a sense of adventure and fun.
"Bloody Tourists" also holds a certain cultural significance as it captures the late 1970s zeitgeist, a time when travel was becoming more accessible to the average person. The album's commentary on the tourist experience resonates with listeners who have experienced the highs and lows of travel themselves. It’s a reminder of the joy and absurdity that can come with exploring new places.
In conclusion, while "Bloody Tourists" may not have received universal acclaim upon its release, it has certainly carved out a special place in the hearts of 10cc fans. With its catchy tunes, clever lyrics, and a playful take on the tourist experience, the album remains a delightful listen. Whether you’re a long-time fan or a newcomer to 10cc’s music, this album is worth a spin, especially if you’re in the mood for something that combines humor with musicality. So grab your headphones, sit back, and enjoy the ride through the whimsical world of "Bloody Tourists."