David Bowie - Lodger (LP) - EXC/VG+

David Bowie's "Lodger," released in 1979, is the final installment of his acclaimed "Berlin Trilogy," which also includes "Low" and "Heroes." This album marks a significant departure from the experimental and ambient sounds of its predecessors, embracing a more accessible and rock-oriented approach while still retaining the innovative spirit that characterized Bowie's work during this period. Produced by Bowie and Tony Visconti, with significant contributions from Brian Eno, "Lodger" is often seen as a bridge between Bowie's avant-garde explorations and his return to more mainstream rock. "Lodger" did not achieve the same level of commercial success as some of Bowie's earlier works, but it has been praised for its adventurous spirit and eclectic mix of styles. The album incorporates elements of world music, new wave, and punk, reflecting Bowie's interest in global sounds and his desire to push the boundaries of rock music. The influence of Brian Eno is evident in the album's experimental textures and unconventional song structures, although "Lodger" is more song-oriented than the previous two albums in the trilogy. One of the standout tracks on the album is "Boys Keep Swinging," which features a catchy melody and a playful, gender-bending theme. The song's music video, in which Bowie appears in drag, was considered provocative at the time and highlighted his ongoing exploration of identity and performance. Another notable track is "DJ," which critiques the superficiality of the music industry with a driving beat and Bowie's distinctive vocal delivery. "Look Back in Anger" is another highlight, showcasing Bowie's ability to blend rock with artful lyrics and dynamic instrumentation. "Lodger" also includes "African Night Flight," a track inspired by Bowie's travels in Kenya and his fascination with African music. The song's frenetic pace and layered rhythms reflect Bowie's interest in incorporating diverse musical influences into his work. "Yassassin" further explores this theme, blending rock with Middle Eastern sounds to create a unique and compelling track. Critically, "Lodger" received mixed reviews upon its release. Some critics appreciated its adventurous spirit and the way it challenged conventional rock norms, while others found it less cohesive than Bowie's previous albums. Over time, however, the album has been re-evaluated and is now considered an important part of Bowie's discography, praised for its innovation and the way it foreshadowed the musical directions he would explore in the 1980s. The album's cultural significance lies in its role as a transitional work in Bowie's career. It captures a moment of artistic exploration and experimentation, bridging the gap between the experimental sounds of the "Berlin Trilogy" and the more commercial success Bowie would achieve in the 1980s with albums like "Scary Monsters (and Super Creeps)" and "Let's Dance." "Lodger" also reflects Bowie's interest in global music and his ability to incorporate diverse influences into his work, a theme that would continue to be a hallmark of his career. While "Lodger" did not win any major awards, its influence can be seen in the work of many artists who followed, particularly in the way it challenged the boundaries of rock music and incorporated elements of world music and new wave. The album's experimental approach and willingness to take risks have inspired countless musicians and continue to resonate with listeners today. In summary, David Bowie's "Lodger" is a fascinating and complex album that captures a pivotal moment in his career. Its blend of rock, world music, and experimental sounds, along with its exploration of themes like identity and cultural diversity, make it a significant work in Bowie's discography. Though initially met with mixed reviews, "Lodger" has gained recognition over the years as an innovative and influential album that showcases Bowie's artistic vision and his ability to continually reinvent himself.