Elton John - Goodbye Yellow Brick Road (2LP) - G+/VG

A magnum opus in Elton John's expansive discography, "Goodbye Yellow Brick Road" is a sprawling double album that captures the essence of early 70s rock and pop while remaining timeless. Released in 1973, it's the pinnacle of John's collaboration with lyricist Bernie Taupin, offering a myriad of songs that speak to human experience, desires, and dreams.

From the outset, the album invites listeners into a sonic world teeming with both extravagance and introspection. The opening track, "Funeral for a Friend/Love Lies Bleeding," is a testament to this duality. Starting with an ethereal and almost gothic synthesizer instrumental, it seamlessly transitions into a rocking track dripping with the characteristic Elton John sound. This audacious commencement sets the tone for what's to come—a veritable roller-coaster of emotions.

The title track, "Goodbye Yellow Brick Road," remains one of John's most evocative offerings. Through its lyrical tapestry, it speaks of the longing to return to a simpler, more authentic life, away from the glitz and glamour. Elton's vocals, tinged with a hint of melancholy, breathe life into Taupin's lyrics, making for a hauntingly beautiful ballad.

Another standout is "Candle in the Wind," a poignant tribute to Marilyn Monroe that would later be reworked in memory of Princess Diana. It captures the tragedy of fame, depicting Monroe's life with a sensitivity that only a performer like John, familiar with the pressures of celebrity, could convey with such authenticity.

Yet, the album isn't merely introspective ballads. Tracks like "Bennie and the Jets," with its infectious rhythm and satirical take on the music industry, and "Saturday Night's Alright for Fighting," a raucous anthem celebrating the thrills of youth, showcase John's versatility. These tracks are vivacious, filled with energy, and highlight Elton's knack for creating memorable pop-rock tunes that make you want to tap your feet or even dance.

Another marvel is the jazzy "All the Girls Love Alice," a narrative-driven piece that speaks of a young girl's experiences in a gritty urban landscape. It's a darker, more complex number, showcasing the breadth of topics Taupin and John weren't afraid to tackle.

Beyond the hits, this album is peppered with hidden gems. "Grey Seal," with its driving piano and mysterious lyrics, "Sweet Painted Lady," which delves into the world of a prostitute, and the nostalgic "Harmony" all contribute to the album's richness.

The production, helmed by Gus Dudgeon, is nothing short of spectacular. Each song is orchestrated to perfection, from the grandiose arrangements in "The Ballad of Danny Bailey (1909-34)" to the stripped-down, emotional "I've Seen That Movie Too."

What's particularly remarkable about "Goodbye Yellow Brick Road" is its thematic range. The album meanders through an array of topics—love, fame, societal critiques, history, and even the occasional foray into the fantastical, like the futuristic "Jamaica Jerk-Off."

In conclusion, "Goodbye Yellow Brick Road" is a masterpiece, a testament to the synergy between Elton John and Bernie Taupin. It encapsulates a period of musical history while remaining relevant, offering songs that resonate with each subsequent generation. Its breadth in musical styles, depth in lyrical content, and the sheer artistry in production make it an essential listen for any music enthusiast. It's not just an album; it's an experience, a journey through the myriad shades of human emotion. A magnum opus in the truest sense.