Album Info
Artist: | Jack White |
Album: | Lazaretto |
Released: | Europe, 26 Jan 2024 |
Tracklist:
A1 | Three Women | 3:56 |
Bass - Dominic Davis | ||
Drums - Daru Jones | ||
Electric Organ [B3], Keyboards - Ikey Owens | ||
Mandolin, Harmonica, Backing Vocals - Cory Younts | ||
Pedal Steel Guitar - Fats Kaplin | ||
Vocals, Piano - Jack White | ||
Written By - Jack White/Blind Willie McTell | ||
A2 | Lazaretto | 3:40 |
Bass - Dominic Davis | ||
Drums - Daru Jones | ||
Fiddle - Fats Kaplin | ||
Synth [Korg] - Cory Younts | ||
Synth [Moog] - Ikey Owens | ||
Vocals, Electric Guitar - Jack White | ||
A3 | Temporary Ground | 3:13 |
Bass - Catherine Popper | ||
Drums - Carla Azar | ||
Fiddle, Backing Vocals - Lillie Mae Rische | ||
Pedal Steel Guitar - Maggie Björklund | ||
Piano - Brooke Waggoner | ||
Vocals, Acoustic Guitar - Jack White | ||
A4 | Would You Fight For My Love? | 4:10 |
Backing Vocals - Ruby Amanfu | ||
Drum [African] - Olivia Jean | ||
Drums - Daru Jones | ||
Drums, Timpani - Carla Azar | ||
Electric Bass - Dominic Davis | ||
Electric Guitar - Dean Fertita | ||
Electric Organ [B3], Electric Piano [Rhodes] - Ikey Owens | ||
Electric Upright Bass - Bryne Davies | ||
Fiddle - Fats Kaplin | ||
Piano - Cory Younts | ||
Piano, Electric Organ [B3], Synth [Moog] - Brooke Waggoner | ||
Vocals, Electric Guitar - Jack White | ||
A5 | High Ball Stepper | 3:45 |
Backing Vocals, Tambourine - Ruby Amanfu | ||
Bass - Catherine Popper | ||
Drums - Carla Azar | ||
Electric Guitar - Jack White | ||
Fiddle - Lillie Mae Rische | ||
Pedal Steel Guitar - Maggie Björklund | ||
Piano - Brooke Waggoner | ||
A6 | Untitled | |
A7 | Untitled | 0:56 |
Written-By [Uncredited] - Curtis Mayfield | ||
BA1 | Just One Drink | 2:40 |
Acoustic Guitar - Maggie Björklund | ||
Backing Vocals - Joshua V. Smith, Ruby Amanfu | ||
Bass - Catherine Popper | ||
Drums - Carla Azar | ||
Fiddle - Lillie Mae Rische | ||
Piano - Brooke Waggoner | ||
Recorded By [Assistant] - Joshua V. Smith | ||
Vocals, Electric Guitar, Acoustic Guitar [Intro] - Jack White | ||
BB1 | Just One Drink | 2:37 |
Acoustic Guitar - Maggie Björklund | ||
Backing Vocals - Joshua V. Smith, Ruby Amanfu | ||
Bass - Catherine Popper | ||
Drums - Carla Azar | ||
Fiddle - Lillie Mae Rische | ||
Piano - Brooke Waggoner | ||
Recorded By [Assistant] - Joshua V. Smith | ||
Vocals, Electric Guitar - Jack White | ||
B2 | Alone In My Home | 3:30 |
Backing Vocals - Lillie Mae Rische | ||
Backing Vocals, Shaker - Cory Younts | ||
Drums - Ben Blackwell | ||
Electric Bass, Electric Bass [VI] - Dominic Davis | ||
Harp - Timbre Cierpke | ||
Mandolin - Fats Kaplin | ||
Piano - Ikey Owens | ||
Recorded By [Assistant] - Mindy Watts | ||
Vocals, Acoustic Guitar, Maracas, Shaker - Jack White | ||
B3 | That Black Bat Licorice | 3:52 |
Backing Vocals - Olivia Jean, Ruby Amanfu | ||
Clavinet, Electric Organ [Hammond] - Brooke Waggoner | ||
Drums - Patrick Keeler | ||
Electric Upright Bass - Bryne Davies | ||
Fiddle, Mandolin - Fats Kaplin | ||
Harp - Timbre Cierpke | ||
Vocals, Electric Guitar, Percussion - Jack White | ||
B4 | Entitlement | 4:06 |
Drums - Ben Blackwell | ||
Electric Upright Bass - Dominic Davis | ||
Harp - Timbre Cierpke | ||
Mandolin, Backing Vocals - Cory Younts | ||
Pedal Steel Guitar - Fats Kaplin | ||
Piano - Ikey Owens | ||
Vocals, Acoustic Guitar - Jack White | ||
B5 | I Think I Found The Culprit | 3:51 |
Backing Vocals, Shaker - Ruby Amanfu | ||
Bass - Catherine Popper | ||
Drums - Carla Azar | ||
Fiddle, Mandolin - Lillie Mae Rische | ||
Harp - Timbre Cierpke | ||
Pedal Steel Guitar - Maggie Björklund | ||
Piano - Brooke Waggoner | ||
Vocals, Acoustic Guitar - Jack White | ||
B6 | Want And Able | 2:34 |
Vocals, Acoustic Guitar, Piano - Jack White | ||
B7 | Untitled | |
B8 | Untitled | 0:44 |
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Description
Jack White's "Lazaretto," released on June 10, 2014, is a fascinating exploration of the artist's eclectic musical influences and his unique approach to rock and roll. Following his successful solo debut, "Blunderbuss," this album further cements White's reputation as a modern rock innovator. With its blend of blues, rock, and a touch of country, "Lazaretto" showcases White's ability to push boundaries while still paying homage to the roots of American music.
From the very first track, "Three Women," listeners are drawn into a world that feels both familiar and refreshingly new. The song features a driving beat and a catchy guitar riff that sets the tone for the rest of the album. White's distinctive voice shines through, delivering lyrics that are both playful and introspective. The standout track, "Lazaretto," is a perfect example of White's knack for crafting memorable hooks. The song's infectious energy and clever lyrics make it a highlight, and it even earned a Grammy nomination for Best Rock Performance.
One of the most interesting aspects of "Lazaretto" is its production. White took a hands-on approach, recording the album at his own Third Man Records studio in Nashville. This allowed him to experiment with different sounds and techniques, resulting in a rich and layered listening experience. The album features a variety of instruments, including banjos, violins, and even a theremin, showcasing White's diverse musical palette. The production also includes some unique elements, such as the hidden track that plays at the end of the album, which is a fun nod to vinyl culture.
Critics were quick to praise "Lazaretto" upon its release. Major publications like Rolling Stone and Pitchfork lauded the album for its boldness and creativity. Rolling Stone described it as "a wild ride through the mind of one of rock's most inventive artists," while Pitchfork highlighted White's ability to blend genres seamlessly. The album debuted at number one on the Billboard 200 chart, further solidifying White's status as a leading figure in contemporary music.
The cultural significance of "Lazaretto" cannot be understated. In a time when many artists were leaning heavily into digital production, White's commitment to analog recording and traditional instrumentation felt like a breath of fresh air. He has often spoken about his love for vinyl records and the tactile experience of music, which resonates throughout the album. This dedication to authenticity has inspired a new generation of musicians to explore the roots of rock and roll.
Another standout track, "Would You Fight for My Love?" showcases White's storytelling ability. The song's haunting melody and poignant lyrics create a sense of longing and vulnerability that is hard to shake off. It's a testament to White's skill as a songwriter that he can evoke such strong emotions with his music. The album also features the energetic "High Ball Stepper," which is an instrumental track that allows White's guitar work to take center stage, demonstrating his prowess as a musician.
In terms of personal anecdotes, White has shared that the album was inspired by his experiences and observations of life, love, and the human condition. He often draws from his own life, making his music feel relatable and grounded. This connection to his personal narrative adds depth to the album, inviting listeners to reflect on their own experiences as they listen.
Overall, "Lazaretto" is a testament to Jack White's artistry and his ability to innovate within the rock genre. With its blend of styles, thoughtful lyrics, and impressive production, the album stands out as one of the defining works of his career. Whether you're a longtime fan or new to his music, "Lazaretto" is an album that deserves a spot in your collection. It's a wild, exhilarating ride that showcases the best of what Jack White has to offer.