Album Info
| Artist: | Jethro Tull |
| Album: | A |
| Released: | Australia, 1980 |
Tracklist:
| A1 | Crossfire | 3:51 |
| A2 | Fylingdale Flyer | 4:27 |
| A3 | Working John, Working Joe | 5:01 |
| A4 | Black Sunday | 6:33 |
| B1 | Protect And Survive | 3:22 |
| B2 | Batteries Not Included | 3:47 |
| B3 | Uniform | 3:30 |
| B4 | 4.W.D. (Low Ratio) | 3:37 |
| B5 | The Pine Marten's Jig | 3:23 |
| B6 | And Further On | 4:19 |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne's North (Australia)
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- We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post.
- Free Shipping for orders $150 and over.
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- We also ship internationally - prices vary depending on weight and location.
- We ship vinyls in thick, rigid cardboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records.
- We almost always ship in stock vinyl next business day (excluding pre orders)
- We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn't arrive we will cover the cost of replacing or returning the record.
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- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Description
Ah, Jethro Tull’s “A” – an album that often sparks curiosity and debate among fans and newcomers alike. Released on August 29, 1980, this album marked a distinctive shift in the band’s musical direction, steering towards a more synthesized, electronic sound that was quite a departure from their earlier folk-rock and progressive rock roots.
The backstory of “A” is quite interesting and adds a layer of complexity to its reception and understanding. Initially, the album was intended to be a solo project by the band’s frontman, Ian Anderson. However, due to record label pressures and other circumstances, it was released under the Jethro Tull name. This change not only influenced the album’s style but also its lineup, introducing new members like Dave Pegg on bass and Mark Craney on drums, while prominently featuring Eddie Jobson on keyboards and electric violin, which significantly shaped the album’s new sound.
One of the standout tracks that really encapsulates the essence of “A” is “Crossfire,” which showcases the band’s shift towards a more contemporary 80s sound with its pronounced synthesizers and a tighter, more rhythmic structure. Another notable track is “Fylingdale Flyer,” which combines a catchy melody with lyrics that reflect on the era's anxieties about cold war tensions. The track “Black Sunday” is also worth mentioning, as it further exemplifies the album’s experimental approach with its dynamic shifts and complex arrangements.
Critically, “A” received mixed reviews upon its release. Some praised the band for their willingness to adapt and experiment with new sounds, appreciating the technical skill and modern touches brought into the mix. Others, however, felt that the album strayed too far from Jethro Tull’s roots, missing the organic, earthy elements that had defined their earlier work. Over time, “A” has come to be viewed more favorably, seen as a bold, if somewhat divisive, chapter in the band’s evolution.
From a production standpoint, “A” was notably influenced by the technological advancements of the time. The use of synthesizers and electronic elements was a significant move, driven by both the changing musical landscape of the late 70s and early 80s and Anderson’s interest in exploring new musical territories. This experimentation with electronic music was somewhat prescient, as many other rock bands of that era soon followed suit, integrating more synthetic sounds into their productions.
Despite its initial mixed reception, “A” holds a special place in the Jethro Tull discography. It represents a moment of transition, a band navigating the changing tides of musical trends while trying to maintain its identity. For fans of the band, it offers a unique glimpse into Ian Anderson’s creative process and his ability to innovate under pressure.
In conclusion, while “A” might not be the quintessential Jethro Tull album for purists, it stands as a testament to the band’s willingness to evolve and experiment. It’s a fascinating listen, not just for its historical context within the band’s career but also as a snapshot of a broader shift in rock music during that era. Whether you’re a long-time fan or a curious newcomer, “A” offers a distinctive auditory experience that’s well worth exploring.
