Jethro Tull - Stormwatch (LP) - VG+/VG+

Jethro Tull's "Stormwatch," released in 1979, marks the end of an era for the band, concluding what fans often refer to as the "folk rock trilogy," which also includes "Songs from the Wood" and "Heavy Horses." This album is notable for its thematic focus on environmental concerns and the impact of industrialization, a reflection of the growing awareness of ecological issues during the late 1970s. The album's cover art, featuring a bleak, stormy seascape, sets the tone for the music within, which is both introspective and socially conscious.

Musically, "Stormwatch" continues Jethro Tull's exploration of folk rock, but with a darker, more somber tone compared to its predecessors. The album is characterized by its intricate arrangements and the use of traditional folk instruments, such as the mandolin and the flute, played by the band's frontman, Ian Anderson. Anderson's flute work is particularly prominent on this album, adding a lyrical and sometimes haunting quality to the music. The band's lineup at the time included Martin Barre on guitar, John Evan on keyboards, Barriemore Barlow on drums, John Glascock on bass, and David Palmer, who contributed orchestral arrangements.

One of the standout tracks on "Stormwatch" is "Dun Ringill," a song that showcases Anderson's ability to blend storytelling with music. The track's acoustic guitar and flute interplay create a mystical atmosphere, evoking images of ancient landscapes and forgotten times. Another notable song is "Orion," which combines rock elements with folk influences, featuring powerful guitar riffs and dynamic shifts in tempo. "North Sea Oil" opens the album with a driving rhythm and lyrics that critique the exploitation of natural resources, setting the stage for the album's overarching themes.

"Stormwatch" received mixed reviews upon its release. Some critics praised the album for its ambitious themes and complex compositions, while others felt it lacked the cohesion and energy of Jethro Tull's earlier works. Despite the mixed critical reception, the album has maintained a dedicated fan base and is often appreciated for its lyrical depth and musical craftsmanship. It did not achieve the same commercial success as some of the band's previous albums, but it remains an important part of Jethro Tull's discography.

The album also holds historical significance as it was the last to feature the classic lineup of the band. During the recording of "Stormwatch," bassist John Glascock's health was deteriorating due to a heart condition, and he was unable to complete the album. Ian Anderson played bass on several tracks, and Glascock's contributions were limited. Tragically, Glascock passed away shortly after the album's release, marking a poignant end to this chapter of Jethro Tull's history.

In terms of cultural impact, "Stormwatch" reflects the growing environmental consciousness of the late 1970s, a time when issues such as pollution and resource depletion were becoming more prominent in public discourse. The album's exploration of these themes resonates with listeners who are concerned about the planet's future, making it relevant even decades after its release.

Overall, "Stormwatch" is a complex and thought-provoking album that showcases Jethro Tull's ability to blend rock and folk music with socially conscious lyrics. While it may not have achieved the same level of acclaim as some of the band's earlier works, it remains a significant and respected part of their catalog. For fans of Jethro Tull and those interested in music with a message, "Stormwatch" offers a compelling listening experience that continues to inspire reflection on the relationship between humanity and the natural world.