Album Info
Artist: | Jim Steinman |
Album: | Bad For Good |
Released: | Australia, 1981 |
Tracklist:
A1 | Bad For Good | 8:36 |
A2 | Lost Boys And Golden Girls | 4:32 |
A3 | Love And Death And An American Guitar | 2:35 |
A4 | Stark Raving Love | 7:19 |
B1 | Out Of The Frying Pan (And Into The Fire) | 5:58 |
B2 | Surf's Up | 5:19 |
B3 | Dance In My Pants | 7:49 |
B4a | Spoken Introduction | 0:27 |
B4b | Left In The Dark | 6:36 |
B4c | Spoken Ending | 0:43 |
C | The Storm | 4:23 |
Conductor - Steven Margoshes | ||
Performer - The New York Philharmonic Orchestra | ||
Producer - Andrew Kazdin | ||
D1 | Rock And Roll Dreams Come Through | 5:24 |
Engineer - John Jansen, Shelley Yakus | ||
Producer - Jimmy Iovine | ||
D2 | Choral Reprise | 0:56 |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne's North (Australia)
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- Happy Listening!
Description
Jim Steinman's "Bad for Good," released in 1981, is an album that encapsulates the bombastic and theatrical rock style that Steinman is known for, particularly through his work with Meat Loaf on the iconic "Bat Out of Hell." "Bad for Good" is characterized by its grandiose arrangements, epic storytelling, and Steinman's unique blend of rock, opera, and theatrical flair.
The title track, "Bad for Good," sets the tone for the album with its dramatic piano intro, powerful guitar riffs, and Steinman's own passionate vocals. Steinman stepping into the role of lead vocalist for this album adds a distinct layer of authenticity and intensity to the storytelling, although his vocal style contrasts with the more polished rock vocals that listeners might expect. This track, like much of the album, is a testament to Steinman's prowess as a composer and storyteller, weaving intricate narratives into rock music with an almost cinematic scope.
"Rock and Roll Dreams Come Through," another highlight of the album, later covered by Meat Loaf, showcases Steinman's ability to craft songs that are both anthemic and deeply emotional. The song's soaring chorus and heartfelt lyrics speak to the redemptive power of rock music, a recurring theme in Steinman's work that resonates with listeners on a personal level.
The production of "Bad for Good" is elaborate and meticulously arranged, with every song featuring layers of instrumentation and vocal harmonies that create a rich, immersive listening experience. Steinman's use of piano, synths, and guitars, alongside a wide array of orchestral elements, contributes to the album's expansive sound, which borders on the operatic at times.
Critically, "Bad for Good" received mixed reviews upon its release. While Steinman's compositional skills and the ambitious nature of the project were praised, some critics were divided over his decision to take on lead vocals and the album's overall theatricality, which was seen as overblown by some. Despite these critiques, the album has gained a cult following over the years, with fans appreciating it for its unapologetic grandeur and Steinman's unmistakable signature style.
Commercially, "Bad for Good" achieved moderate success, with singles like "Rock and Roll Dreams Come Through" garnering attention. However, it did not reach the commercial heights of "Bat Out of Hell," partly due to Steinman's less conventional approach to the lead vocals and the album's deviation from mainstream rock norms.
In retrospect, "Bad for Good" is viewed as a unique and ambitious project that encapsulates Jim Steinman's vision and artistry. Its blend of rock, opera, and narrative storytelling stands out in the landscape of early '80s rock music, offering a glimpse into the mind of one of rock's most theatrical composers. The album remains a fascinating piece of Steinman's musical legacy, showcasing his unparalleled ability to fuse drama, rock, and epic storytelling into a cohesive and compelling whole.