Album Info
Artist: | Karen Kamon |
Album: | Voices |
Released: | Australia, 1987 |
Tracklist:
A1 | Lovesick | |
Guitar - John McCurry | ||
Keyboards - Rob Mounsey | ||
Percussion - Doug Ichiuji, Liberty DeVitto | ||
A2 | Give A Little Love | |
Backing Vocals - Karen Kamon, Pete Hewlett | ||
Keyboards - Jeff Bova | ||
Percussion - Jimmy Bralower | ||
Written-By [Uncredited] - Albert Hammond, Diane Warren | ||
A3 | Fool For Love | |
Drums - Liberty DeVitto | ||
Guitar - David Brown , John McCurry, Russell Javors | ||
Keyboards - Chuck Kentis | ||
A4 | Love Just Ain't Enough | |
Bass - Neil Jason | ||
Drums - Liberty DeVitto | ||
Keyboards - Rob Mounsey | ||
A5 | Voices | |
Backing Vocals - Karen Kamon, Pete Hewlett | ||
Bass - Neil Jason | ||
Drums - Liberty DeVitto | ||
Guitar - John McCurry | ||
Keyboards - Jeff Bova | ||
B1 | All Cried Out | |
Backing Vocals - Eric Troyer, Karen Kamon, Pete Hewlett, Rory Dodd | ||
Guitar - John McCurry | ||
Keyboards - Rob Mounsey | ||
Written-By [Uncredited] - Alison Moyet, Steve Jolley, Tony Swain | ||
B2 | Strange Way | |
Backing Vocals - Karen Kamon, Russell Javors | ||
Drums - Steve Holley | ||
Keyboards - Dave Lebolt | ||
Percussion - Liberty DeVitto | ||
B3 | Heart Over Mind | |
Backing Vocals - Karen Kamon, Pete Hewlett | ||
Guitar - David Brown | ||
Keyboards - Jeff Bova | ||
Percussion - Jimmy Bralower | ||
B4 | Bop Girl | |
Backing Vocals - Pete Hewlett, Ron Taylor | ||
Bass - Neil Jason | ||
Guitar - Russell Javors | ||
Keyboards - Rob Mounsey | ||
Percussion - Doug Ichiuji | ||
B5 | Whatever We Imagine | |
Bass - Neil Jason | ||
Drums - Liberty DeVitto | ||
Guitar - David Brown | ||
Keyboards - Dave Lebolt, Jeff Bova | ||
Percussion - Jimmy Bralower |
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Description
Karen Kamon’s album "Voices" was released in 1985, and it’s a fascinating piece of work that showcases her vocal prowess and the pop sensibilities of the mid-80s. Kamon, who is perhaps best known for her work in the film and television industry, particularly for her role in the movie "Flashdance," brings a unique blend of pop and R&B to this album, making it a noteworthy entry in the landscape of 80s music.
"Voices" features a collection of tracks that highlight Kamon’s strong vocal abilities, and the production is very much a product of its time, with lush arrangements and catchy hooks. The album includes standout tracks like "The Right Kind of Love" and "I Can’t Let Go," which both received some radio play and helped to establish her as a solo artist. The production, handled by the likes of David Foster and others, gives the album a polished sound that was characteristic of the era.
Critically, "Voices" received a mixed reception. Some reviewers praised Kamon’s vocal talent and the album’s production quality, while others felt that it didn’t quite stand out in a crowded pop landscape. Major publications like Billboard noted her potential and the album's catchy singles, but it didn’t achieve the commercial success that might have been expected. Despite this, the album has garnered a bit of a cult following over the years, with fans appreciating its nostalgic sound and Kamon’s heartfelt performances.
One interesting aspect of "Voices" is its cultural significance in the context of the 1980s music scene. This was a time when female artists were beginning to take center stage in pop music, and Kamon’s work contributed to that movement, even if she didn’t reach the same heights as some of her contemporaries. The album reflects the era’s trends, with its synth-heavy production and catchy choruses, making it a time capsule of sorts for listeners who enjoy the sound of the 80s.
In terms of personal anecdotes, Kamon has spoken in interviews about her journey in the music industry and how "Voices" was a significant step for her as a solo artist. She mentioned the challenges of transitioning from acting to singing and how important it was for her to find her voice in the music world. This personal touch adds depth to the album, as listeners can appreciate the effort and emotion that went into its creation.
While "Voices" may not have won any major awards or nominations, it remains a testament to Kamon’s talent and the vibrant music scene of the 1980s. The album is often revisited by fans of the genre and is celebrated for its catchy melodies and Kamon’s impressive vocal range. It’s a reminder of a time when pop music was evolving, and artists like Kamon were paving the way for future generations.
In conclusion, Karen Kamon’s "Voices" is an album that deserves a listen, especially for those who have a fondness for 80s pop music. It may not have achieved the commercial success of some of its peers, but it certainly holds a special place in the hearts of those who appreciate the artistry and nostalgia of that era. Whether you’re discovering it for the first time or revisiting it, "Voices" offers a delightful glimpse into the musical landscape of the mid-80s.