Album Info
Artist: | Paul McCartney |
Album: | Give My Regards To Broad Street |
Released: | Australia, 1984 |
Tracklist:
A1 | No More Lonely Nights (Ballad) | 4:58 |
Drums - Stuart Elliot | ||
Guitar - David Gilmour | ||
Synthesizer - Ann Dudley | ||
A2 | Good Day Sunshine | 1:59 |
Instruments [All Except Piano] - Paul McCartney | ||
Piano - George Martin | ||
A3 | Corridor Music | 0:19 |
A4 | Yesterday | 1:43 |
A5 | Here, There And Everywhere | 1:45 |
A6 | Wanderlust | 2:48 |
A7 | Ballroom Dancing | 4:35 |
Bass - John Paul Jones | ||
Horns - Alan Donney, David Willis, Dougie Robinson, Henry MacKenzie, Jack Armstrong, John Barclay, Ray Swinfield, Tommy Whittle | ||
Piano - Linda McCartney | ||
A8 | Silly Love Songs | 4:31 |
Bass - Louis Johnson | ||
Drums - Jeff Porcaro | ||
Electric Harpsichord - Paul McCartney | ||
Guitar, Vocals - Steve Lukather | ||
Horns - Charles Loper, Jerry Hey, Lawrence Williams, Thomas Pergerson | ||
B1 | Silly Love Songs (Reprise) | 0:57 |
Bass - Louis Johnson | ||
Drums - Jeff Porcaro | ||
Electric Harpsichord - Paul McCartney | ||
Guitar, Vocals - Steve Lukather | ||
Horns - Charles Loper, Jerry Hey, Lawrence Williams, Thomas Pergerson | ||
B2 | Not Such A Bad Boy | 3:19 |
Bass - Paul McCartney | ||
Percussion - Jody Linscott | ||
B3 | No Values | 3:43 |
Bass - Paul McCartney | ||
Percussion - Jody Linscott | ||
B4 | No More Lonely Nights (Ballad Reprise) | 0:30 |
Drums - Stuart Elliot | ||
Guitar - David Gilmour | ||
Synthesizer - Ann Dudley | ||
B5 | For No-One | 2:11 |
French Horn - Jeff Bryant | ||
Strings - Gabrielli String Quartet | ||
B6a | Eleanor Rigby | 3:07 |
French Horn - Jeff Bryant | ||
Strings - Gabrielli String Quartet | ||
B6b | Eleanor's Dream | 1:01 |
Leader [Orchestral] - Kenneth Sillito | ||
B7 | Long And Winding Road | 3:47 |
Drums - Dave Mattacks | ||
Keyboards - Trevor Barstow | ||
Saxophone [Sax] - Dick Morrisey | ||
B8 | No More Lonely Nights (Playout Version) | 4:26 |
Horns - Chris Pyne, Dan Willis, Derek Watkins, John Barclay, Stan Sultzman | ||
Instruments - Paul McCartney |
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Description
"Give My Regards to Broad Street" is an album by Paul McCartney that was released on October 22, 1984. This album is often seen as a companion piece to the film of the same name, which McCartney also produced and starred in. While the film itself received mixed reviews, the album has its own unique charm and merits that are worth exploring.
The album features a collection of re-recorded versions of some of McCartney's classic songs, alongside a few new tracks. One of the standout tracks is "No More Lonely Nights," which became a significant hit, reaching the top of the charts in several countries. The song showcases McCartney's knack for crafting a beautiful melody, and its lush production, featuring a prominent guitar solo by David Gilmour of Pink Floyd, adds a layer of depth that resonates with listeners. The song was nominated for a Grammy Award for Best Male Pop Vocal Performance, highlighting its impact during the year of its release.
Another notable track is "We All Stand Together," which is a whimsical, animated piece that features a children's choir. This song, while not as commercially successful as "No More Lonely Nights," has a certain nostalgic quality that many fans appreciate. It reflects McCartney's ability to create music that appeals to both children and adults, a trait that has defined much of his career.
The album also includes re-recordings of songs like "Yesterday," "Here, There and Everywhere," and "Eleanor Rigby." These tracks are given a fresh coat of paint, and while some purists might prefer the original versions, McCartney's reinterpretations offer a new perspective on his timeless classics. The production, handled by McCartney himself, is polished and showcases his evolution as an artist while still paying homage to his roots.
Critically, the album received a mixed reception. Major publications like Rolling Stone were not particularly kind, often pointing out that the album felt more like a marketing tool for the film rather than a cohesive musical statement. However, fans of McCartney often find joy in the album's eclectic mix and the nostalgia it evokes. It’s a testament to McCartney's enduring appeal that even an album with a lukewarm critical reception can still resonate with listeners.
One interesting aspect of the album is its historical context. Released in the mid-1980s, it came at a time when McCartney was navigating the post-Beatles landscape, trying to carve out his identity as a solo artist. The 1980s were a challenging time for many artists, and McCartney was no exception. Despite the challenges, he continued to produce music that was both commercially viable and artistically fulfilling.
In terms of production, the album features contributions from several notable musicians, including Eric Stewart, who co-wrote some of the songs and played guitar and keyboards. The collaboration adds a layer of richness to the sound, blending McCartney's melodic sensibilities with Stewart's musicality. The album was recorded at AIR Studios in London, a place known for its high-quality production and acoustics, which undoubtedly contributed to the polished sound of the final product.
On a personal note, McCartney has often spoken about the joy of revisiting his older songs and the emotional connection he has with them. In interviews, he has mentioned how each song carries memories and stories from different periods of his life, making the process of re-recording them both nostalgic and fulfilling. This personal touch is evident in the way he approaches each track on the album.
In conclusion, "Give My Regards to Broad Street" may not be McCartney's most celebrated work, but it certainly has its moments of brilliance. With standout tracks like "No More Lonely Nights" and a charming collection of reimagined classics, the album offers a delightful experience for fans of McCartney and those who appreciate the legacy of one of music's greatest icons. Whether you're revisiting it or discovering it for the first time, there's a warmth and familiarity that makes this album worth a listen.