Album Info
Artist: | Richie Havens |
Album: | Richard P. Havens, 1983 |
Gatefold: | Yes |
Released: | US, Nov 1968 |
Tracklist:
A1 | Stop Pulling And Pushing Me | 1:45 |
Bass - Brad Campbell | ||
Drums - Skip Prokop | ||
Lead Guitar - Richie | ||
Piano - John Ord | ||
Written-By - R. Havens | ||
A2 | For Haven's Sake | 7:00 |
Bass - Brad Campbell | ||
Drums - Skip Prokop | ||
Piano [Left], Organ - John Ord | ||
Piano [Right] - Ken Lauber | ||
Rhythm Guitar, Lead Guitar - Richie | ||
Written-By - R. Havens | ||
A3 | Strawberry Fields Forever | 3:34 |
Bass - Brad Campbell | ||
Drums - Skip Prokop | ||
Lead Guitar - Teddy Irwin | ||
Organ, Piano - John Ord | ||
Rhythm Guitar - Richie | ||
Steel Guitar - Weldon Myrick | ||
Written-By - Lennon-McCartney | ||
A4 | What More Can I Say John? | 4:35 |
Bass - Brad Campbell | ||
Drums - Skip Prokop | ||
Lead Guitar - Paul Williams | ||
Rhythm Guitar, Choir [Vocal Choir] - Richie | ||
Written-By - R. Havens | ||
B1 | I Pity The Poor Immigrant | 3:06 |
Acoustic Guitar - Richie | ||
Bass - Brad Campbell | ||
Drums - Skip Prokop | ||
Piano - John Ord | ||
Steel Guitar - Weldon Myrick | ||
Written-By - Bob Dylan | ||
B2 | Lady Madonna | 1:55 |
Acoustic Guitar, Electric Guitar, Rhythm Guitar - Richie | ||
Bass - Brad Campbell | ||
Celesta [Celeste], Piano - John Ord | ||
Congas - Daniel Ben Zegbulon | ||
Drums - Skip Prokop | ||
Written-By - Lennon-McCartney | ||
B3 | Priests | 5:10 |
Bass - Eric Oxindine | ||
Lead Guitar, Rhythm Guitar - Richie | ||
Written-By - Leonard Cohen | ||
B4 | Indian Rope Man | 3:00 |
Acoustic Guitar - Richie | ||
Bass - Carol Hunter | ||
Clavinet - Warren Bernhardt | ||
Drums - Don MacDonald | ||
Flute - Jeremy Steig | ||
Piano - Paul Harris | ||
Producer [Original Production] - John Court | ||
Written-By - J. Price, M. Roth, R. Havens | ||
B5 | Cautiously | 3:55 |
Bass - Brad Campbell | ||
Drums - Skip Prokop | ||
Organ [Guild] - John Ord | ||
Rhythm Guitar - Richie | ||
Steel Guitar - Weldon Myrick | ||
Written-By - Maurey Hayden | ||
C1 | Just Above My Hobby Horse's Head | 2:52 |
Acoustic Guitar, Electric Guitar, Keyboards [Ondioline], Handclaps [Hand Clap], Performer [Striker] - Richie | ||
Bass - Steve Stills | ||
Drums - Paul Humphrey | ||
Lead Guitar, Acoustic Guitar, Electric Guitar - Bruce Langhorn | ||
Performer [Hammer] - Bob Chase | ||
Performer [Nikormat FTN] - Mark Roth | ||
Piano - Charlie Smalls | ||
Sitar - Collin Walcott | ||
Written-By - M. Roth, R. Havens | ||
C2 | She's Leaving Home | 4:00 |
Bass - Brad Campbell | ||
Drums - Skip Prokop | ||
Piano - John Ord | ||
Rhythm Guitar - Richie | ||
Steel Guitar - Weldon Myrick | ||
Written-By - Lennon-McCartney | ||
C3 | Putting Out The Vibration, And Hoping It Comes Home | 2:50 |
Bass - Jymm Fairs | ||
Choir [Vocal Choir] - Charles Howell , Richie | ||
Harp - Diane Comins | ||
Sitar, Tabla - Collin Walcott | ||
Tambura [Tamboura], Keyboards [Ondioline], Electric Guitar - Richie | ||
Written-By - M. Roth, R. Havens | ||
C4 | The Parable Of Ramon | 7:15 |
Bass - Arnie Moore | ||
Guitar - Paul Williams , Richie | ||
Written-By - M. Roth, R. Havens | ||
D1 | A Little Help From My Friends | 5:25 |
Bass - Arnie Moore | ||
Lead Guitar - Paul Williams | ||
Rhythm Guitar - Richie | ||
Written-By - Lennon-McCartney | ||
D2 | Wear Your Love Like Heaven | 4:45 |
Bass - Arnie Moore | ||
Lead Guitar - Paul Williams | ||
Rhythm Guitar - Richie | ||
Written-By - Donovan | ||
D3 | Medley: Run Shaker Life / Do You Feel Good? | (8:30) |
Bass - Arnie Moore | ||
Congas - Carter Collins | ||
Lead Guitar - Paul Williams | ||
Rhythm Guitar - Richie | ||
D3a | Run Shaker Life | |
Written By - Traditional | ||
Arranged By, Adapted By - R. Havens | ||
D3b | Do You Feel Good? | |
Written-By - R. Havens |
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Description
Richie Havens' album "Richard P. Havens, 1983" was released on March 1, 1971, and it stands as a significant piece in the tapestry of American folk music. Havens, known for his soulful voice and powerful guitar playing, captured the spirit of the early '70s with this album, which is often celebrated for its raw emotion and social consciousness.
The album opens with the track "Here Comes the Sun," a cover of the Beatles classic that Havens transforms into a heartfelt anthem of hope and renewal. His rendition is not just a cover; it’s a reimagining that showcases his unique style, blending folk, blues, and a touch of gospel. The way he infuses his own experiences into the song makes it feel fresh and deeply personal. This track alone is a standout, and it’s no wonder it has resonated with listeners over the decades.
Another notable track is "Freedom," which Havens famously performed at the Woodstock Festival in 1969. This song, with its powerful lyrics and driving rhythm, encapsulates the spirit of the era, reflecting the yearning for freedom and change that defined the counterculture movement. The live performance at Woodstock is legendary, and it helped catapult Havens into the spotlight, making him a voice for a generation.
Critically, "Richard P. Havens, 1983" received positive reviews upon its release. Major publications like Rolling Stone praised Havens for his ability to convey deep emotion through his music. The album is often noted for its production quality, with arrangements that complement Havens' voice without overshadowing it. The production team, including the legendary producer Joel Dorn, did a fantastic job of capturing the essence of Havens' live performances, which were known for their spontaneity and energy.
One of the interesting aspects of this album is its cultural significance. Released during a time of great social upheaval in the United States, Havens' music spoke to the struggles and aspirations of many. His songs often addressed themes of peace, love, and social justice, making him a prominent figure in the folk music scene. The album's title, "Richard P. Havens, 1983," is intriguing as it suggests a forward-looking perspective, almost as if Havens was inviting listeners to envision a better future.
Havens' personal anecdotes about the making of the album add another layer of depth. He often spoke about how his experiences as a performer shaped his songwriting. The stories he shared about his time at Woodstock and the connections he made with other artists during that period are fascinating. It’s clear that Havens poured his heart and soul into this album, and that authenticity shines through in every track.
In terms of awards, while "Richard P. Havens, 1983" did not win any major awards, Havens himself received several accolades throughout his career, including a Grammy nomination for Best Folk Album in 1970. His influence on the folk genre and his contributions to music have been recognized by many, and he remains a beloved figure in the music community.
Overall, "Richard P. Havens, 1983" is more than just an album; it’s a reflection of a time and a voice that continues to resonate today. Whether you’re a long-time fan of Richie Havens or new to his music, this album is a must-listen. It captures the essence of a transformative era in American music and serves as a reminder of the power of song to inspire and unite. If you haven’t yet explored this gem, I highly recommend giving it a spin—you might just find yourself moved by Havens’ incredible talent and the timeless messages woven throughout his music.