Album Info
Artist: | Santana |
Album: | Welcome |
Released: | Australia, 1973 |
Tracklist:
A1 | Going Home | 4:10 |
Arranged By - Alice Coltrane, The New Santana Band | ||
Bass - Doug Rauch | ||
Drums - Maitreya Michael Shrieve | ||
Organ [Hammond], Mellotron - Richard Kermode | ||
Organ [Yamaha] - Tom Coster | ||
Percussion - Armando Peraza, Carlos Santana | ||
A2 | Love, Devotion & Surrender | 3:35 |
Bass - Doug Rauch | ||
Composed By, Electric Piano - Richard Kermode | ||
Composed By, Lyrics By, Vocals, Electric Guitar, Acoustic Guitar - Carlos Santana | ||
Congas - Armando Peraza | ||
Drums - Maitreya Michael Shrieve | ||
Organ - Tom Coster | ||
Timbales - Jose "Chepito" Areas | ||
Vocals - Leon Thomas, Wendy Haas | ||
A3 | Samba De Sausalito | 3:08 |
Bass - Doug Rauch | ||
Composed By, Timbales, Percussion, Congas - Jose "Chepito" Areas | ||
Drums - Tony Smith | ||
Electric Piano, Percussion [Latin] - Tom Coster | ||
Guitar - Carlos Santana | ||
Organ [Hammond], Percussion [Latin] - Richard Kermode | ||
Percussion [Latin] - Armando Peraza | ||
A4 | When I Look Into Your Eyes | 5:49 |
Bass - Doug Rauch | ||
Composed By, Lyrics By, Drums - Maitreya Michael Shrieve | ||
Composed By, Organ [Yamaha And Hammond] - Tom Coster | ||
Congas, Bongos - Armando Peraza | ||
Electric Piano, Marimba, Shekere - Richard Kermode | ||
Flute - Bob Yance, Mel Martin | ||
Lead Guitar - Carlos Santana | ||
Rhythm Guitar - Doug Rodriguez | ||
Soloist, Flute - Joe Farrell | ||
Vocals - Leon Thomas, Wendy Haas | ||
A5 | Yours Is The Light | 5:44 |
Bass - Doug Rauch | ||
Cabasa - Armando Peraza | ||
Composed By, Electric Piano, Piano [Acoustic] - Richard Kermode | ||
Congas - Jose "Chepito" Areas | ||
Flute - Bob Yance, Mel Martin | ||
Lead Guitar - Carlos Santana | ||
Lyrics By, Drums - Maitreya Michael Shrieve | ||
Organ [Hammond] - Tom Coster | ||
Vocals - Flora Purim | ||
Whistling - Leon Thomas | ||
B1 | Mother Africa | 5:54 |
Composed By - Herbie Mann | ||
Composed By, Bass Guitar, Kalimba - Carlos Santana | ||
Composed By, Organ [Yamaha], Marimba, Piano [Acoustic] - Tom Coster | ||
Congas - Armando Peraza | ||
Drums - Maitreya Michael Shrieve | ||
Electric Piano, Shekere - Richard Kermode | ||
Soloist, Soprano Saxophone - Jules Broussard | ||
Timbales - Jose "Chepito" Areas | ||
B2 | Light Of Life | 3:49 |
Arranged By [Strings], Conductor, Score - Greg Adams | ||
Bass - Doug Rauch | ||
Composed By, Arranged By [Strings], Piano, Organ - Tom Coster | ||
Composed By, Electric Piano - Richard Kermode | ||
Composed By, Lyrics By - Carlos Santana | ||
Congas - Armando Peraza | ||
Drums - Maitreya Michael Shrieve | ||
Guitar, Percussion - Carlos Santana | ||
Timbales - Jose "Chepito" Areas | ||
Vocals - Leon Thomas | ||
B3 | Flame-Sky | 11:32 |
Bass - Doug Rauch | ||
Composed By - Doug Rauch | ||
Composed By, Guitar - Carlos Santana, Mahavishnu John McLaughlin | ||
Congas - Armando Peraza | ||
Drums - Maitreya Michael Shrieve | ||
Organ [Hammond] - Richard Kermode | ||
Piano, Organ [Yamaha] - Tom Coster | ||
B4 | Welcome | 6:28 |
Bass - Doug Rauch | ||
Composed By - John Coltrane | ||
Electric Piano - Richard Kermode | ||
Guitar - Carlos Santana | ||
Percussion - Armando Peraza, Jose "Chepito" Areas | ||
Piano [Acoustic] - Tom Coster |
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Description
"Welcome," released in 1973, is the fifth studio album by Santana, marking a significant shift in the band's musical direction. This album is notable for its exploration of jazz fusion, a departure from the Latin rock sound that had characterized Santana's earlier work. The change in style was influenced by the spiritual journey of Carlos Santana, who was deeply inspired by the teachings of Sri Chinmoy, a spiritual leader. This influence is evident in the album's more contemplative and expansive sound.
The album features a new lineup, with the addition of Leon Thomas on vocals and John McLaughlin's influence, who had collaborated with Santana on the previous album, "Love Devotion Surrender." The presence of jazz pianist Tom Coster and the return of drummer Michael Shrieve also contribute to the album's jazz-oriented sound. The opening track, "Going Home," sets the tone with its serene and meditative quality, showcasing the band's ability to blend different musical elements seamlessly.
One of the standout tracks on "Welcome" is "Love, Devotion and Surrender," which encapsulates the spiritual and musical themes of the album. The song features intricate guitar work by Carlos Santana and a dynamic interplay between the band members, highlighting their technical prowess and cohesion. Another notable track is "Mother Africa," which incorporates African rhythms and showcases the band's ability to integrate diverse musical influences into their sound.
The album's title track, "Welcome," is an instrumental piece that exemplifies the band's jazz fusion direction. It features complex arrangements and improvisational elements, demonstrating Santana's evolution as a musician and composer. The track "Flame-Sky," a collaboration with John McLaughlin, is another highlight, offering a mesmerizing blend of guitar virtuosity and spiritual intensity.
Critically, "Welcome" received mixed reviews upon its release. Some critics praised the album for its ambitious and innovative approach, while others were less enthusiastic about the departure from the band's earlier sound. Over time, however, "Welcome" has been recognized as an important work in Santana's discography, appreciated for its artistic depth and the band's willingness to explore new musical territories.
Although "Welcome" did not achieve the same commercial success as Santana's earlier albums, it holds a special place in the band's history. It represents a period of transformation and experimentation, reflecting Carlos Santana's personal and artistic growth. The album's exploration of spiritual themes and its fusion of jazz, rock, and world music elements have influenced many musicians and contributed to the broader landscape of 1970s music.
In terms of cultural significance, "Welcome" is part of a larger movement in the early 1970s where many rock musicians were exploring jazz fusion and spiritual themes. This period saw artists like Miles Davis, Herbie Hancock, and Weather Report pushing the boundaries of jazz and rock, and Santana's "Welcome" fits within this context as a bold and adventurous work.
Overall, "Welcome" is a testament to Santana's versatility and willingness to take risks. It may not have the immediate appeal of the band's earlier hits, but it offers a rich and rewarding listening experience for those willing to delve into its complex layers. The album's legacy continues to be appreciated by fans and musicians alike, serving as a reminder of the transformative power of music and the endless possibilities of artistic expression.