Steely Dan - Gaucho (LP) - EXC/VG+

Steely Dan's "Gaucho," released on November 21, 1980, stands as a testament to the band's meticulous craftsmanship and sophisticated sound. The album, which followed the critically acclaimed "Aja," marked the end of Steely Dan's initial run before their extended hiatus. Known for their fusion of jazz, rock, and pop, Steely Dan, led by the duo of Donald Fagen and Walter Becker, pushed their studio perfectionism to new heights with "Gaucho."

The production of "Gaucho" was notoriously arduous, plagued by numerous challenges including legal disputes, technical difficulties, and personal issues. Despite these hurdles, the album emerged as a polished and intricate work, showcasing the band's signature blend of complex arrangements and cryptic lyrics.

"Gaucho" features seven tracks, each meticulously crafted and layered with rich instrumentation. The opening track, "Babylon Sisters," sets the tone with its smooth, laid-back groove and lush harmonies. The song's lyrics, like much of Steely Dan's work, are enigmatic, weaving a narrative that is both elusive and evocative.

The album's lead single, "Hey Nineteen," became one of Steely Dan's most recognizable songs. It tells the story of a middle-aged man's infatuation with a much younger woman, highlighting the generational and cultural gaps between them. The track's catchy chorus and slick production helped it reach No. 10 on the Billboard Hot 100, making it one of the band's biggest hits.

Another standout track is "Time Out of Mind," which features a guest appearance by Mark Knopfler of Dire Straits on guitar. The song's infectious rhythm and jazzy undertones exemplify Steely Dan's ability to blend genres seamlessly. The title track, "Gaucho," is a sprawling, seven-minute epic that delves into themes of betrayal and disillusionment, wrapped in a sophisticated arrangement that includes intricate horn sections and smooth backing vocals.

The album's closing track, "Third World Man," is a somber and reflective piece that stands in contrast to the more upbeat numbers. Its melancholic tone and introspective lyrics provide a fitting end to the album, leaving listeners with a sense of contemplation.

Critically, "Gaucho" received mixed reviews upon its release. Some critics praised the album's production quality and musicianship, while others felt it lacked the spontaneity and energy of Steely Dan's earlier work. Over time, however, "Gaucho" has been re-evaluated and is now considered a classic, appreciated for its intricate arrangements and polished sound.

In terms of awards, "Gaucho" was nominated for the Grammy Award for Album of the Year in 1981, though it did not win. The album's meticulous production and sophisticated sound have cemented its place in music history, influencing countless artists and producers.

Culturally, "Gaucho" represents the end of an era for Steely Dan. Following its release, Fagen and Becker went their separate ways, and the band would not release another album until 2000's "Two Against Nature." The album's themes of disillusionment and existential angst resonate with the societal shifts of the early 1980s, reflecting a period of transition and uncertainty.

In conclusion, Steely Dan's "Gaucho" is a masterclass in studio production and musical sophistication. Despite the challenges faced during its creation, the album stands as a polished and intricate work that continues to be celebrated for its craftsmanship and enduring appeal. With standout tracks like "Hey Nineteen," "Babylon Sisters," and "Time Out of Mind," "Gaucho" remains a significant entry in Steely Dan's illustrious discography.