Album Info
| Artist: | The Doors |
| Album: | Weird Scenes Inside The Gold Mine |
| Gatefold: | Yes |
| Released: | Australia |
Tracklist:
| A1 | Break On Through | 2:25 |
| Written-By - Doors | ||
| A2 | Strange Days | 3:05 |
| Written-By - Doors | ||
| A3 | Shaman's Blues | 4:45 |
| Written-By - Morrison | ||
| A4 | Love Street | 3:06 |
| Written-By - Doors | ||
| A5 | Peace Frog / Blue Sunday | 5:00 |
| Written-By - Morrison, Krieger | ||
| A6 | The Wasp (Texas Radio & The Big Beat) | 4:12 |
| Producer - Bruce Botnick, The Doors | ||
| Written-By - Doors | ||
| A7 | End Of The Night | 2:49 |
| Written-By - Doors | ||
| B1 | Love Her Madly | 3:18 |
| Producer - Bruce Botnick, The Doors | ||
| Written-By - Doors | ||
| B2 | Spanish Caravan | 2:58 |
| Written-By - Doors | ||
| B3 | Ship Of Fools | 3:06 |
| Written-By - Morrison, Krieger | ||
| B4 | The Spy | 4:15 |
| Written-By - Morrison | ||
| B5 | The End | 11:35 |
| Written-By - Doors | ||
| C1 | Take It As It Comes | 2:13 |
| Written-By - Doors | ||
| C2 | Running Blue | 2:27 |
| Written-By - Krieger | ||
| C3 | L.A. Woman | 7:49 |
| Producer - Bruce Botnick, The Doors | ||
| Written-By - Doors | ||
| C4 | Five To One | 4:22 |
| Written-By - Doors | ||
| C5 | Who Scared You | 3:51 |
| Written-By - Morrison, Krieger | ||
| C6 | (You Need Meat) Don't Go No Further | 3:37 |
| Producer - Bruce Botnick, The Doors | ||
| Written-By - Willie Dixon | ||
| D1 | Riders On The Storm | 7:14 |
| Producer - Bruce Botnick, The Doors | ||
| Written-By - Doors | ||
| D2 | Maggie McGill | 4:25 |
| Written-By - Morrison, Doors | ||
| D3 | Horse Latitudes | 1:30 |
| Written-By - Doors | ||
| D4 | When The Music's Over | 11:00 |
| Written-By - Doors |
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Description
"Weird Scenes Inside the Gold Mine" is a compilation album by the American rock band The Doors, released in January 1972. This double LP was the first compilation album released after the death of lead singer Jim Morrison in July 1971. The album's title is a lyric from the song "The End," which is one of the standout tracks on the compilation.
The album features a mix of well-known hits and deeper cuts from The Doors' catalog, spanning their career from their 1967 self-titled debut album to their 1971 album "L.A. Woman." It includes tracks like "Break on Through (To the Other Side)," "Love Her Madly," "Riders on the Storm," and "The End," showcasing the band's range from psychedelic rock to blues-influenced tracks.
One of the unique aspects of "Weird Scenes Inside the Gold Mine" is its inclusion of lesser-known songs that were not major hits but are beloved by fans and critics alike. Tracks like "The Spy," "Peace Frog," and "Shaman's Blues" provide a deeper look into the band's diverse musical style and lyrical depth. This compilation serves as a comprehensive overview of The Doors' work, making it an excellent entry point for new listeners and a valuable collection for long-time fans.
The album cover, designed by Bill Hoffman, features a surreal, dreamlike image that complements the band's often mystical and enigmatic music. The artwork and the album's title evoke a sense of exploration into the unknown, much like the band's music itself.
"Weird Scenes Inside the Gold Mine" received positive reviews from critics upon its release. It was praised for its song selection and the way it captured the essence of The Doors' music. Critics appreciated the inclusion of both hits and deeper cuts, providing a well-rounded representation of the band's work. The album did not win any major awards, but it has been regarded as an essential compilation for fans of The Doors.
In terms of historical and cultural significance, The Doors were one of the most influential rock bands of the 1960s and early 1970s. Their music, characterized by Morrison's poetic lyrics and the band's innovative sound, left a lasting impact on rock music. "Weird Scenes Inside the Gold Mine" serves as a testament to their legacy, capturing the spirit of a band that pushed the boundaries of rock music and explored themes of existentialism, love, and rebellion.
Standout tracks on the album include "Riders on the Storm," a haunting, atmospheric song that showcases the band's ability to create mood and tension through music. "The End," with its epic, almost cinematic quality, is another highlight, featuring Morrison's stream-of-consciousness lyrics and the band's dynamic instrumentation. "Break on Through (To the Other Side)" is a powerful opening track that captures the energy and intensity of The Doors' early work.
Overall, "Weird Scenes Inside the Gold Mine" is a well-curated compilation that offers a comprehensive look at The Doors' music. It highlights the band's versatility and the unique contributions of each member, from Morrison's charismatic vocals and poetic lyrics to Ray Manzarek's distinctive keyboard playing, Robby Krieger's innovative guitar work, and John Densmore's dynamic drumming. This album is a must-have for any fan of The Doors and a great introduction for those new to the band's music.