Album Info
Artist: | This Mortal Coil |
Album: | Blood |
Released: | UK, 22 Apr 1991 |
Tracklist:
A1 | The Lacemaker | 4:06 |
Music By - Ivo Watts-Russell | ||
Programmed By - John Fryer | ||
Strings - Jocelyn Pook, Martin McCarrick, Sally Herbert, Sonia Slaney | ||
Voice - Caroline Crawley, Deirdre Rutkowski | ||
Written By - I. Watts Russell / M. McCarrick / J. Fryer | ||
Written-By - I. Watts Russell, J. Fryer, M. McCarrick | ||
A2 | Mr Somewhere | 2:52 |
Cello - Martin McCarrick | ||
Music By - Jon Turner | ||
Voice - Caroline Crawley | ||
Written-By - P.M. Walsh | ||
A3 | Andialu | 3:03 |
Music By - Ivo Watts-Russell, John Fryer | ||
Voice - Alison Limerick | ||
Written-By - I. Watts-Russell, J. Fryer | ||
A4 | With Tomorrow | 2:40 |
Music By - Jon Turner | ||
Voice - Deirdre Rutkowski | ||
Written-By - Clark, Davis | ||
A5 | Loose Joints | 2:26 |
Music By - Ivo Watts-Russell | ||
Programmed By - John Fryer | ||
Strings - Jocelyn Pook, Martin McCarrick, Sally Herbert, Sonia Slaney | ||
Written By - I. Watts Russell / M. McCarrick / J. Fryer | ||
Written-By - I. Watts Russell, J. Fryer, M. McCarrick | ||
A6 | You And Your Sister | 3:14 |
Music By - Jon Turner | ||
Strings - Jocelyn Pook, Martin McCarrick, Sally Herbert, Sonia Slaney | ||
Voice - Kim Deal, Tanya Donelly | ||
Written-By - C. Bell | ||
B7 | Nature's Way | 3:19 |
Strings - Jocelyn Pook, Martin McCarrick, Sally Herbert, Sonia Slaney | ||
Voice - Alison Limerick, Deirdre Rutkowski | ||
Written-By - R. California | ||
B8 | I Come And Stand At Every Door | 3:54 |
Music By - Ivo Watts-Russell | ||
Programmed By - John Fryer | ||
Violin - Gini Ball | ||
Voice - Deirdre Rutkowski, Louise Rutkowski, Tim Freeman | ||
Written By - Hickmet / Waters | ||
Written-By - Waters, Hikmet | ||
B9 | Bitter | 6:25 |
Guitar - Jim Williams | ||
Music By - Ivo Watts-Russell | ||
Programmed By - John Fryer | ||
Strings - Jocelyn Pook, Martin McCarrick, Sally Herbert, Sonia Slaney | ||
Voice - Alison Limerick, Deirdre Rutkowski, Ikuko Kozu | ||
Written-By - I. Watts Russell, J. Fryer | ||
B10 | Baby Ray Baby | 2:13 |
Music By - Ivo Watts-Russell | ||
Programmed By - John Fryer | ||
Voice - Deirdre Rutkowski | ||
Written-By - I. Watts-Russell, J. Fryer | ||
B11 | Several Times | 3:12 |
Music By - Pieter Nooten | ||
Programmed By - John Fryer | ||
Violin - Gini Ball | ||
Voice - Deirdre Rutkowski | ||
Written-By - P. Nooten | ||
C12 | The Lacemaker II | 1:24 |
Music By - Ivo Watts-Russell | ||
Programmed By - John Fryer | ||
Strings - Jocelyn Pook, Martin McCarrick, Sally Herbert, Sonia Slaney | ||
Written By - I. Watts Russell / M. McCarrick / J. Fryer | ||
Written-By - I. Watts-Russell, J. Fryer, M. McCarrick | ||
C13 | Late Night | 3:03 |
Music By - Ivo Watts-Russell, Jon Turner | ||
Voice - Caroline Crawley | ||
Written-By - S. Barrett | ||
C14 | Ruddy And Wretched | 3:15 |
Guitar - Jim Williams | ||
Music By - Ivo Watts-Russell | ||
Programmed By - John Fryer | ||
Voice - Anne Garrigues | ||
Written-By - I. Watts-Russell, J. Fryer | ||
C15 | Help Me Lift You Up | 5:06 |
Music By, Programmed By - Jon Turner | ||
Voice - Caroline Crawley, Deirdre Rutkowski | ||
Written-By - M. M. O'Hara | ||
C16 | Carolyn's Song | 3:47 |
Drums - Rain Parade | ||
Guitar - Jim Williams | ||
Piano - Jon Turner | ||
Strings - Jocelyn Pook, Martin McCarrick, Sally Herbert, Sonia Slaney | ||
Voice - Deirdre Rutkowski | ||
Written-By - D. Roback | ||
C17 | D.D. And E. | 0:47 |
Music By - Ivo Watts-Russell | ||
Voice - Deirdre Rutkowski | ||
Written-By - I. Watts-Russell, J. Fryer | ||
D18 | 'Til I Gain Control Again | 4:43 |
Piano - Jon Turner | ||
Strings - Jocelyn Pook, Martin McCarrick, Sally Herbert, Sonia Slaney | ||
Voice - Deirdre Rutkowski, Heidi Berry, Louise Rutkowski | ||
Written-By - R. Crowell | ||
D19 | Dreams Are Like Water | 8:37 |
Music By - Ivo Watts-Russell | ||
Programmed By - John Fryer | ||
Voice - Deirdre Rutkowski | ||
Written-By - I. Watts-Russell, J. Fryer | ||
D20 | I Am The Cosmos | 4:05 |
Guitar - Jim Williams | ||
Music By, Programmed By - Jon Turner | ||
Voice - Deirdre Rutkowski, Dominic Appleton | ||
Written-By - C. Bell | ||
D21 | (Nothing But) Blood | 4:04 |
Music By - Ivo Watts-Russell | ||
Programmed By - John Fryer | ||
Voice - Deirdre Rutkowski | ||
Written-By - I. Watts Russell, J. Fryer |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne's North (Australia)
- We buy and sell new and used vinyl records - if you have a collection you'd like to sell please click here.
- All pictures of the second hand/used vinyl records are actual pictures of the album in stock.
- We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post.
- Free Shipping for orders $150 and over.
- You can also pick up your order in store, just select Local Pickup at the checkout.
- We also ship internationally - prices vary depending on weight and location.
- We ship vinyls in thick, rigid cardboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records.
- We almost always ship in stock vinyl next business day (excluding pre orders)
- We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn't arrive we will cover the cost of replacing or returning the record.
- If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store.
- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Description
This Mortal Coil's album "Blood" was released on May 1, 1987, and it stands as a significant entry in the realm of post-punk and dream pop music. The project, spearheaded by Ivo Watts-Russell of the influential 4AD label, is a compilation of covers that showcases the ethereal and haunting sound that This Mortal Coil is known for. The album features a variety of artists and musicians, including members of the bands Cocteau Twins and Dead Can Dance, which adds to its rich tapestry of sound.
"Blood" is often celebrated for its atmospheric quality and emotional depth. The album is a follow-up to the critically acclaimed "It’ll End in Tears" and continues the tradition of blending haunting vocals with lush instrumentation. The production is lush and layered, creating a soundscape that feels both intimate and expansive. The use of reverb and echo gives the tracks a dreamlike quality, making it a perfect listen for those who enjoy immersive musical experiences.
One of the standout tracks on the album is the cover of Tim Buckley’s "Song to the Siren," which features the ethereal vocals of Elizabeth Fraser from the Cocteau Twins. Her voice is hauntingly beautiful, and the arrangement is both delicate and powerful, capturing the essence of longing and melancholy. This track has become iconic in its own right and is often cited as one of the defining moments of the album. Another notable track is "Kangaroo," originally by Big Star, which features a tender performance that showcases the emotional weight of the lyrics.
Critically, "Blood" received positive reviews upon its release and has continued to be appreciated over the years. Major publications like NME and The Guardian have praised the album for its artistic ambition and emotional resonance. It has been described as a "masterpiece of mood and atmosphere," and many reviewers have noted how it transcends the typical boundaries of cover albums by infusing each song with a unique interpretation that feels fresh and original.
The cultural significance of "Blood" cannot be understated. It represents a moment in the 1980s when alternative music was beginning to gain traction, and the sound of This Mortal Coil helped to pave the way for future genres like shoegaze and ethereal wave. The album has influenced countless artists and remains a touchstone for those exploring the darker, more introspective side of music.
Interestingly, the album's artwork, which features a striking image of a blood-red background with a stark black and white photograph, complements the themes of the music perfectly. The visual aesthetic of This Mortal Coil has always been an integral part of its identity, and "Blood" is no exception. The cover art evokes a sense of mystery and allure, drawing listeners in before they even press play.
In terms of awards, while "Blood" did not win any major awards at the time of its release, it has since been recognized in various retrospectives and lists celebrating the best albums of the 1980s. Its legacy continues to grow, and it is often included in discussions about the most important albums of the post-punk era.
Personal anecdotes from band members and collaborators often highlight the collaborative spirit that defined the making of "Blood." Ivo Watts-Russell has spoken about the freedom he felt in creating This Mortal Coil, allowing artists to interpret songs in their own unique ways. This collaborative ethos is evident in the diverse range of voices and styles present on the album.
In conclusion, "Blood" by This Mortal Coil is a hauntingly beautiful album that has left an indelible mark on the music landscape. Its blend of ethereal sounds, emotional depth, and artistic ambition makes it a must-listen for anyone interested in the evolution of alternative music. Whether you're a long-time fan or a newcomer, this album offers a rich listening experience that is both timeless and evocative.