Album Info
Artist: | Tim Buckley |
Album: | Greetings From L.A. |
Released: | Australia, 1978 |
Tracklist:
A1 | Move With Me | 4:49 |
Piano - Kevin Kelly | ||
Saxophone - Eugene E. Siegel, Paul Ross Novros | ||
Vocals - Clydie King, Lorna Maxine Willard, Venetta Fields | ||
A2 | Get On Top | 6:35 |
Congas - Carter C.C. Collins | ||
Organ - Kevin Kelly | ||
A3 | Sweet Surrender | 6:48 |
Arranged By [Strings] - Joe Falsia | ||
Cello - Jesse Ehrlich | ||
Congas - King Errison | ||
Viola - Harry Hyams, Ralph Schaffer | ||
Violin - Louis Kievman, Robert Konrad, William Kurasch | ||
B1 | Nighthawkin' | 3:21 |
Congas - Carter C.C. Collins | ||
Vocals - Clydie King, Lorna Maxine Willard, Venetta Fields | ||
B2 | Devil Eyes | 6:51 |
Congas - King Errison | ||
Organ - Kevin Kelly | ||
B3 | Hong Kong Bar | 7:13 |
Handclaps - Jerry Goldstein | ||
Other [Dancer] - Alena | ||
B4 | Make It Right | 4:06 |
Arranged By [Strings] - Joe Falsia | ||
Bass - Reinhold Press | ||
Cello - Jesse Ehrlich | ||
Viola - Harry Hyams, Ralph Schaffer | ||
Violin - Louis Kievman, Robert Konrad, William Kurasch |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne's North (Australia)
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Description
Tim Buckley’s album "Greetings From L.A." was released on April 1, 1972, and it stands as a fascinating entry in the singer-songwriter's discography. This album is often noted for its blend of jazz, rock, and folk influences, showcasing Buckley’s unique vocal style and his willingness to experiment with different musical forms. It’s a record that captures a moment in time, reflecting the cultural landscape of early 1970s America, and it’s a must-listen for anyone interested in the evolution of popular music.
"Greetings From L.A." is particularly significant as it marked a departure from Buckley’s earlier folk-oriented work. The album features a more urban sound, with a strong emphasis on rhythm and groove, which was somewhat of a departure from the introspective ballads of his previous albums. The production, handled by the legendary Jerry Yester, adds a polished yet organic feel to the tracks, allowing Buckley’s voice to soar over the instrumentation. The album is often described as a blend of rock and jazz, with elements of funk and soul, making it a rich listening experience.
One of the standout tracks on the album is "Song to the Siren," which has become one of Buckley’s most iconic songs. The haunting melody and Buckley’s ethereal vocals create a mesmerizing atmosphere that lingers long after the song ends. This track has been covered by numerous artists over the years, further cementing its place in the canon of great American songs. Another notable track is "I Can't See You," which features a more upbeat tempo and showcases Buckley’s ability to fuse different genres seamlessly.
Critically, "Greetings From L.A." received a mixed reception upon its release, with some reviewers praising its adventurous spirit and others feeling it strayed too far from Buckley’s folk roots. Over the years, however, the album has gained a cult following and is now regarded as one of Buckley’s essential works. Major publications like Rolling Stone have revisited the album in retrospective reviews, often highlighting its innovative sound and Buckley’s vocal prowess. It’s interesting to note that while the album didn’t achieve commercial success at the time, it has since been recognized for its artistic merit and influence on future generations of musicians.
The cultural significance of "Greetings From L.A." cannot be understated. It captures the essence of a transitional period in American music, where artists were beginning to break away from traditional forms and explore new sounds. Buckley’s willingness to experiment with his music reflects the broader trends of the early 1970s, where artists like David Bowie and Joni Mitchell were also pushing boundaries and redefining genres. This album serves as a snapshot of that creative explosion, making it an important piece of music history.
In terms of personal anecdotes, Buckley was known for his intense and often unpredictable live performances, which were a testament to his artistic spirit. He was a true artist in every sense, often drawing from his own life experiences to inform his music. This authenticity resonates throughout "Greetings From L.A.," as Buckley pours his heart and soul into each track, making it a deeply personal and relatable album.
Fun fact: the album cover features a photograph of Buckley in front of a Los Angeles backdrop, which perfectly encapsulates the vibe of the music within. The imagery reflects the urban landscape that influenced the sound of the album, and it’s a fitting representation of Buckley’s artistic journey at that time.
In conclusion, "Greetings From L.A." is a remarkable album that showcases Tim Buckley’s extraordinary talent and his willingness to explore new musical territories. It’s a record that deserves to be revisited and appreciated, not just for its historical significance but for the sheer beauty of the music itself. Whether you’re a long-time fan of Buckley or new to his work, this album is sure to leave a lasting impression.