Album Info
Artist: | USA For Africa |
Album: | We Are The World |
Gatefold: | Yes |
Released: | Australia, 1985 |
Tracklist:
A1 | USA For Africa - We Are The World | 7:02 |
Arranged By [Rhythm Arrangements] - John Barnes, Quincy Jones | ||
Arranged By [Solo Vocal Choreography] - Quincy Jones, Tom Bahler | ||
Arranged By [Synthesizer Arrangements] - David Paich, Ian Underwood, John Barnes, Michael Boddicker, Michael Omartian, Quincy Jones | ||
Arranged By [Vocal Choir Arrangements] - Michael Jackson | ||
Arranged By [Vocal Choir] - Quincy Jones, Tom Bahler | ||
Co-producer [Production Assistant] - Mark Ross , Pam Small, Steve Ray | ||
Conductor, Producer - Quincy Jones | ||
Coordinator [Production Coordinator] - Jolie Levine | ||
Copyist - Doug Dana, Tom Brown | ||
Crew [Roadies] - Claudio Ordenes, David Bowers, Ed Simeone | ||
Engineer - Humberto Gatica, John Guess | ||
Executive-Producer [Executive Production Assistant] - Madeline Randolph | ||
Handclaps - Cathy Worthington, Elaine Phillinganes, Greg Phillinganes, James Ingram, Karla Phillinganes, Khaliq Glover, Marcel East, Mark Ross , Steve Ray | ||
Mastered By - Bernie Grundman | ||
Mixed By - Humberto Gatica | ||
Mixed By [Assisted By] - Khaliq Glover, Larry Fergusson | ||
Musician [Musicians] - David Paich, Greg Phillinganes, Humberto Gatica, Ian Underwood, John Barnes, John Robinson , Louis Johnson, Marcus Ryles, Michael Boddicker, Michael Omartian, Michael Melvoin, Paulinho Da Costa, Steve Porcaro, Tom Bahler | ||
Producer [Associate Producer] - Tom Bahler | ||
Programmed By [Oberheim-8 Programming] - Marcus Ryles | ||
Programmed By [Synclavier Programming] - Kevin Maloney , Mark Ross | ||
Programmed By [Synthesizer Programming] - John Barnes, Michael Boddicker, Steve Porcaro | ||
Vocals - Al Jarreau, Bette Midler, Billy Joel, Bob Dylan, Bob Geldof, Bruce Springsteen, Cyndi Lauper, Dan Aykroyd, Hall & Oates, Diana Ross, Dionne Warwick, Harry Belafonte, Huey Lewis & The News, Jackie Jackson, James Ingram, Jeffrey Osborne, Kenny Loggins, Kenny Rogers, Kim Carnes, La Toya Jackson, Lindsey Buckingham, Lionel Richie, Marlon Jackson, Michael Jackson, Paul Simon, The Pointer Sisters, Randy Jackson, Ray Charles, Sheila E., Smokey Robinson, Steve Perry, Stevie Wonder, Tina Turner, Tito Jackson, Waylon Jennings, Willie Nelson | ||
Written-By - Lionel Richie, Michael Jackson | ||
A2 | Steve Perry - If Only For The Moment, Girl | 3:44 |
Bass, Contractor - Bob Glaub | ||
Drums - John Robinson | ||
Engineer [Additional Engineering, Assistant] - Bob Schiely | ||
Engineer [Additional Engineering] - Richard Bosworth | ||
Guitar - Mike Landau | ||
Mixed By, Recorded By - Niko Bolas | ||
Percussion - Paulinho Da Costa | ||
Piano - Randy Goodrum | ||
Producer - Randy Goodrum, Steve Perry | ||
Saxophone - Joel Peskin | ||
Vocals - Steve Perry | ||
Written-By - Randy Goodrum, Steve Perry | ||
A3 | The Pointer Sisters - Just A Little Closer | 3:53 |
Arranged By [Vocals] - The Pointer Sisters | ||
Coordinator [Production Coordinator] - Brad Rosenberger | ||
Drum Programming - Jeff Lorber | ||
Drums [Drum Fills] - Howie Rice | ||
Engineer - Michael Brooks | ||
Engineer [Assistant Engineer] - Glen Holguin | ||
Guitar - Dennis Herring, Paul M. Jackson, Jr. | ||
Mixed By - David Holman, Jim Tract | ||
Percussion - Terry Santiel | ||
Producer - Richard Perry | ||
Synthesizer - Howie Rice, Jeff Lorber | ||
Synthesizer [Mini Moog] - Jeff Lorber | ||
Written-By - Mark Mueller, Robbie Nevil | ||
A4 | Bruce Springsteen & The E Street Band - Trapped | 5:11 |
Bass - Garry Tallent | ||
Drums - Max Weinberg | ||
Guitar, Backing Vocals [Background Vocals] - Nils Lofgren | ||
Lead Vocals, Guitar - Bruce Springsteen | ||
Mixed By - Thom Panunzio | ||
Mixed By [Assisted By] - Scott Weinstein, Miriam "Squeak" Stone | ||
Organ - Danny Federici | ||
Percussion, Backing Vocals [Background Vocals] - Patti Scialfa | ||
Producer - Bruce Springsteen, Chuck Plotkin | ||
Recorded By - Toby Scott | ||
Recorded By [Assisted By] - David Bianco, Jim Scott | ||
Saxophone, Percussion, Backing Vocals [Background Vocals] - Clarence Clemons | ||
Synthesizer - Roy Bittan | ||
Written-By - Jimmy Cliff | ||
B1 | Northern Lights - Tears Are Not Enough | 4:21 |
Acoustic Guitar - David Sinclair | ||
Drums - Jim Vallance | ||
Engineer [Toronto] - Hayward Parrott | ||
Engineer [Vancouver] - Bob Rock | ||
Executive-Producer - Bruce Allen , Lou Blair | ||
French Horn - Steven Denroche | ||
Guitar - Paul Dean | ||
Keyboards - David Foster | ||
Lyrics By - Bryan Adams, Jim Vallance | ||
Lyrics By [French Lyrics] - Rachel Paiement | ||
Music By - David Foster | ||
Producer - David Foster | ||
Producer [Associate Producer] - Jim Vallance | ||
Synthesizer - Doug Johnson | ||
Vocals - Aldo Nova, Anne Murray, Baron Longfellow, Brian Good, Bruce Cockburn, Bruce Murray, Bryan Adams, Burton Cummings, Carole Pope, Carroll Baker, Catherine O'Hara, Claude Dubois, Colina Phillips, Corey Hart, Dan Hill, Don Gerrard, Eugene Levy, Frank Mills, Geddy Lee, Gordon Deppe, Gordon Lightfoot, Graham Shaw, Ian Thomas , Jane Siberry, John Candy, Joni Mitchell, Kim Mitchell, Leroy Sibbles, Liberty Silver, Liona Boyd, Dalbello, Lorraine Segato, Marc Jordan, Mark Holmes , Martha Johnson, Mike Reno, Murray McLauchlan, Neil Young, Oscar Peterson, Paul Hyde, Paul Shaffer, Richard Manuel, Robert Charlebois, Robin Duke, Ronnie Hawkins, Salome Bey, Sharon Lee Williams, Sylvia Tyson, Tom Cochrane, Tommy Hunter , Veronique Beliveau, Wayne St. John, Zappacosta | ||
B2 | Prince And The Revolution - 4 The Tears In Your Eyes | 2:45 |
Mixed By, Engineer - David Tickle | ||
Producer - Prince | ||
Written-By - Prince | ||
B3 | Chicago - Good For Nothing | 3:35 |
Bass - Peter Cetera | ||
Drums - Danny Seraphine | ||
Engineer - Humberto Gatica | ||
Guitar - Paul M. Jackson, Jr. | ||
Horns [Horn Section] - Jimmy Pankow, Lee Loughnane, Walt Parazaider | ||
Keyboards, Synthesizer - David Foster, Bobby Lamm | ||
Producer - David Foster | ||
Vocals - Bill Champlin, Peter Cetera, Bobby Lamm | ||
Written-By - David Foster, Richard Marx, Bobby Lamm | ||
B4 | Tina Turner - Total Control | 3:38 |
Bass - John Trivers | ||
Drums - Jack Bruno | ||
Engineer - David Cole , Warren Dewey | ||
Guitar - Paul Warren | ||
Keyboards - Jimmy Phillips | ||
Producer - Carter | ||
Written-By - J. Jourard, M. Davis | ||
B5 | Kenny Rogers - A Little More Love | 2:54 |
Backing Vocals [Background Vocals] - Kin Vassy, Marc Beeson, Terry Williams | ||
Bass - Joe Chemay | ||
Drums - Paul Leim | ||
Engineer - Jay Antista, Joe Bogan, Terry Williams | ||
Guitar - Billy Joe Walker | ||
Keyboards - Steve Goldstein | ||
Mixed By - Joe Bogan | ||
Producer - David Malloy | ||
Written-By - Fred Knobloch, Tom Schuyler | ||
B6 | Huey Lewis & The News - Trouble In Paradise | 4:34 |
Arranged By [Horn Arrangements] - Greg Adams | ||
Bass - Mario Cipollina | ||
Drums - Bill Gibson | ||
Horns - The Tower Of Power Horn Section | ||
Keyboards, Vocals - Sean Hopper | ||
Mixed By - Bob Clearmountain | ||
Producer - Huey Lewis & The News | ||
Recorded By - Biff Dawes | ||
Saxophone, Guitar, Vocals - John Colla | ||
Vocals, Harmonica - Huey Lewis | ||
Vocals, Lead Guitar - Chris Hayes | ||
Written-By - Huey Lewis, John Colla |
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Description
"USA for Africa - We Are The World," released in 1985, is not an album but a charity single and the title track of the album of the same name. This song stands as a monumental effort in music history, bringing together some of the most iconic voices in the American music industry to address famine and poverty in Africa. Spearheaded by Harry Belafonte, the project was led by Michael Jackson and Lionel Richie, who wrote the anthem, with Quincy Jones overseeing the production.
The song "We Are The World" is characterized by its uplifting message and grand ensemble of voices, including Michael Jackson, Lionel Richie, Stevie Wonder, Diana Ross, Bruce Springsteen, and many others. The collaborative nature of the project, with so many prominent artists coming together for a humanitarian cause, was unprecedented at the time and has since inspired numerous other charity efforts in the music industry.
The recording process, which involved over 40 artists, was a logistical feat, taking place in a single night following the American Music Awards to accommodate the busy schedules of the participants. The sense of unity and common purpose among the diverse group of artists was palpable, and this spirit is captured in the song's hopeful lyrics and harmonious chorus.
The production, helmed by Quincy Jones, is notable for its ability to balance the individual styles of the numerous artists while creating a cohesive and powerful anthem. Jones' directive for the artists to "check their egos at the door" ensured that the focus remained on the cause, resulting in a song that is both emotionally resonant and musically impactful.
Critically, "We Are The World" was praised for its heartfelt message and the remarkable collaboration it represented. The song's ability to bring attention to the famine crisis in Africa and raise significant funds for relief efforts was seen as a testament to the power of music to effect positive change in the world.
Commercially, the single was a massive success, topping charts worldwide and becoming one of the best-selling singles of all time. The funds raised from the project provided much-needed aid to famine-stricken regions in Africa, demonstrating the tangible impact of the artists' collective efforts.
In retrospect, "We Are The World" stands as a landmark moment in music history, symbolizing the industry's capacity for compassion and collective action. The song's enduring legacy lies not only in its musical achievements but also in its demonstration of the unifying power of music to transcend boundaries and make a difference in the world.