Album Info
Artist: | Andrew Lloyd Webber |
Album: | Song & Dance |
Gatefold: | Yes |
Released: | Australasia, 1984 |
Tracklist:
1 | Song: 'Tell Me On A Sunday' | |
A1 | Overture | |
A2 | Let Me Finish | |
A3 | It's Not The End Of The World | |
A4 | Letter Home | |
A5 | Sheldon Bloom | |
A6 | Capped Teeth And Caesar Salad | |
A7 | You Made Me Think You Were In Love | |
A8 | Reprise: Capped Teeth And Caesar Salad | |
A9 | It's Not The End Of The World (If He's Younger) | |
A10 | Second Letter Home | |
A11 | The Last Man In My Life | |
B1 | Come Back With The Same Look In Your Eyes | |
B2 | Take That Look Off Your Face | |
B3 | Tell Me On A Sunday | |
B4 | I Love New York | |
B5 | Married Man | |
B6 | I'm Very You You're Very Me | |
B7 | Let's Talk About You | |
B8 | Reprise: Let Me Finish | |
B9 | Nothing Like You've Ever Known | |
B10 | Reprise: Let Me Finish | |
2 | Dance: 'Variations' | |
C1 | Introduction And Theme | |
C2 | Variations 1-4 | |
C3 | Variation 5 | |
C4 | Variation 6 | |
C5 | Variation 7 | |
C6 | Variation 8 | |
C7 | Variation 9 | |
C8 | Variation 10 | |
C9 | Variation 11 And 12 | |
C10 | Variation 13 And 14 | |
C11 | Variation 15 | |
C12 | Variation 15½ | |
C13 | Variation 16 | |
D1 | Variation 13 And 14 (Varied) | |
D2 | Variation 17 | |
D3 | Variation 18 | |
D4 | Variation 19 And 20 | |
D5 | Variation 5 (Varied) | |
D6 | Variation 22 And 23 | |
D7 | Song - When You Want To Fall In Love | |
D8 | Dance |
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Description
Andrew Lloyd Webber's "Song & Dance" is a fascinating album that showcases the incredible versatility and talent of one of musical theater's most celebrated composers. Released in 1982, this album is a unique blend of songs and dance, featuring a collection of pieces that highlight Webber's ability to craft memorable melodies and poignant lyrics. The album is particularly notable for its innovative structure, combining a song cycle with a dance component, which was somewhat groundbreaking at the time.
"Song & Dance" features the stunning vocals of Sarah Brightman, who was not only a muse for Webber but also a significant figure in the musical theater scene. The album includes some of Webber's most beloved songs, such as "Tell Me on a Sunday," which tells the story of a young woman navigating love and heartbreak in New York City. Brightman's performance is both heartfelt and powerful, capturing the emotional depth of the lyrics beautifully. The song's narrative style allows listeners to connect with the protagonist's journey, making it a standout track on the album.
The album was well-received upon its release, with critics praising its ambitious format and the quality of the music. Major publications like The New York Times and Rolling Stone highlighted Webber's knack for creating catchy tunes that resonate with audiences. The combination of song and dance was a fresh approach, and it showcased the potential of musical theater to blend different art forms seamlessly. The album's critical reception helped solidify Webber's status as a leading figure in the world of musical theater.
One of the most interesting aspects of "Song & Dance" is its historical significance. The album came at a time when musical theater was evolving, and Webber was at the forefront of this change. His previous works, such as "Cats" and "The Phantom of the Opera," had already made waves, but "Song & Dance" pushed the boundaries further by integrating dance into the storytelling process. This innovative approach influenced many future productions and set a new standard for what musical theater could achieve.
In terms of awards, "Song & Dance" received several nominations, including a Tony Award for Best Original Score. While it didn't win the award, the recognition further established Webber's reputation as a composer who could create works that were both commercially successful and critically acclaimed. The album also contributed to Brightman's rise as a star in her own right, leading to her later successes in both music and theater.
The production of "Song & Dance" is another point of interest. Webber collaborated with a talented team, including choreographer Arlene Phillips, who brought the dance elements to life. The choreography is vibrant and complements the music perfectly, enhancing the overall experience of the album. The synergy between the music and dance is a testament to Webber's vision and the collaborative spirit of the project.
Listening to "Song & Dance" is like taking a journey through the highs and lows of love, all wrapped in Webber's signature melodic style. The album's tracks flow seamlessly into one another, creating a cohesive narrative that keeps listeners engaged from start to finish. Other notable tracks include "The Last Man in My Life" and "Nothing Like You've Ever Known," both of which showcase Brightman's vocal range and emotional delivery.
In conclusion, Andrew Lloyd Webber's "Song & Dance" is a remarkable album that not only highlights the composer's genius but also marks a significant moment in the evolution of musical theater. Its blend of song and dance, coupled with Brightman's stunning performances, makes it a must-listen for fans of the genre. Whether you're a longtime admirer of Webber's work or new to his music, this album offers a delightful experience that captures the essence of storytelling through song.