Album Info
| Artist: | Barbra Streisand |
| Album: | The Broadway Album |
| Released: | Australia & New Zealand, Nov 1985 |
Tracklist:
| 1 | Putting It Together (From "Sunday In The Park With George") | 4:19 |
| Lyrics By [Excerpted] - Stephen Sondheim | ||
| Voice Actor - David Geffen, Ken Sylk, Sydney Pollack | ||
| 2 | If I Loved You (From "Carousel") | 2:38 |
| Arranged By - Peter Matz | ||
| Composed By - Richard Rodgers | ||
| French Horn - Brian O'Connor | ||
| 3 | Something's Coming (From "West Side Story") | 2:53 |
| Arranged By - Randy Waldman, Richard Baskin | ||
| Arranged By [Horns] - Jerry Hey | ||
| Composed By - Leonard Bernstein | ||
| Producer - Richard Baskin | ||
| 4 | Not While I'm Around (From "Sweeney Todd") | 3:29 |
| Conductor - Jeremy Lubbock | ||
| Producer - Richard Baskin | ||
| Remix - Don Hahn | ||
| 5 | Being Alive (From "Company") | 3:22 |
| Bass - Neil Stubenhaus | ||
| Conductor - Peter Matz | ||
| Drums - Steven Schaeffer | ||
| Percussion - Paulinho Da Costa | ||
| Saxophone [Alto] - Gary Herbig | ||
| 6 | I Have Dreamed / We Kiss In A Shadow / Something Wonderful (From "The King And I") | 4:49 |
| Composed By - Richard Rodgers | ||
| Keyboards - Bob Esty | ||
| Producer, Arranged By - Bob Esty, Paul Jabara | ||
| Programmed By [Keyboards] - Rhett Lawrence | ||
| Strings - Jeremy Lubbock | ||
| 7 | Adelaide's Lament (From "Guys And Dolls") | 3:24 |
| Arranged By [Orchestrated] - Sid Ramin | ||
| Bass - Charles Berghofer | ||
| Composed By, Lyrics By - Frank Loesser | ||
| Drums - Sol Gubin | ||
| 8 | Send In The Clowns (From "A Little Night Music") | 4:41 |
| Conductor, Arranged By [Orchestrated] - Jeremy Lubbock | ||
| English Horn, Oboe - Earl Dumler | ||
| French Horn - Richard Todd | ||
| Leader [Concertmaster] - Israel Baker | ||
| Piano - Randy Kerber | ||
| 9 | Pretty Women (From "Sweeney Todd") / The Ladies Who Lunch (From "Company") | 5:07 |
| Arranged By - Barbra Streisand, Peter Matz | ||
| Arranged By [Orchestrated] - Peter Matz | ||
| Drums - Sol Gubin | ||
| Guitar - Oscar Castro-Neves | ||
| Percussion - Paulinho Da Costa | ||
| 10 | Can't Help Lovin' That Man (From "Show Boat") | 3:29 |
| Arranged By [Orchestrated] - Conrad Salinger, Peter Matz | ||
| Composed By - Jerome Kern | ||
| Harmonica - Stevie Wonder | ||
| Leader [Concertmaster] - Gerald Vinci | ||
| 11 | I Loves You Porgy / Porgy, I's Your Woman Now (Bess, You Is My Woman) (From "Porgy And Bess") | 4:33 |
| Arranged By [Orchestrated] - Alexander Courage | ||
| Composed By - George Gershwin | ||
| Lyrics By - DuBose Heyward, Ira Gershwin | ||
| 12 | Somewhere (From "West Side Story") | 4:55 |
| Composed By - Leonard Bernstein | ||
| Engineer - Humberto Gatica | ||
| Engineer [Additional] - Magic Moreno | ||
| Engineer [Assistant] - Woody Woodruff | ||
| Keyboards - David Foster, Randy Waldman | ||
| Producer, Synthesizer, Arranged By - David Foster | ||
| Programmed By [Synthesizer] - Michael Boddicker |
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Description
Released in 1985, "The Broadway Album" is a triumphant return to Streisand's theatrical roots. With a career that spans music, film, and stage, Streisand's connection to Broadway is deeply personal, and this album serves as both a tribute to the Great White Way and a reflection of her artistic journey.
The album opens with a medley of "Putting It Together" and "If I Loved You," a blend that immediately showcases the album's creative ambition. Streisand's interpretation is thoughtful and nuanced, reflecting the intricacy and emotional depth of Stephen Sondheim's and Rodgers & Hammerstein's compositions.
One of the standout tracks is "Send in the Clowns," a Sondheim classic that Streisand performs with a delicate sensitivity. Her voice, clear and emotive, navigates the complex melody and poignant lyrics with grace, capturing the song's reflective mood.
"Somewhere," from Leonard Bernstein's "West Side Story," is another highlight. Streisand's rendition is powerful and uplifting, imbued with a sense of longing and hope. The orchestration is lush, providing a sweeping backdrop to her soaring vocals.
Streisand's choices for this album are both diverse and deliberate, ranging from lively numbers like "I'm Still Here" to heartfelt ballads like "Not While I'm Around." Each selection feels carefully considered, reflecting different facets of the Broadway tradition and showcasing Streisand's versatility as a performer.
The arrangements are elegant, respectful of the original compositions while allowing room for Streisand's personal interpretation. They support her voice without overshadowing it, creating a seamless blend of vocal artistry and musical craftsmanship.
What makes "The Broadway Album" truly special is Streisand's connection to the material. She doesn't just sing these songs; she inhabits them. Her understanding of the characters, the stories, and the emotions behind the lyrics adds layers of depth to her performances, making each track a mini theatrical experience.
Perhaps the only criticism that could be leveled at this album is that it might not cater to all musical tastes. Those not fond of musical theater may find the content less engaging. However, even those unfamiliar with Broadway can appreciate the sheer talent and artistry that Streisand brings to this project.
In conclusion, "The Broadway Album" is a masterful celebration of musical theater, performed by one of the most iconic voices in entertainment history. Barbra Streisand's love for Broadway shines through every note, and her ability to connect with these timeless songs transforms them into something fresh and deeply personal. The album is a gift to fans of both Streisand and musical theater, and a reminder of the power of music to tell stories, evoke emotions, and connect with listeners across generations. It's not just a collection of songs; it's a theatrical journey guided by a true artist, and a musical experience that resonates long after the final note has been sung.