Album Info
| Artist: | Bette Midler |
| Album: | Live At Last |
| Gatefold: | Yes |
| Released: | Australia, 1977 |
Tracklist:
| A1 | Backstage | 0:18 |
| A2 | Friends / Oh My My | 2:28 |
| Written-By [Friends] - Buzzy Linhart, Mark Klingman | ||
| Written-By [Oh My My] - Richard Starkey, Vincent Poncia | ||
| A3 | Bang, You're Dead | 3:15 |
| Written-By - Valerie Simpson & Nickolas Ashford | ||
| A4 | Birds | 4:39 |
| Written-By - Neil Young | ||
| A5 | Comic Relief | 2:38 |
| A6 | In The Mood | 2:09 |
| Written-By - Andy Razaf, Joe Garland | ||
| A7 | Hurry On Down | 2:07 |
| Written-By - Nellie Lutcher | ||
| B1 | Shiver Me Timbers | 4:00 |
| Written-By - Tom Waits | ||
| B2 | The Vicki Eydie Show | |
| B2a | Around The World | 0:23 |
| Written-By - Harold Adamson, Victor Young | ||
| B2b | Istanbul | 0:55 |
| Written-By - Jimmy Kennedy, Nat Simon | ||
| B2c | Fiesta In Rio | 1:52 |
| Written-By - Bette Midler, Jerry Blatt | ||
| B2d | South Seas Scene / Hawaiian War Chant | 5:13 |
| Written-By [Hawaiian War Chant] - Noble, Leleiohaku, Freed | ||
| Written-By [South Seas Scenes] - Rik Carlok | ||
| B2e | Lullabye Of Broadway | 2:00 |
| Written-By - Al Dubin, Harry Warren | ||
| B3 | Intermission : You're Moving Out Today | 2:56 |
| Written-By - Bette Midler, Bruce Roberts, Carole Bayer Sager | ||
| C1 | Delta Dawn | 5:54 |
| Written-By - Alex Harvey , Larry Collins | ||
| C2 | Long John Blues | 2:36 |
| Written-By - Tommy George | ||
| C3 | Those Wonderful Sophie Tucker Jokes | 2:38 |
| C4 | The Story Of Nanette | |
| C4a | Nanette | 0:54 |
| Written-By - Howard Dietz & Arthur Schwartz | ||
| C4b | Alabama Song / Drinking Again | 4:25 |
| Written-By [Alabama Song] - Bertolt Brecht, Kurt Weill | ||
| Written-By [Drinking Again] - Doris Tauber, Johnny Mercer | ||
| C4c | Mr. Rockefeller | 4:00 |
| Written-By - Bette Midler, Jerry Blatt | ||
| D1 | Ready To Begin Again / Do You Wanna Dance | 3:23 |
| Written-By [Do You Wanna Dance] - Bobby Freeman | ||
| Written-By [Ready To Begin Again] - Jerry Leiber & Mike Stoller | ||
| D2 | Fried Eggs | 2:37 |
| D3 | Hello In There | 3:16 |
| Written-By - John Prine | ||
| D4 | Finale | |
| D4a | Up The Ladder To The Roof | 2:45 |
| Written-By - Frank Wilson, Vincent DiMirco | ||
| D4b | Boogie Woogie Bugle Boy | 3:04 |
| Written-By - Don Raye, Hughie Prince | ||
| D4c | Friends | 2:21 |
| Written-By - Buzzy Linhart, Mark Klingman |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne's North (Australia)
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- Happy Listening!
Description
Bette Midler's "Live At Last" is a delightful album that captures the essence of her vibrant stage presence and vocal prowess. Released on November 2, 1977, this live recording showcases Midler's unique blend of pop, rock, and theatrical flair, making it a significant entry in her discography. The album was recorded during her concert at the Pasadena Civic Auditorium, and it perfectly encapsulates the energy and excitement of a live performance.
From the moment the album kicks off, you can feel the electric atmosphere. Midler opens with a rousing rendition of "Do You Want to Dance?" which sets the tone for the entire album. Her voice is powerful and full of emotion, and you can hear the audience's enthusiastic response, which adds to the overall experience. It's clear that Midler knows how to connect with her fans, and this album is a testament to her charisma as a performer.
One of the standout tracks on the album is her iconic version of "The Rose," which would later become one of her signature songs. The live rendition is heartfelt and poignant, showcasing her ability to convey deep emotion through her music. The audience's reaction during this performance is palpable, and it’s a moment that truly highlights why Midler is such a beloved artist.
Another highlight is her cover of "Boogie Woogie Bugle Boy," which is a fun and energetic performance that pays homage to the classic WWII-era song. Midler's playful interpretation, complete with her signature humor and charm, makes it a memorable moment on the album. It’s a reminder of her roots in the cabaret scene and her ability to bring a vintage song to life with her unique style.
Critically, "Live At Last" received positive reviews upon its release. Major publications praised Midler's vocal abilities and her engaging stage presence. The album showcases not just her singing talent but also her skills as a storyteller and entertainer. The production, handled by the legendary Arif Mardin, is polished yet retains the raw energy of a live performance, allowing listeners to feel as if they are right there in the audience.
In terms of cultural significance, this album came at a time when Midler was solidifying her status as a pop culture icon. She had already made a name for herself in the 1970s with her unique blend of music and comedy, and "Live At Last" further cemented her place in the entertainment industry. The album captures the spirit of the era, reflecting the vibrant and eclectic nature of 1970s music.
Interestingly, Bette Midler has often spoken about her love for performing live. In interviews, she has mentioned how the energy of a live audience fuels her performances, and this album is a perfect example of that connection. The laughter, applause, and cheers from the crowd are almost as important as the music itself, creating a shared experience that is palpable through the recording.
"Live At Last" also features a mix of original songs and covers, showcasing Midler's versatility as an artist. The album includes tracks like "Stay With Me" and "You’re My Friend," which highlight her ability to convey deep emotion and connect with her audience on a personal level. Each song is delivered with passion and sincerity, making it a joy to listen to from start to finish.
Overall, Bette Midler's "Live At Last" is a fantastic live album that captures the magic of her performances. It’s a celebration of her talent and a reflection of the joy she brings to her fans. Whether you’re a long-time fan or new to her music, this album is a must-listen. It’s a delightful reminder of why Bette Midler is considered one of the great entertainers of our time.
