Rick Wakeman - Lisztomania (LP) - EXC/VG+

Rick Wakeman's "Lisztomania" is a fascinating album that serves as the soundtrack to the 1975 film of the same name, directed by Ken Russell. The film, a biographical fantasy about the life of composer Franz Liszt, is known for its surreal and extravagant portrayal of the 19th-century composer, and Wakeman's music complements this vision with his signature blend of classical and progressive rock elements.

The album features Wakeman's virtuosic keyboard work, which is a hallmark of his style. Known for his work with the progressive rock band Yes, Wakeman brings his flair for dramatic and complex compositions to "Lisztomania." The album is a mix of original compositions and adaptations of Liszt's music, reimagined through Wakeman's unique lens. This blend of classical and rock is emblematic of the 1970s progressive rock movement, which often sought to bridge the gap between popular and classical music.

One of the standout tracks on the album is "Lisztoverture," which sets the tone with its grandiose and theatrical style. The piece showcases Wakeman's ability to weave intricate keyboard lines with orchestral arrangements, creating a sound that is both majestic and accessible. Another notable track is "Free Song," which features Wakeman's deft touch on the piano, highlighting his classical training and his ability to infuse rock sensibilities into traditional forms.

The album also includes "Funerailles," a piece that captures the somber and reflective mood of Liszt's original composition while adding a modern twist with synthesizers and electric guitar. This track, like much of the album, demonstrates Wakeman's respect for the source material while also showcasing his innovative approach to music.

"Lisztomania" did not achieve significant commercial success upon its release, partly due to the mixed reception of the film itself. However, it has since gained a cult following among fans of Wakeman and progressive rock enthusiasts. The album is often praised for its ambitious scope and Wakeman's technical prowess, though some critics have noted that the fusion of styles can feel disjointed at times.

In terms of cultural significance, "Lisztomania" is an interesting artifact of its time, reflecting the 1970s fascination with blending high art and popular culture. The film and its soundtrack are part of a broader trend during this era, where rock musicians frequently drew inspiration from classical music, seeking to elevate the genre and explore new artistic territories.

While "Lisztomania" did not win any major awards, it remains an important part of Rick Wakeman's discography and a testament to his creativity and skill as a musician. The album is a bold experiment that captures the spirit of its time, and for those interested in the intersection of classical music and rock, it offers a unique listening experience.

Overall, "Lisztomania" is a compelling album that showcases Rick Wakeman's talents as a composer and performer. It may not have achieved the same level of acclaim as some of his other works, but it stands as a testament to his willingness to take risks and push the boundaries of what rock music can be. For fans of progressive rock and those interested in the fusion of classical and modern music, "Lisztomania" is a worthwhile exploration.