Album Info
Artist: | Sinoia Caves |
Album: | Beyond The Black Rainbow |
Released: | US, 2 Sept 2014 |
Tracklist:
A1 | Forever Dilating Eye | 4:15 |
Drums [Drums Performed By], Recorded By [Drums Recorded By] - Joshua Wells | ||
A2 | Elena's Sound-World | 5:05 |
A3 | Run Program: Sentionauts | 3:00 |
A4 | Arboria Tapes - Award Winning Gardens | 3:00 |
A5 | 1983 - Main Titles | 3:15 |
B1 | 1966 - Let The New Age Of Enlightenment Begin | 16:30 |
B2 | Sentionauts II | 3:25 |
Drums [Drums Performed By], Recorded By [Drums Recorded By] - Joshua Wells |
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Description
Sinoia Caves' album "Beyond the Black Rainbow" serves as the haunting and atmospheric soundtrack to the 2010 Canadian science fiction film of the same name, directed by Panos Cosmatos. The album, released in 2014, is the work of Jeremy Schmidt, a member of the band Black Mountain, who operates under the moniker Sinoia Caves for his solo projects. This soundtrack is a mesmerizing journey through a soundscape that is both retro and futuristic, drawing heavily on the aesthetics of 1980s synth music.
The music of "Beyond the Black Rainbow" is deeply influenced by the electronic and progressive rock sounds of the late 1970s and early 1980s. Schmidt's use of vintage synthesizers and analog equipment gives the album a warm, immersive quality that is reminiscent of the works of Tangerine Dream, John Carpenter, and Vangelis. The album's sound is characterized by its lush, layered textures and its ability to evoke a sense of mystery and otherworldliness, perfectly complementing the film's surreal and visually striking narrative.
One of the standout tracks on the album is "Forever Dilating Eye," which encapsulates the eerie and hypnotic atmosphere that permeates the entire soundtrack. The track builds slowly, with pulsating synths and ethereal melodies that create a sense of tension and anticipation. Another notable piece is "1966 - Let the New Age of Enlightenment Begin," which features a more rhythmic and driving sound, providing a contrast to the more ambient and introspective moments on the album.
The critical reception of "Beyond the Black Rainbow" has been largely positive, with many reviewers praising Schmidt's ability to craft a cohesive and immersive sonic experience. The album has been noted for its ability to stand alone as a piece of music, independent of the film it was created for, which is a testament to Schmidt's skill as a composer and his deep understanding of the genre. Critics have highlighted the album's ability to transport listeners to another time and place, making it a favorite among fans of synthwave and retro-futuristic music.
While "Beyond the Black Rainbow" may not have garnered mainstream awards, its cultural significance lies in its contribution to the resurgence of interest in synth-driven soundtracks and its influence on the synthwave genre. The album has been embraced by a niche audience that appreciates its nostalgic yet innovative approach to electronic music. It has also helped to solidify Jeremy Schmidt's reputation as a talented and visionary artist within the realm of film music and beyond.
In conclusion, Sinoia Caves' "Beyond the Black Rainbow" is a masterful exploration of sound and atmosphere that captures the essence of a bygone era while simultaneously pushing the boundaries of what a film soundtrack can achieve. Its haunting melodies and rich textures make it a compelling listen for anyone interested in the intersection of music and cinema, and its influence can be felt in the growing popularity of synthwave and retro-futuristic music. Whether experienced as an accompaniment to the film or as a standalone album, "Beyond the Black Rainbow" is a testament to the enduring power of synthesizer music to evoke emotion and imagination.