Album Info
Artist: | Xavier Cugat And His Orchestra |
Album: | Bread, Love And Cha, Cha, Cha |
Released: | Australia, 1957 |
Tracklist:
A1 | Bread, Love And Cha Cha Cha | 2:12 |
Vocals - Pepito Arvelo | ||
A2 | Frenesei | 3:06 |
A3 | Sauvecito (Sweet And Tender) | 3:15 |
Vocals - Pepito Arvelo | ||
A4 | Very, Very Satisfied | 2:23 |
Vocals - Pepito Arvelo | ||
A5 | Whatever Lola Wants (Lola Gets) | 2:32 |
A6 | Penthouse Mambo | 2:27 |
B1 | La Paloma | 2:53 |
Vocals - Pepito Arvelo | ||
B2 | Maria La O (Maria My Own) | 2:43 |
B3 | Coco Seco (Dry Coconuts) | 2:22 |
Vocals - Pepito Arvelo | ||
B4 | The Banana Boat Song | 2:34 |
Vocals - Pepito Arvelo | ||
B5 | Mi Musica Es Para Ti | 2:52 |
B6 | April In Portugal | 3:14 |
Info About Buying Vinyl From Our Record Store
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Description
"Bread, Love and Cha, Cha, Cha" is a captivating journey into the world of Latin music as curated by the illustrious bandleader Xavier Cugat. Released in 1957, this album presents an exquisite blend of vibrant rhythms, infectious melodies, and timeless romantic appeal, encapsulating the essence of mid-century Latin pop. Cugat, often hailed as the "Rumba King," demonstrates his prowess and mastery of Latin American sounds, ensuring the record is not only delightful but also authentic.
The album kicks off with a palpable burst of energy with "Bread, Love and Cha, Cha, Cha," a tune that perfectly encapsulates the trifecta of necessities suggested by the title. Cugat's orchestra creates a sonic atmosphere that is equal parts exuberant and sensual. The driving rhythms of the cha-cha-cha transport listeners to the lively dancehalls of the era, and it's hard not to be swept away by the percussive beats and rich brass orchestrations.
"Zombie," another standout track, showcases Cugat's knack for blending traditional Latin rhythms with a contemporary flair. The song is characterized by its lively percussion and evocative strings, creating a vibrant soundscape that is irresistibly dance-inducing.
Cugat's rendition of the classic "Cuban Mambo" is a testament to his dedication to authenticity. The track bursts with infectious energy, featuring spirited brass sections, dynamic percussion, and playful piano lines. Cugat's ability to elevate traditional rhythms into an engaging performance piece speaks to his deep understanding and respect for the genre.
"Sway," one of the album's most iconic tracks, epitomizes the romantic allure of Latin music. The song's sultry rhythms and enchanting melody create a mood that's tantalizingly seductive, providing a perfect backdrop for intimate dance floors. Cugat's arrangement is impeccably balanced, allowing the melody to shine while still emphasizing the signature rhythms that make the cha-cha-cha so compelling.
Cugat also experiments with bolero rhythms in "Miami Beach Rumba," a track that showcases his versatility as a bandleader. The slower, more deliberate pace of the song allows for a more nuanced exploration of melody and emotion, and Cugat's orchestra navigates this shift with grace and precision.
Throughout the album, Cugat's commitment to authenticity and quality is evident. The orchestrations are meticulously crafted, ensuring that each instrument contributes to the overall sonic tapestry without overpowering the others. The percussion, in particular, is a highlight, providing a rhythmic backbone that propels each track forward and invites listeners to move along.
"Bread, Love and Cha, Cha, Cha" is a celebration of Latin American music through the lens of a bandleader who truly understood and respected the art form. Xavier Cugat's ability to seamlessly blend traditional rhythms with elements of pop appeal resulted in an album that is both timeless and thoroughly enjoyable.
The album also serves as a historical snapshot, providing insight into the musical landscape of the 1950s and the growing popularity of Latin music in the United States. Cugat's influence in popularizing these sounds cannot be overstated, and "Bread, Love and Cha, Cha, Cha" stands as a testament to his contributions to the music industry.
In conclusion, Xavier Cugat's "Bread, Love and Cha, Cha, Cha" is an exquisite collection of Latin tunes that continue to resonate with listeners due to their timeless appeal, infectious rhythms, and masterful orchestrations. Whether experienced as a backdrop for dance or a standalone listening experience, the album is a delightful journey that pays homage to the rich tapestry of Latin American music while solidifying Cugat's place as one of its most influential proponents.