Album Info
| Artist: | Miles Davis |
| Album: | Kind Of Blue |
| Released: | Europe, 2013 |
Tracklist:
| A1 | So What | |
| A2 | Freddie Freeloader | |
| A3 | Blue In Green | |
| B1 | All Blues | |
| B2 | Flamenco Sketches |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir)
- We buy and sell new and used vinyl records - if you have a collection you'd like to sell please click here.
- We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post.
- Free Shipping for orders $150 and over.
- You can also pick up your order in store, just select Local Pickup at the checkout.
- We also ship internationally - prices vary depending on weight and location.
- We ship vinyls in thick, rigid carboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records.
- In stock vinyl is usally shipped next business day, please check the availability field at the top of the product page to see whether the record is currently in stock or if it is available from the supplier as well as estimated shipping times.
- If you order an in stock item together with a pre order or back order (listed as available from supplier rather than in stock) then the order will be shipped together when all items arrive. If you would like the in stock items shipped first please place two separate orders or contact us to arrange shipping items separately.
- We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn't arrive we will cover the cost of replacing or returning the record.
- If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store.
- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Description
"Miles Davis' "Kind of Blue," released in 1959, stands as a monumental album in the history of jazz and is often heralded as the greatest jazz record of all time. This seminal work is renowned for its innovative use of modal jazz, a departure from the then-dominant bebop style that relied heavily on chord progressions. "Kind of Blue" features Davis on trumpet, along with an ensemble of legendary musicians including John Coltrane on tenor saxophone, Cannonball Adderley on alto saxophone, Bill Evans and Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. The album's relaxed, introspective mood and its emphasis on improvisation over modal scales have made it a defining work of the cool jazz movement, influencing countless musicians across various genres.
"So What," the album's opening track, sets the tone with its iconic bass intro by Chambers, leading into a sparse, modal structure that provides a spacious backdrop for solos by Davis, Coltrane, and Adderley. The track's laid-back groove and innovative approach to improvisation illustrate the album's departure from complex chord changes to a more fluid and open form of expression.
"Freddie Freeloader," the only track featuring Wynton Kelly on piano, is characterized by its bluesy feel and memorable melody. Kelly's soulful, swinging style complements the horn players' improvisations, showcasing the collaborative spirit and individual talents of the musicians involved.
"Blue in Green," a haunting ballad co-credited to Bill Evans, is noted for its lyrical beauty and emotional depth. The track's delicate interplay between piano and horn, along with its evocative harmonic structure, make it one of the most introspective and poignant pieces on the album.
"All Blues" introduces a 6/8 time signature, adding a waltz-like rhythm to the album's explorations. The track's blues-based modal framework and the relaxed, yet dynamic solos by the ensemble members highlight the versatility and creativity of Davis and his collaborators.
"Flamenco Sketches," the album's closing track, features a series of improvisations based on different modes rather than a fixed chord progression. The piece's reflective, almost meditative quality, serves as a fitting conclusion to an album that emphasizes mood and atmosphere over technical complexity.
The production of "Kind of Blue," overseen by Teo Macero and Irving Townsend, captures the spontaneous and ethereal nature of the recording sessions. The album's clear, warm sound quality allows each instrument to be distinctly heard, contributing to the intimate and immersive listening experience.
In conclusion, "Kind of Blue" is a masterpiece that transcends the boundaries of jazz and remains a pivotal work in the history of music. Its innovative approach to composition and improvisation, along with the exceptional talent of the musicians involved, have made it an enduring classic that continues to inspire and influence artists around the world. "Kind of Blue" is not just a landmark jazz album but a seminal work of art that captures the essence of musical creativity and expression.
