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Miles Davis - Kind Of Blue (LP) - Mono - 180g Audiophile Vinyl

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$55.00
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New
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Available At Supplier. Ships in 2 - 4 weeks
Current Stock:
$55.00

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Miles Davis - Kind Of Blue Vinyl Record Album Art
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Album Info

Artist: Miles Davis
Album: Kind Of Blue
Released: Europe, 2013

Tracklist:

A1So What
A2Freddie Freeloader
A3Blue In Green
B1All Blues
B2Flamenco Sketches


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  • We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir)
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  • You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
  • Happy Listening!

Details

Original Release Year:
1959
Genre(s):
Jazz, Modal
Format:
Vinyl Record LP

Description

"Miles Davis' "Kind of Blue," released in 1959, stands as a monumental album in the history of jazz and is often heralded as the greatest jazz record of all time. This seminal work is renowned for its innovative use of modal jazz, a departure from the then-dominant bebop style that relied heavily on chord progressions. "Kind of Blue" features Davis on trumpet, along with an ensemble of legendary musicians including John Coltrane on tenor saxophone, Cannonball Adderley on alto saxophone, Bill Evans and Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. The album's relaxed, introspective mood and its emphasis on improvisation over modal scales have made it a defining work of the cool jazz movement, influencing countless musicians across various genres.

"So What," the album's opening track, sets the tone with its iconic bass intro by Chambers, leading into a sparse, modal structure that provides a spacious backdrop for solos by Davis, Coltrane, and Adderley. The track's laid-back groove and innovative approach to improvisation illustrate the album's departure from complex chord changes to a more fluid and open form of expression.

"Freddie Freeloader," the only track featuring Wynton Kelly on piano, is characterized by its bluesy feel and memorable melody. Kelly's soulful, swinging style complements the horn players' improvisations, showcasing the collaborative spirit and individual talents of the musicians involved.

"Blue in Green," a haunting ballad co-credited to Bill Evans, is noted for its lyrical beauty and emotional depth. The track's delicate interplay between piano and horn, along with its evocative harmonic structure, make it one of the most introspective and poignant pieces on the album.

"All Blues" introduces a 6/8 time signature, adding a waltz-like rhythm to the album's explorations. The track's blues-based modal framework and the relaxed, yet dynamic solos by the ensemble members highlight the versatility and creativity of Davis and his collaborators.

"Flamenco Sketches," the album's closing track, features a series of improvisations based on different modes rather than a fixed chord progression. The piece's reflective, almost meditative quality, serves as a fitting conclusion to an album that emphasizes mood and atmosphere over technical complexity.

The production of "Kind of Blue," overseen by Teo Macero and Irving Townsend, captures the spontaneous and ethereal nature of the recording sessions. The album's clear, warm sound quality allows each instrument to be distinctly heard, contributing to the intimate and immersive listening experience.

In conclusion, "Kind of Blue" is a masterpiece that transcends the boundaries of jazz and remains a pivotal work in the history of music. Its innovative approach to composition and improvisation, along with the exceptional talent of the musicians involved, have made it an enduring classic that continues to inspire and influence artists around the world. "Kind of Blue" is not just a landmark jazz album but a seminal work of art that captures the essence of musical creativity and expression.

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