Album Info
| Artist: | Tony Bennett |
| Album: | Duets II |
| Released: | Europe, 26 Sep 2011 |
Tracklist:
| A1 | The Lady Is A Tramp | |
| Vocals - Lady Gaga | ||
| A2 | One For My Baby (And One More For The Road) | |
| Vocals - John Mayer | ||
| A3 | Body And Soul | |
| Vocals - Amy Winehouse | ||
| A4 | Don't Get Around Much Anymore | |
| Vocals - Michael Bublé | ||
| A5 | Blue Velvet | |
| Vocals - k.d. lang | ||
| B1 | How Do You Keep The Music Playing | |
| Vocals - Aretha Franklin | ||
| B2 | The Girl I Love | |
| Vocals - Sheryl Crow | ||
| B3 | On The Sunny Side Of The Street | |
| Vocals - Willie Nelson | ||
| B4 | Who Can I Turn To (When Nobody Needs Me) | |
| Vocals - Queen Latifah | ||
| C1 | Speak Low | |
| Vocals - Norah Jones | ||
| C2 | This Is All I Ask | |
| Vocals - Josh Groban | ||
| C3 | Watch What Happens | |
| Vocals - Natalie Cole | ||
| C4 | Stranger In Paradise | |
| Vocals - Andrea Bocelli | ||
| D1 | The Way You Look Tonight | |
| Vocals - Faith Hill | ||
| D2 | Yesterday I Heard The Rain | |
| Vocals - Alejandro Sanz | ||
| D3 | It Had To Be You | |
| Vocals - Carrie Underwood | ||
| D4 | When Do The Bells Ring For Me | |
| Vocals - Mariah Carey |
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Description
"Duets II" by Tony Bennett, released in 2011, is a remarkable collection that features the legendary crooner collaborating with a diverse array of contemporary artists from various genres, including pop, country, and jazz. Following the success of his first "Duets" album, "Duets II" continues the concept with Bennett sharing the microphone with some of the biggest names in music, resulting in a rich tapestry of performances that bridge generational and musical divides. The album stands out for its ability to showcase Bennett's timeless vocal style while highlighting the unique qualities of his guest artists, making it a compelling listen for fans of classic and modern music alike.
One of the album's most notable tracks is "Body and Soul," a duet with the late Amy Winehouse. This song, which would be one of Winehouse's final recordings, is a poignant and powerful rendition of the jazz standard. Bennett and Winehouse's voices blend beautifully, with Winehouse's soulful delivery providing a stark contrast to Bennett's smooth croon, creating a version of the song that is both respectful of its history and fresh.
"The Lady Is a Tramp," Bennett's duet with Lady Gaga, showcases a playful and vibrant exchange between the two performers. Gaga's dynamic presence and Bennett's charismatic delivery make for an engaging rendition of the classic tune, highlighting the album's theme of bridging the old with the new.
"Body and Soul" isn't the only track where Bennett collaborates with a jazz-influenced artist; his duet with Michael Bublé on "Don't Get Around Much Anymore" is another standout. The track swings with an easy grace, and the interplay between Bennett and Bublé captures the essence of classic jazz vocals while infusing it with a contemporary feel.
"Stranger in Paradise" sees Bennett pairing with Andrea Bocelli in a performance that melds Bennett's jazz sensibilities with Bocelli's operatic prowess. The arrangement allows both artists to shine, with their distinct vocal styles complementing each other against a lush orchestral backdrop.
The production of "Duets II," under the direction of Phil Ramone, is meticulously crafted, ensuring that each duet maintains the integrity of Bennett's classic sound while accommodating the stylistic nuances of his guest artists. The arrangements are sophisticated yet accessible, providing a perfect setting for Bennett and his partners to explore the emotional depths of the songs.
In conclusion, "Duets II" is not just a showcase for Tony Bennett's enduring talent and versatility but also a celebration of musical collaboration across generations and genres. The album serves as a testament to Bennett's influence on and appreciation for the broader musical landscape, affirming his status as one of the great interpreters of the American songbook. Through these duets, Bennett not only bridges the gap between traditional and contemporary music but also introduces these timeless songs to new audiences, ensuring their place in the canon of great American music.
