Album Info
Artist: | Jeff Beck Group |
Album: | Beck-Ola |
Released: | US, 2009 |
Tracklist:
A1 | All Shook Up | 4:53 |
A2 | Spanish Boots | 3:35 |
A3 | Girl From Mill Valley | 3:48 |
A4 | Jailhouse Rock | 3:16 |
B1 | Plynth (Water Down The Drain) | 3:07 |
B2 | The Hangman's Knee | 4:48 |
B3 | Rice Pudding | 7:28 |
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Description
"Beck-Ola," the second studio album by the Jeff Beck Group, was released in June 1969. This album is a significant piece in the history of rock music, showcasing the talents of legendary guitarist Jeff Beck and his band. The lineup for this album included Jeff Beck on guitar, Rod Stewart on vocals, Ronnie Wood on bass, Nicky Hopkins on piano, and Tony Newman on drums.
"Beck-Ola" is often noted for its raw, powerful sound and is considered a precursor to the heavy metal genre. The album opens with "All Shook Up," a cover of the Elvis Presley classic, which sets the tone with its heavy, bluesy rock vibe. Rod Stewart's gritty vocals and Jeff Beck's innovative guitar work are immediately apparent, creating a dynamic and engaging listening experience.
The second track, "Spanish Boots," is a Beck original co-written with Stewart and Wood. It features a driving rhythm and showcases Beck's signature guitar style, blending blues and rock with a touch of psychedelia. The interplay between Beck's guitar and Hopkins' piano adds depth and texture to the track.
"Girl from Mill Valley," an instrumental piece composed by Nicky Hopkins, provides a brief respite from the high-energy rock numbers. This track highlights Hopkins' virtuosity on the piano and offers a more melodic and contemplative moment on the album.
"Jailhouse Rock," another Elvis Presley cover, is given a heavy, almost aggressive treatment by the band. Beck's guitar riffs are sharp and powerful, and Stewart's vocal delivery is intense and passionate. This track exemplifies the band's ability to take a well-known song and make it their own through their unique style and interpretation.
"Plynth (Water Down the Drain)" is another standout track, featuring a heavy, riff-driven sound that foreshadows the development of hard rock and heavy metal in the 1970s. The song's lyrics, co-written by Stewart, Beck, and Wood, are delivered with a sense of urgency and raw emotion.
"The Hangman's Knee" continues in a similar vein, with its heavy blues-rock sound and powerful performances from all band members. Beck's guitar work is particularly notable on this track, with his use of feedback and distortion adding to the song's intensity.
The album closes with "Rice Pudding," an instrumental track that allows the band to showcase their musical prowess. The song features a series of dynamic shifts and intricate arrangements, highlighting the technical skill and creativity of each member.
"Beck-Ola" received mixed reviews upon its release, with some critics praising the band's musicianship and energy, while others felt the album lacked cohesion and direction. However, over time, it has come to be regarded as a classic of the late 1960s rock era and an important milestone in Jeff Beck's career.
The album's production, handled by Mickie Most, captures the raw, live feel of the band's performances, which adds to its overall impact. The cover art, featuring a painting by René Magritte titled "The Listening Room," adds an element of surrealism and intrigue to the album's presentation.
In conclusion, "Beck-Ola" is a powerful and influential album that showcases the talents of the Jeff Beck Group. Its blend of blues, rock, and early heavy metal elements, combined with the exceptional musicianship of its members, makes it a significant and enduring work in the history of rock music. Whether you're a longtime fan of Jeff Beck or new to his music, "Beck-Ola" is an album that deserves a place in any rock music collection.