Album Info
| Artist: | The Doors |
| Album: | The Doors |
| Released: | Europe, 14 Sep 2009 |
Tracklist:
| A1 | Break On Through (To The Other Side) | 2:25 |
| A2 | Soul Kitchen | 3:30 |
| A3 | The Crystal Ship | 2:30 |
| A4 | Twentieth Century Fox | 2:30 |
| A5 | Alabama Song (Whisky Bar) | 3:15 |
| Written-By - Brecht, Weill | ||
| A6 | Light My Fire | 6:50 |
| B1 | Back Door Man | 3:30 |
| Written-By - C. Burnett, W. Dixon | ||
| B2 | I Looked At You | 2:18 |
| B3 | End Of The Night | 2:49 |
| B4 | Take It As It Comes | 2:13 |
| B5 | The End | 11:35 |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir)
- We buy and sell new and used vinyl records - if you have a collection you'd like to sell please click here.
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- Happy Listening!
Description
"The Doors," the eponymous debut album by the American rock band The Doors, was released on January 4, 1967, by Elektra Records. This groundbreaking album is often hailed as one of the greatest debut albums in the history of rock music, and it played a crucial role in establishing the band as one of the most influential and enduring acts of the 1960s.
The album was recorded at Sunset Sound Recorders in Hollywood, California, over a period of six days in August 1966. Produced by Paul A. Rothchild and engineered by Bruce Botnick, "The Doors" captures the raw energy and innovative spirit of the band, which consisted of Jim Morrison (vocals), Ray Manzarek (keyboard), Robby Krieger (guitar), and John Densmore (drums).
One of the most striking aspects of "The Doors" is its eclectic mix of musical styles, blending rock, blues, jazz, and even classical influences. The album opens with the iconic track "Break On Through (To the Other Side)," which immediately sets the tone with its driving rhythm and Morrison's commanding vocals. This song, like many others on the album, showcases the band's ability to create a sense of urgency and intensity.
The second track, "Soul Kitchen," is a bluesy number that highlights Manzarek's distinctive keyboard work and Krieger's intricate guitar playing. The song's lyrics, inspired by a soul food restaurant in Venice Beach, California, reflect Morrison's poetic sensibilities and his ability to draw inspiration from everyday experiences.
One of the standout tracks on the album is "The Crystal Ship," a hauntingly beautiful ballad that features one of Morrison's most evocative vocal performances. The song's dreamy, ethereal quality is enhanced by Manzarek's delicate keyboard melodies and Densmore's subtle drumming.
"Twentieth Century Fox" is a more upbeat, rock-oriented track that showcases the band's tight musicianship and knack for catchy hooks. The song's lyrics, which playfully critique the superficiality of Hollywood culture, are delivered with Morrison's characteristic wit and charisma.
The album's centerpiece is undoubtedly "Light My Fire," a seven-minute epic that became The Doors' first major hit and remains one of their most enduring songs. Written primarily by Krieger, the song features an unforgettable keyboard riff by Manzarek and a mesmerizing guitar solo by Krieger. Morrison's sultry vocals and the song's seductive lyrics helped to cement its status as a classic of the psychedelic rock era.
Another notable track is "Back Door Man," a cover of a blues song by Willie Dixon. The Doors' version is a raw, powerful rendition that highlights Morrison's deep, bluesy voice and the band's ability to reinterpret traditional blues in a contemporary rock context.
The album also includes "Alabama Song (Whisky Bar)," a cover of a song by Bertolt Brecht and Kurt Weill. The Doors' version is a quirky, cabaret-style number that adds a touch of theatricality to the album.
"End of the Night" is a dark, moody track that features eerie, atmospheric instrumentation and Morrison's brooding vocals. The song's lyrics, which draw on themes of existentialism and the darker side of human nature, are typical of Morrison's introspective and often enigmatic writing style.
The album closes with "The End," an 11-minute opus that is arguably one of The Doors' most ambitious and controversial songs. The track's sprawling, improvisational structure and its provocative lyrics, which include references to Oedipal themes, make it a powerful and unsettling conclusion to the album. "The End" showcases the band's willingness to push boundaries and explore new musical and lyrical territory.
In summary, "The Doors" is a landmark album that captures the essence of the band's innovative and eclectic approach to music. With its blend of rock, blues, and psychedelia, and its mix of poetic lyrics and virtuosic musicianship, the album remains a timeless classic that continues to inspire and captivate listeners more than five decades after its release.
