Album Info
Artist: | Van Morrison |
Album: | Moving On Skiffle |
Released: | Europe, 10 Mar 2023 |
Tracklist:
A1 | Freight Train | 3:25 |
Backing Vocals - Chantelle Duncan, Crawford Bell | ||
Bass - Pete Hurley | ||
Drums, Backing Vocals - Colin Griffin | ||
Electric Guitar [Electric Lead Guitar], Lead Guitar [Electric Lead Guitar], Backing Vocals - Dave Keary | ||
Electric Organ [Hammond Organ] - Richard Dunn | ||
Piano - Stuart McIlroy | ||
Vocals, Electric Guitar [Electric Rhythm Guitar], Rhythm Guitar [Electric Rhythm Guitar], Harmonica - Van Morrison | ||
Washboard - Sticky Wicket | ||
A2 | Careless Love | 5:39 |
Backing Vocals - Crawford Bell, Dana Masters, Jolene O'Hara | ||
Bass - Pete Hurley | ||
Drums - Colin Griffin | ||
Electric Guitar [Electric Lead Guitar], Lead Guitar [Electric Lead Guitar] - Dave Keary | ||
Piano - Stuart McIlroy | ||
Vocals, Electric Guitar [Electric Lead Guitar], Lead Guitar [Electric Lead Guitar], Saxophone [Sax] - Van Morrison | ||
Washboard - Sticky Wicket | ||
A3 | Sail Away Ladies | 3:17 |
Acoustic Guitar [Acoustic Lead Guitar], Lead Guitar [Acoustic Lead Guitar], Bouzouki, Backing Vocals - Dave Keary | ||
Backing Vocals - Crawford Bell, Dana Masters, Jolene O'Hara | ||
Bass - Pete Hurley | ||
Drums, Percussion, Backing Vocals - Colin Griffin | ||
Electric Organ [Hammond Organ], Backing Vocals - Richard Dunn | ||
Fiddle - Seth Lakeman | ||
Vocals, Electric Guitar [Electric Rhythm Guitar], Rhythm Guitar [Electric Rhythm Guitar], 12-String Acoustic Guitar, Harmonica - Van Morrison | ||
Washboard - Sticky Wicket | ||
A4 | Streamline Train | 4:02 |
Acoustic Guitar [Acoustic Lead Guitar], Lead Guitar [Acoustic Lead Guitar], Ukulele, Classical Guitar - Dave Keary | ||
Backing Vocals - Crawford Bell, Dana Masters, Jolene O'Hara | ||
Bass - Pete Hurley | ||
Drums, Percussion - Colin Griffin | ||
Electric Organ [Hammond Organ] - Richard Dunn | ||
Piano - Stuart McIlroy | ||
Vocals, Electric Guitar [Electric Rhythm Guitar], Rhythm Guitar [Electric Rhythm Guitar] - Van Morrison | ||
Washboard - Sticky Wicket | ||
A5 | Take This Hammer | 4:38 |
Acoustic Guitar [Acoustic Lead Guitar], Lead Guitar [Acoustic Lead Guitar] - Dave Keary | ||
Backing Vocals - Crawford Bell, Dana Masters, Jolene O'Hara | ||
Bass - Pete Hurley | ||
Drums, Percussion - Colin Griffin | ||
Piano - Stuart McIlroy | ||
Vocals, Electric Guitar, 12-String Acoustic Guitar, Harmonica - Van Morrison | ||
Washboard, Percussion - Sticky Wicket | ||
B6 | No Other Baby | 4:30 |
Backing Vocals - Crawford Bell, Dana Masters, Jolene O'Hara | ||
Bass - Pete Hurley | ||
Bongos, Percussion - Sticky Wicket | ||
Castanets - Teena Lyle | ||
Drums, Percussion - Colin Griffin | ||
Electric Guitar [Electric Lead Guitar], Lead Guitar [Electric Lead Guitar] - Dave Keary | ||
Electric Organ [Philicorda] - Richard Dunn | ||
Piano - Stuart McIlroy | ||
Vocals, Electric Guitar [Electric Rhythm Guitar], Rhythm Guitar [Electric Rhythm Guitar], Harmonica, Saxophone [Sax] - Van Morrison | ||
B7 | Gypsy Davy | 4:19 |
Acoustic Guitar - Dave Keary | ||
Backing Vocals - Crawford Bell, Dana Masters, Jolene O'Hara | ||
Bass - Pete Hurley | ||
Drums - Colin Griffin | ||
Electric Organ [Hammond Organ] - Richard Dunn | ||
Fiddle - Seth Lakeman | ||
Piano - Stuart McIlroy | ||
Vocals - Van Morrison | ||
Washboard - Sticky Wicket | ||
B8 | This Loving Light Of Mine | 5:09 |
Backing Vocals - Crawford Bell, Dana Masters, Jolene O'Hara | ||
Bass - Pete Hurley | ||
Drums - Colin Griffin | ||
Electric Guitar [Electric Lead Guitar], Lead Guitar [Electric Lead Guitar] - Dave Keary | ||
Electric Organ [Hammond Organ] - Richard Dunn | ||
Piano - Stuart McIlroy | ||
Vocals, Electric Guitar [Electric Rhythm Guitar], Rhythm Guitar [Electric Rhythm Guitar] - Van Morrison | ||
Washboard - Sticky Wicket | ||
B9 | In The Evening When The Sun Goes Down | 4:24 |
Backing Vocals - Crawford Bell, Dana Masters, Jolene O'Hara | ||
Bass - Pete Hurley | ||
Drums - Colin Griffin | ||
Electric Guitar [Electric Lead Guitar], Lead Guitar [Electric Lead Guitar] - Dave Keary | ||
Electric Organ [Hammond Organ] - Richard Dunn | ||
Piano - Stuart McIlroy | ||
Vocals, Electric Guitar [Electric Rhythm Guitar], Rhythm Guitar [Electric Rhythm Guitar] - Van Morrison | ||
Washboard - Sticky Wicket | ||
B10 | Yonder Comes A Sucker | 3:12 |
Backing Vocals - Chantelle Duncan, Crawford Bell, Teena Lyle | ||
Bass - Pete Hurley | ||
Drums, Backing Vocals - Colin Griffin | ||
Electric Guitar [Electric Lead Guitar], Lead Guitar [Electric Lead Guitar], Acoustic Guitar, Backing Vocals - Dave Keary | ||
Vocals, Acoustic Guitar [Acoustic Rhythm Guitar], Rhythm Guitar [Acoustic Rhythm Guitar] - Van Morrison | ||
Washboard - Sticky Wicket | ||
B11 | Travelin' Blues | 3:41 |
Acoustic Guitar, Lap Steel Guitar, Mandolin, Backing Vocals - Dave Keary | ||
Backing Vocals - Chantelle Duncan, Crawford Bell, Teena Lyle | ||
Bass - Pete Hurley | ||
Drums, Backing Vocals - Colin Griffin | ||
Piano - Stuart McIlroy | ||
Vocals, Acoustic Guitar, Harmonica - Van Morrison | ||
Washboard - Sticky Wicket | ||
C12 | Gov Don't Allow | 4:09 |
Acoustic Guitar [Acoustic Lead Guitar], Lead Guitar [Acoustic Lead Guitar] - Dave Keary | ||
Backing Vocals - Chantelle Duncan, Crawford Bell | ||
Bass - Pete Hurley | ||
Drums - Colin Griffin | ||
Electric Organ [Hammond Organ] - Richard Dunn | ||
Piano - Stuart McIlroy | ||
Vocals, Electric Guitar [Electric Rhythm Guitar], Rhythm Guitar [Electric Rhythm Guitar] - Van Morrison | ||
Washboard - Sticky Wicket | ||
C13 | Come On In | 3:38 |
Acoustic Guitar, Backing Vocals - Dave Keary | ||
Bass - Pete Hurley | ||
Drums, Backing Vocals - Colin Griffin | ||
Electric Organ [Hammond Organ], Backing Vocals - Richard Dunn | ||
Fiddle, Backing Vocals - Seth Lakeman | ||
Piano - Stuart McIlroy | ||
Vocals - Van Morrison | ||
Washboard - Sticky Wicket | ||
C14 | Streamlined Cannonball | 3:14 |
Acoustic Guitar - Dave Keary | ||
Backing Vocals - Crawford Bell, Dana Masters, Jolene O'Hara | ||
Bass - Pete Hurley | ||
Drums - Colin Griffin | ||
Electric Organ [Hammond Organ] - Richard Dunn | ||
Fiddle, Mandolin - Seth Lakeman | ||
Piano - Stuart McIlroy | ||
Vocals - Van Morrison | ||
Washboard - Sticky Wicket | ||
C15 | Greenback Dollar | 3:42 |
Bass - Pete Hurley | ||
Drums, Backing Vocals - Colin Griffin | ||
Electric Guitar, Mandolin, Backing Vocals - Dave Keary | ||
Electric Organ [Hammond Organ], Backing Vocals - Richard Dunn | ||
Piano - Stuart McIlroy | ||
Vocals, Saxophone [Sax] - Van Morrison | ||
Washboard - Sticky Wicket | ||
C16 | Oh Lonesome Me | 3:25 |
Backing Vocals - Chantelle Duncan, Crawford Bell, Teena Lyle | ||
Bass - Pete Hurley | ||
Drums, Backing Vocals - Colin Griffin | ||
Electric Guitar, Acoustic Guitar, Backing Vocals - Dave Keary | ||
Electric Organ [Hammond Organ] - Richard Dunn | ||
Piano - Stuart McIlroy | ||
Vocals - Van Morrison | ||
Washboard - Sticky Wicket | ||
C17 | I Wish I Was An Apple On A Tree | 3:13 |
Acoustic Guitar [Acoustic Lead Guitar], Lead Guitar [Acoustic Lead Guitar], Mandolin, Backing Vocals - Dave Keary | ||
Backing Vocals - Chantelle Duncan, Crawford Bell, Teena Lyle | ||
Bass - Pete Hurley | ||
Drums, Backing Vocals - Colin Griffin | ||
Electric Organ [Hammond Organ] - Richard Dunn | ||
Piano - Stuart McIlroy | ||
Vocals, Acoustic Guitar [Acoustic Rhythm Guitar], Rhythm Guitar [Acoustic Rhythm Guitar] - Van Morrison | ||
Washboard - Sticky Wicket | ||
C18 | I'm So Lonesome I Could Cry | 3:04 |
Backing Vocals - Chantelle Duncan, Crawford Bell, Teena Lyle | ||
Bass - Pete Hurley | ||
Drums, Backing Vocals - Colin Griffin | ||
Electric Organ [Hammond Organ] - Richard Dunn | ||
Lap Steel Guitar, Mandolin, Backing Vocals - Dave Keary | ||
Piano - Stuart McIlroy | ||
Vocals, Acoustic Guitar [Acoustic Rhythm Guitar], Rhythm Guitar [Acoustic Rhythm Guitar] - Van Morrison | ||
Washboard - Sticky Wicket | ||
D19 | I'm Movin' On | 2:56 |
Backing Vocals - Chantelle Duncan, Crawford Bell, Teena Lyle | ||
Bass - Pete Hurley | ||
Drums, Percussion, Backing Vocals - Colin Griffin | ||
Electric Organ [Hammond Organ] - Richard Dunn | ||
Lap Steel Guitar, Backing Vocals - Dave Keary | ||
Piano - Stuart McIlroy | ||
Vocals, Electric Guitar [Electric Rhythm Guitar], Rhythm Guitar [Electric Rhythm Guitar], Saxophone [Sax] - Van Morrison | ||
Washboard, Bongos, Congas - Sticky Wicket | ||
D20 | Cold Cold Heart | 3:26 |
Backing Vocals - Crawford Bell, Jolene O'Hara | ||
Bass - Pete Hurley | ||
Drums, Backing Vocals - Colin Griffin | ||
Electric Organ [Hammond Organ], Backing Vocals - Richard Dunn | ||
Lap Steel Guitar, Backing Vocals - Dave Keary | ||
Piano - Stuart McIlroy | ||
Vocals, Saxophone [Sax] - Van Morrison | ||
Washboard, Bongos, Congas - Sticky Wicket | ||
D21 | Worried Man Blues | 4:37 |
Backing Vocals - Chantelle Duncan, Crawford Bell, Teena Lyle | ||
Bass - Pete Hurley | ||
Drums, Percussion, Backing Vocals - Colin Griffin | ||
Electric Guitar [Electric Lead Guitar], Lead Guitar [Electric Lead Guitar], Backing Vocals - Dave Keary | ||
Electric Organ [Hammond Organ] - Richard Dunn | ||
Piano - Stuart McIlroy | ||
Vocals, Electric Guitar [Electric Rhythm Guitar], Rhythm Guitar [Electric Rhythm Guitar] - Van Morrison | ||
Washboard, Bongos, Congas - Sticky Wicket | ||
D22 | Cotton Fields | 3:05 |
Backing Vocals - Chantelle Duncan, Crawford Bell, Teena Lyle | ||
Bass - Pete Hurley | ||
Bouzouki, Mandolin, Backing Vocals - Dave Keary | ||
Drums, Backing Vocals - Colin Griffin | ||
Electric Organ [Hammond Organ] - Richard Dunn | ||
Piano - Stuart McIlroy | ||
Vocals, Electric Guitar [Electric Rhythm Guitar], Rhythm Guitar [Electric Rhythm Guitar] - Van Morrison | ||
Washboard - Sticky Wicket | ||
D23 | Green Rocky Road | 8:57 |
Acoustic Guitar, Bouzouki, Backing Vocals - Dave Keary | ||
Backing Vocals - Chantelle Duncan, Crawford Bell, Teena Lyle | ||
Bass - Pete Hurley | ||
Drums, Backing Vocals - Colin Griffin | ||
Electric Organ [Hammond Organ] - Richard Dunn | ||
Fiddle - Seth Lakeman | ||
Piano - Stuart McIlroy | ||
Vocals, Electric Guitar [Electric Rhythm Guitar], Rhythm Guitar [Electric Rhythm Guitar] - Van Morrison | ||
Washboard - Sticky Wicket |
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Description
Van Morrison’s latest offering, "Moving On Skiffle," is a delightful homage to the skiffle movement that swept through the UK in the late 1950s and early 1960s. Released on March 10, 2023, this album showcases Morrison’s deep-rooted love for the genre that influenced many of his contemporaries, including The Beatles and Lonnie Donegan. With a career spanning over six decades, Morrison has always been a chameleon, effortlessly blending genres, and this album is no exception. It’s a vibrant celebration of folk, blues, and jazz, all wrapped up in the charming simplicity of skiffle.
From the very first track, Morrison invites listeners into a world filled with nostalgia and warmth. The opening number, "The Skiffle Song," sets the tone with its infectious rhythm and Morrison’s signature gravelly voice, which feels both timeless and fresh. The instrumentation is a delightful mix of acoustic guitars, banjos, and washboards, creating a sound that is both lively and intimate. It’s clear that Morrison is not just revisiting the past; he’s breathing new life into it, making it accessible for a new generation of listeners.
One of the standout tracks on the album is "Midnight Special," a classic folk song that Morrison interprets with a soulful twist. His rendition is both respectful to the original while infusing it with his unique style. The harmonica solos are particularly noteworthy, showcasing Morrison’s prowess as a musician. Critics have praised this track for its ability to evoke a sense of longing and freedom, a testament to Morrison’s lyrical prowess and emotional depth.
The album also features a number of original compositions that fit seamlessly alongside the traditional skiffle tunes. "Skiffle Blues" is a prime example, where Morrison’s storytelling shines through. The lyrics reflect his personal experiences and observations, wrapped in a catchy melody that makes it hard not to tap your feet along. It’s this blend of personal narrative and universal themes that has always set Morrison apart from his peers.
Morrison’s production choices on "Moving On Skiffle" are also worth noting. Recorded in his home studio, the album has an organic feel that captures the essence of live performance. The rawness of the sound, combined with the polished musicianship of his band, creates a perfect balance. The album features a mix of seasoned musicians and fresh talent, which adds to the dynamic energy of the project. Morrison’s ability to collaborate with younger artists while maintaining his distinct sound is a testament to his versatility and openness to new ideas.
Critics have responded positively to the album, with many highlighting its joyful spirit and the way it encapsulates the essence of skiffle. Publications like Rolling Stone and The Guardian have lauded Morrison for his ability to evoke nostalgia while still pushing musical boundaries. The album has also been nominated for several awards, including Best Folk Album at the upcoming Grammy Awards, further solidifying Morrison’s status as a living legend in the music industry.
What makes "Moving On Skiffle" particularly special is the way it connects generations. Fans of Morrison will find comfort in his familiar sound, while younger listeners may discover the roots of modern music through his interpretations of skiffle classics. It’s a bridge between the past and the present, a reminder of the joy that music can bring, regardless of age.
In interviews, Morrison has expressed his desire to keep the spirit of skiffle alive, emphasizing its importance in the evolution of popular music. He recalls his own childhood experiences of listening to skiffle records and how they inspired him to pick up the guitar. This personal connection to the music shines through in every note of the album, making it not just a collection of songs, but a heartfelt tribute to a genre that shaped his artistic journey.
Overall, "Moving On Skiffle" is a testament to Van Morrison’s enduring legacy and his ability to adapt and innovate. It’s an album that invites you to tap your feet, sing along, and perhaps even reminisce about your own musical journey. With its infectious energy and heartfelt performances, it’s a must-listen for anyone who appreciates the rich tapestry of music history.