Album Info
| Artist: | Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane, Bach |
| Album: | Concertos |
| Gatefold: | Yes |
| Released: | Europe, 21 Jul 2023 |
Tracklist:
| A | Concerto For Violin, Strings And Continuo In E Major BWV 1042 | |
| A1 | 1. Allegro | 6:56 |
| A2 | 2. Adagio | 7:06 |
| A3 | 3. Allegro Assai | 2:31 |
| B | Concerto For 2 Violins, Strings And Continuo In D Minor BWV 1043 | |
| Violin [Violin II] - Margaret Batjer | ||
| B1 | 1. Vivace | 3:14 |
| B2 | 2. Largo Ma Non Tanto | 6:50 |
| B3 | 3. Allegro | 4:20 |
| C | Concerto For Violin, Strings And Continuo In A Minor BWV 1041 | |
| C1 | 1. (Allegro Moderato) | 3:24 |
| C2 | 2. Andante | 6:44 |
| C3 | 3. Allegro Assai | 3:20 |
| D | Concerto For Oboe, Violin, Strings And Continuo In C Minor BWV 1060 | |
| Oboe - Allan Vogel | ||
| D1 | 1. Allegro | 4:30 |
| D2 | 2. Adagio | 5:20 |
| D3 | 3. Allegro | 3:13 |
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Description
Hilary Hahn’s album "Bach: Concertos", recorded with the Los Angeles Chamber Orchestra under the direction of Jeffrey Kahane, is a masterful exploration of Johann Sebastian Bach’s violin concertos. Released in 2003, this album showcases Hahn’s extraordinary talent and her deep connection to Bach’s music, which has been a cornerstone of her career since her early days as a violinist.
The album features two of Bach’s most celebrated violin concertos: the Violin Concerto in A minor, BWV 1041, and the Violin Concerto in E major, BWV 1042. Additionally, it includes the Double Violin Concerto in D minor, BWV 1043, where Hahn is joined by Margaret Batjer, the concertmaster of the Los Angeles Chamber Orchestra. The performances are vibrant, precise, and full of life, capturing the essence of Bach’s compositions while bringing a fresh and personal interpretation to the music.
Hahn’s playing is characterised by her impeccable technique, clear tone, and expressive phrasing. She approaches Bach’s music with a sense of reverence and understanding, yet her interpretations feel spontaneous and alive. The Los Angeles Chamber Orchestra, under Kahane’s direction, provides a sensitive and dynamic accompaniment, creating a perfect balance between soloist and ensemble. The interplay between Hahn and the orchestra is seamless, highlighting the conversational nature of Bach’s concertos.
One of the standout aspects of this recording is the Double Violin Concerto. Hahn and Batjer’s interplay is exquisite, with their lines weaving together in a way that feels both intimate and grand. The second movement, in particular, is a highlight, with its lyrical and heartfelt dialogue between the two violins. It’s a testament to the chemistry between the performers and their shared understanding of the music.
The album also includes Hahn’s arrangement of the Keyboard Concerto in D minor, BWV 1052, for violin and orchestra. This piece, originally written for harpsichord, translates beautifully to the violin, and Hahn’s performance is both virtuosic and deeply expressive. It’s a fascinating addition to the album, showcasing Hahn’s creativity and her ability to bring new perspectives to Bach’s music.
"Bach: Concertos" received widespread acclaim upon its release, with critics praising Hahn’s artistry and the album’s overall quality. It’s a recording that appeals to both seasoned Bach enthusiasts and newcomers to his music, offering a fresh and engaging take on these timeless works. The album also solidified Hahn’s reputation as one of the leading violinists of her generation, particularly in her interpretations of Bach.
Listening to this album is a reminder of the enduring power of Bach’s music and the unique ability of great performers to bring it to life. Hilary Hahn, the Los Angeles Chamber Orchestra, and Jeffrey Kahane have created a recording that is both faithful to the spirit of Bach and full of individual character. It’s a must-listen for anyone who loves classical music and a shining example of what makes Bach’s concertos so special.
