Album Info
| Artist: | Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane, Bach |
| Album: | Concertos |
| Gatefold: | Yes |
| Released: | Europe, 21 Jul 2023 |
Tracklist:
| A | Concerto For Violin, Strings And Continuo In E Major BWV 1042 | |
| A1 | 1. Allegro | 6:56 |
| A2 | 2. Adagio | 7:06 |
| A3 | 3. Allegro Assai | 2:31 |
| B | Concerto For 2 Violins, Strings And Continuo In D Minor BWV 1043 | |
| Violin [Violin II] - Margaret Batjer | ||
| B1 | 1. Vivace | 3:14 |
| B2 | 2. Largo Ma Non Tanto | 6:50 |
| B3 | 3. Allegro | 4:20 |
| C | Concerto For Violin, Strings And Continuo In A Minor BWV 1041 | |
| C1 | 1. (Allegro Moderato) | 3:24 |
| C2 | 2. Andante | 6:44 |
| C3 | 3. Allegro Assai | 3:20 |
| D | Concerto For Oboe, Violin, Strings And Continuo In C Minor BWV 1060 | |
| Oboe - Allan Vogel | ||
| D1 | 1. Allegro | 4:30 |
| D2 | 2. Adagio | 5:20 |
| D3 | 3. Allegro | 3:13 |
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Description
2LP - 180g Black Vinyl housed in a Gatefold Sleeve.
In 2023 Deutsche Grammophon celebrates a wonderful milestone: its 125th birthday. To mark the occasion the Yellow Label makes a selection of LPs available on vinyl for the first time ever. 12 LPs for 12 months of celebrations, including legendary recordings by Daniil Trifonov, Hélène Grimaud, Hilary Hahn, Jan Lisiecki and many others.
Bach's violin concertos are fundamentally different from the Virtuoso Concerto of the 19th century, which may be played much more subjectively, sentimentally, effectively. But with Bach the most important virtues are: absolute accuracy, logical phrasing, cooperation with the orchestra. The American violinist Hilary Hahn brings all this, and much more. She tackles the famous E major concerto BWV 1042 with a temperament that had gone unnoticed until then, almost briskly and powerfully, the orchestra (Los Angeles Chamber Orchestra) meanwhile withdrawing discreetly into the background.
For this recording from 2004, Teresa Pieschacón Raphael wrote: “Hilary Hahn knows what she wants. She sets the impulses with her clear, contoured, not veiled violin tone, but this always unpretentiously, without put-on weightiness or virtuoso posturing and without degrading the orchestra to a lackey. Especially in the sustained middle movements, she seems to come completely into her own, although the deep intimacy and soulfulness that one can expect from particularly gifted artists only after a certain maturity is not yet entirely her thing. But she is already on her way to becoming a great artistic personality.
