Album Info
Artist: | Sting |
Album: | Duets |
Gatefold: | Yes |
Released: | Worldwide, 19 Mar 2021 |
Tracklist:
A1 | Little Something | |
Bass, Drums, Guitar, Synth [Synth Pads], Synthesizer [Synthesizer Pluck], Strings - Antoine Chatenet | ||
Engineer - Donal Hodgson, Martin Kierszenbaum, Tony Lake | ||
Guitar - Dominic Miller | ||
Mixed By - Robert Orton | ||
Producer [Sting Vocals] - Martin Kierszenbaum | ||
Producer, Recorded By - Jen Jis | ||
Vocals - Melody Gardot, Sting | ||
Written-By - Antoine Chatenet, Conor Blake, Dominic Miller, GM Sumner, Hilda Stenmalm, Melody Gardot, Nora Abakar | ||
A2 | It's Probably Me | |
Cello - Sian Bell | ||
Drums - Vinnie Colaiuta | ||
Flute - Dave Heath | ||
Guitar - Dominic Miller, Eric Clapton | ||
Harmonica [Chromatic Harmonica] - Brendan Power, Larry Adler | ||
Keyboards - David Sancious | ||
Mastered By - Bob Ludwig | ||
Mixed By - Hugh Padgham | ||
Narrator [Narration] - David Foxxe | ||
Northumbrian Pipes, Fiddle - Kathryn Tickell | ||
Pedal Steel Guitar [Pedal Steel Player] - Paul Franklin | ||
Producer - Michael Kamen, Stephen McLaughlin | ||
Saxophone - David Sanborn | ||
Trombone - Mark Nightingale, Richard Edwards | ||
Trumpet - Guy Barker, John Barclay | ||
Viola - James Boyd | ||
Violin - Kathryn Grayson, Simon Fischer | ||
Vocals, Bass, Harmonica - Sting | ||
Written-By - Eric Clapton, GM Sumner, Michael Kamen | ||
A3 | Stolen Car | |
Producer, Mixed By - The Avener | ||
Synthesizer, Keyboards - The Avener | ||
Vocals - Mylène Farmer, Sting | ||
Written-By - GM Sumner, Mylène Farmer | ||
A4 | Desert Rose | |
Arranged By [Strings], Conductor, Leader - Farhat Bouallagui | ||
Backing Vocals - Althea Rodgers, Darryl Tookes, Dennis Collins, Janice Pendarvis, Joe Mendez, Ken Williams, Marlon Saunders, Tawatha Agee, Veneese Thomas | ||
Bass, Guitar - Sting | ||
Clarinet - Branford Marsalis | ||
Drums - Manu Katché, Vinnie Colaiuta | ||
Guitar - Dominic Miller | ||
Keyboards, Drum Programming - Kipper | ||
Northumbrian Pipes, Fiddle - Kathryn Tickell | ||
Organ [Hammond] - Dave Hartley, Don Blackman | ||
Pedal Steel Guitar - B.J. Cole | ||
Percussion - Mino Cinelu | ||
Piano, Clavinet - Jason Rebello | ||
Producer - Kipper, Sting | ||
Strings [Players] - Kouider Berkan, Moulay Ahmed, Salem Bnouni, Sameh Catalan | ||
Tabla [Darbouka] - Ettamri Mustapha | ||
Trumpet - Chris Botti | ||
Vocals - Cheb Mami, Sting | ||
Written-By - Cheb Mami, GM Sumner | ||
B1 | Rise & Fall | |
Producer - Soulshock And Karlin | ||
Producer, Arranged By - Soulpower Productions | ||
Vocals - Craig David, Sting | ||
Written-By - Craig David, Dominic Miller, GM Sumner | ||
B2 | Whenever I Say Your Name | |
Backing Vocals - Ada Dyer, Bahija Rhapl, Donna Gardier, Lance Ellington | ||
Bass, Guitar, Keyboards, Clarinet [Turkish Clarinet] - Sting | ||
Castanets - Valerie Denys | ||
Cello - Jacqueline Thomas, Levon Minassian | ||
Choir - Chœur de Radio France | ||
Chorus Master [Associate Choir Master] - Philip White | ||
Double Bass - Christian McBride | ||
Drums - Manu Katché, Vinnie Colaiuta | ||
Featuring [Featured], Backing Vocals - Joy Rose | ||
Guitar - Dominic Miller | ||
Keyboards, Programmed By - Kipper | ||
Organ [Hammond] - Jeff Young | ||
Piano, Arranged By [Choir] - Dave Hartley | ||
Piano, Electric Piano [Rhodes] - Jason Rebello | ||
Tabla - Aref Durvesh | ||
Trombone - Clark Gayton | ||
Trumpet - Chris Botti | ||
Vocals - Kipper, Mary J. Blige, Sting | ||
Written-By - GM Sumner | ||
B3 | Don't Make Me Wait | |
Backing Vocals - Gene Noble, Sting, Sting International | ||
Drums - Sting International | ||
Edited By - Martin Kierszenbaum, Sting International | ||
Engineer - Robert Orton, Sting International, Tony Lake | ||
Guitar - Dominic Miller, Kameron Corvet | ||
Keyboards - Dwayne "iLL Wayno" Shippy, Machine Gun Funk, Martin Kierszenbaum | ||
Mixed By - Sting International | ||
Producer - Sting International | ||
Producer [Additional Music Production By] - Dwayne "iLL Wayno" Shippy, Kameron Corvet, Kennard Garrett | ||
Vocals - Shaggy, Sting | ||
Written-By - Ashante Reid, GM Sumner, Kameron Quintin Jones, Kennard Garrett, Orville Burrell, Shaun Pizzonia | ||
B4 | Reste | |
Instruments [Musicians: All Instruments By] - Renaud Rebillaud | ||
Mastered By - Masterdisk | ||
Mixed By - Jérémie Tuil | ||
Producer - Renaud Rebillaud | ||
Producer [Sting's Vocals] - Martin Kierszenbaum | ||
Recorded By - Renaud Rebillaud, Tony Lake | ||
Vocals - Gims, Sting | ||
Written-By - GM Sumner, Gims, Renaud Rebillaud | ||
C1 | We'll Be Together | |
Backing Vocals - Annie Lennox, Dolette McDonald, Janice Pendarvis, Renée Geyer, Vesta Williams | ||
Bass, Double Bass, Arranged By - Sting | ||
Drums - Manu Katché | ||
Drums [Additional Drums] - Andy Newmark | ||
Electric Guitar - Eric Clapton | ||
Keyboards - Kenny Kirkland | ||
Mixed By - Jeff Rothschild, John Shanks | ||
Percussion, Vocoder - Mino Cinelu | ||
Producer - John Shanks | ||
Saxophone - Branford Marsalis | ||
Vocals - Annie Lennox, Sting | ||
Written-By - GM Sumner | ||
C2 | L'amour C'est Comme Un Jour | |
Arranged By - Stanislas Renchilt | ||
Bass - Yannick Hardouin | ||
Drums, Keyboards, Guitar, Piano, Programmed By - Erick Benzi | ||
Mixed By - Erick Benzi | ||
Producer - Erick Benzi, Phil Romane | ||
Strings - Paris Pop Orchestra | ||
Vocals - Charles Aznavour, Sting | ||
Written-By - Charles Aznavour, Yves Stéphane | ||
C3 | My Funny Valentine | |
Bass - John Patitucci | ||
Drums - Steve Jordan | ||
Engineer - Niko Bolas | ||
Featuring - Herbie Hancock | ||
Keyboards - Michael Bearden | ||
Mixed By - Clif Norrell | ||
Percussion - Cyro Baptista | ||
Piano - Herbie Hancock | ||
Producer - Sting | ||
Vocals - Sting | ||
Written-By - Lorenz Hart, Richard Rodgers | ||
C4 | Fragile | |
Acoustic Guitar - Dean Parks, Fred Tackett | ||
Arranged By [Rhythm] - Robbie Buchanan | ||
Backing Vocals [Additional] - George Noriega, Hector Almaguer, Jenny Cruz, Rita Quintero | ||
Bass - Leland Sklar | ||
Drums - Mike Baird | ||
Keyboards - Robbie Buchanan | ||
Lead Guitar, Backing Vocals - Sting | ||
Mastered By - Chris Blair | ||
Mixed By - Mick Guzauski | ||
Percussion - Luis Conte, Mike Fisher | ||
Producer - Albert Hammond | ||
Synthesizer - Jeffery (C.J.) Vanston | ||
Vocals - Julio Iglesias | ||
Written-By - GM Sumner | ||
D1 | Mama | |
Mixed By - Robert Orton | ||
Producer - Gashi , Space Primates | ||
Vocals - Gashi , Sting | ||
Written-By - Larry Gashi, GM Sumner, Marc Sibley, Nathan Cunningham | ||
D2 | September | |
Bass, Keyboards, Guitar - Sting | ||
Drums - Manu Katché | ||
Engineer - Donal Hodgson | ||
Engineer [Assistant Engineer / Pro Tools] - Andy Apel | ||
Guitar - Dominic Miller | ||
Keyboards - Frédéric Renaudin | ||
Mixed By - Robert Orton | ||
Producer - Sting | ||
Vocals - Sting, Zucchero | ||
Written-By - GM Sumner, Zucchero | ||
Written-By, Music By - Sumner, Rob Mathes | ||
D3 | Practical Arrangement | |
Acoustic Guitar, Bass, Bells [Orchestral Bells], Cymbal [Orchestral Cymbals] - Sting | ||
Arranged By [Orchestra] - Rob Mathes | ||
Bass - Ira Coleman | ||
Conductor [Orchestra] - Rob Mathes | ||
Contractor [Assistant Orchestra] - Charlotte Matthews | ||
Contractor [Orchestra] - Isobel Griffiths | ||
Drums, Percussion - Joe Bonadio | ||
Electric Guitar, Acoustic Guitar - Dominic Miller | ||
Engineer [Adittional], Edited By [Editing] - Lars Fox | ||
Engineer [Assistant] - Angus Cowen, Mark Broughton | ||
Engineer [Pro Tools] - Brett Meyer, Paul Pritchard , Rael Jones, Rich Rich, Toby Hulbert | ||
Mastered By - Scott Hull | ||
Melodeon - Julian Sutton | ||
Piano, Keyboards, Acoustic Guitar - Rob Mathes | ||
Producer - Rob Mathes, Sting | ||
Production Manager - Jill Dell'Abate | ||
Recorded By [Additional Recording By] - Alex Venguer | ||
Recorded By [Orchestra] - Jonathan Allen, Peter Cobin | ||
Recorded By, Mixed By - Donal Hodgson | ||
Transcription By [Music Preparation - Assisted By] - Dakota Music Service, Dave Hage | ||
Transcription By [Music Preparation] - Lori Casteel, Mike Casteel | ||
Violin, Mandolin - Peter Tickell | ||
Violin, Northumbrian Pipes - Kathryn Tickell | ||
Vocals - Jo Lawry, Sting | ||
Written-By - GM Sumner | ||
D4 | None Of Us Are Free | |
Backing Vocals - Adie Grey, Crystal Talefero, Shana Crooks, Tabitha Fair | ||
Bass - Tommy Sims | ||
Clavinet, Piano - Greg Phillinganes | ||
Drums - Dan Needham | ||
Edited By [Digital Editing] - Jeff Kanan, Kevin Guarnieri | ||
Engineer [Assistant] - Keith Gretlein, Stephanie Gourley, Tony High | ||
Guitar - Michael Ripoll | ||
Keyboards - Tim Akers | ||
Organ [Hammond B3] - Mike Finnigan | ||
Percussion - Sheila E | ||
Vocals - Sam Moore, Sting | ||
Written-By - Barry Mann, Brenda Russell , Cynthia Weil | ||
D5 | In The Wee Small Hours Of The Morning | |
Producer - Andy Snitzer, Chris Botti, Chris Roberts, Eric Calvi, Harvey Jones | ||
Trumpet - Chris Botti | ||
Vocals - Sting | ||
Written-By - Bob Hilliard, David A. Mann |
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Description
Sting’s latest release, "Duets," is a captivating collection that showcases the legendary artist’s versatility and enduring appeal through a series of collaborations that span his illustrious career. Released on March 19, 2021, this album is a delightful journey through some of Sting’s most beloved tracks, reimagined alongside a diverse array of artists, each bringing their unique flair to the table.
From the outset, it’s clear that "Duets" is not just a simple compilation; it’s a thoughtfully curated experience that highlights the chemistry Sting has with his collaborators. The album features a mix of previously released tracks and new renditions, all of which are imbued with a fresh energy that breathes new life into familiar melodies. One standout moment is the reworking of "What Could Have Been," featuring the hauntingly beautiful vocals of Melody Gardot. Their voices intertwine seamlessly, creating a lush soundscape that elevates the original song to new emotional heights.
Another highlight is the collaboration with Herbie Hancock on "Shape of My Heart." The jazz-infused arrangement adds a layer of sophistication to the already poignant lyrics, showcasing Sting’s ability to transcend genres. Hancock’s piano work is nothing short of mesmerizing, and together they create a version that feels both timeless and contemporary. This track, like many others on the album, serves as a reminder of Sting’s remarkable ability to adapt and evolve while remaining true to his artistic roots.
The album also features a duet with the iconic Shaggy on "Don’t Make Me Wait," a track that originally appeared on their joint album "44/876." Their chemistry is palpable, and the reggae-infused rhythm is infectious, making it a perfect summer anthem. It’s a testament to Sting’s willingness to explore different musical landscapes and collaborate with artists from various genres, which has always been a hallmark of his career.
Critics have responded positively to "Duets," praising its cohesive sound and the way it showcases Sting’s vocal prowess. The album has been noted for its production quality, with Sting working alongside renowned producers like Martin Kierszenbaum, who has been a long-time collaborator. The production is polished yet retains an organic feel, allowing the emotional weight of the songs to shine through.
One of the most touching aspects of "Duets" is the inclusion of the track "I Can’t Stop Thinking About You," featuring the talented singer-songwriter, and Sting’s son, Joe Sumner. This familial collaboration adds a personal touch to the album, and their harmonies create a sense of intimacy that resonates deeply with listeners. It’s a beautiful moment that encapsulates the themes of love and connection that run throughout the album.
Sting’s commentary on the album reveals his passion for collaboration and the joy he finds in working with other artists. In interviews, he has expressed how these duets have allowed him to explore different interpretations of his music, and how each artist brings their own story and experience to the songs. This sentiment is palpable throughout the album, as each track feels like a conversation between friends, rich with shared history and mutual respect.
"Duets" is not just a nostalgic look back at Sting’s career; it’s a celebration of the power of collaboration and the magic that happens when artists come together. The album has been well-received by fans, many of whom appreciate the fresh takes on classic songs while also enjoying the new material. It’s a testament to Sting’s enduring legacy that he can still captivate audiences with his music, even decades into his career.
In conclusion, Sting’s "Duets" is a beautifully crafted album that showcases the artist’s remarkable ability to connect with others through music. With its rich collaborations, emotional depth, and stunning production, it stands as a testament to Sting’s artistry and his ongoing relevance in the music world. Whether you’re a long-time fan or new to his work, this album is sure to resonate and remind you of the timeless nature of great music.